...BACHELOR IN MUSIC EDUCATION COURSE TITLE: JAZZ MUSIC TITLE OF ASSIGNMENT: ATLANTIC INTERNATIONAL UNIVERSITY HONOLULU, HAWAII TABLE OF CONTENT CCONTENT PAGE INTRODUCTION……………………………………3-5 JUSTIFICATION…………………………………………5 BODY……………………………………………….…….6-14 REFERENCES………………………………………. …..15-16 INTRODUCTION Musical language started changing throughout Europe by famous composers such as Stravinsky and Schoenberg, alone side a new style of music was developed in America called the jazz music, this new style of music that was developed by instrumentalist and singers, predominantly the black Americans who were performing this new style of music along streets, bawdy houses, dance halls and other southern cities. Jazz music can be defined according to according to oxford student dictionary defined jazz music as a style of music with a strong rhythm, originally of African American. Again, jazz music can be describe as a style of music rooted out of improvisation and features by syncopated rhythm, a constant beat pattern with a distinctive tone color and performance techniques. The term jazz became popular around 1915, though it started as early as 1900 but throughout the early period of jazz existence nothing was written down on paper or notated on jazz music due to the fact that jazz music was mostly dominated by improvisation. Moreover, only little of jazz music...
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...In an article, “Understanding Jazz Audiences: Listening and Learning at the Edinburgh Jazz and Blues Festival” Karen and Stephanie attempt to measure how Jazz audiences are influenced by a live performance at the Edinburgh Jazz and Blues Festival (EJBF) in 2007, and assess the role that music plays in their broader cultural and emotional lives. The authors use data gained through organizational surveys of fifteen performances to observe the audiences, venues and the experiences during the festival. This research focuses on assessing the audience profile which contends their motivation to participate the festivals and the factors to attend musical events. Moreover, the researchers examine audience expectations and their experiences of jazz listening....
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...Instrumentals : A Music Into Our Ears A Research Paper Presented to The Class of Miss Rachelle Lynne A. Rosales Camp General Emilio Aguinaldo High School In Partial Fulfillment Of the Requirements for the Subject English IV Submitted by: Josh Gabriel Hornilla John Gabriel Celis IV – Gomez Chapter I 1 Introduction Instrumental songs are music that can entertain us and relieved stress. It can also be a fun of everybody when playing an instrument like piano, guitar drums, etc. In this generation, many people likes the genre of Hip Hop, R & B, Rock, Pop, and the famous genre nowadays is Korean Pop (K-Pop). So the researchers want to know if Instrumental songs are important in our everyday ...
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...Persuasive Research Paper Langston Hughes was a forerunner of rap music. He writes with a finesse that is a lot similar to a modern day rapper. Growing up during the Harlem Renaissance really set the stage for Langston Hughes writing. He also lived in a time where he African Americans were proud of their roots. Being around all the arts made him more inclined to write the way he did, with a rhythm. From Langston Hughes attitudes towards women, to writing about the streets he grew up on and his struggles, it is very evident that Langston Hughes was a forerunner of rap. Langston Hughes was lucky his hit his peak during the Harlem Renaissance because that gave him the opportunity to perform and publish his work in Black magazines. Langston Hughes mirrors rappers because he wrote his poetry simplistically, so people with no education could read and understand it. Langston Hughes wasn’t just a writer he was also a performer, he would regularly perform in nightclubs to gain exposure. I’m sure that if Langston Hughes were alive today he would be performing spoken word poetry in New York night clubs, or writing lyrics for today’s rappers. Langston Hughes was so drawn to the nightlife that he dropped out of school to travel and perform his poetry, just like a lot of modern rappers chasing their dreams. In the 1923 poem, “Jazzonia”, Langston Hughes sets the poem, “In a Harlem nightclub” (1140) , and is describing the jazz players inside it. Three years later, in “Lenox avenue: midnight”...
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...https://www.kickstarter.com/projects/470989045/voxskool-music-hub-for-better-health-and-happiness?ref=category VoxSkool Music Hub for better Health & Happiness! by Victoria Beebee 0 backers £0.00 pledged of £20,000 goal 27 days to go Back This Project Remind me This project will only be funded if at least £20,000 is pledged by Mon, Apr 18 2016 3:06 AM AWST. Fleet, UK Music In this day & age we feel worn down by so many daily pressures & emotions. We believe MUSIC is the MEDICINE of NOW! Share: Tweet Share Embed Pin Post Victoria Beebee First created | 0 backed voxskool.com See full bio Contact me Campaign Updates 0 Comments 0 Community Back This Project Remind me About this project Hey, I'm Victoria and I've been singing, writing and performing from a very early age and had a life of touring around the world and releasing my own material, which was amazing to experience with lot's of musicians and respected artists, as well as meeting brilliant every day people who loved the music! About 10 years ago I started to coach kids and adults to sing and express themselves through music, as I realised music has the power to change your mood from negative to positive and really aid in the healing of the mind, body and spirit. So I continued to coach and began gaining lots of new students. Each year we would gather everyone, all ages and cultures together and put on a concert for the local community, often...
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...When we are born, we are 90% water, and by the time we reach adulthood we are down to 70%. If we die of old age, we will probably be about 50% water. In other words, throughout our lives we exist mostly as water. From a physical perspective, humans are water. When I realized this and started to look at the world from this perspective, I began to see things in a whole new way.” (Emoto 2004) Studies behind Hidden Messages in Water Dr. Masaru Emoto started his studies of molecular structure of water by freezing and looking at the crystal. He used different kind of water: tap, natural and distilled. He exposed distilled water to classical music and metal music. He claimed, “All the classical music that we exposed the water to resulted in well-formed...
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...brilliant players such as Herbie Hancock, Ron Carter, and Tony Williams playing in his rhythm section. Together they brought forth the invention of Funky Soul Jazz with George Coleman as the tenor, which Wayne Shorter later came to replace. Very predictable of Miles, he changed his style again, this time a unique mix between Hard Bop and Free Jazz. After this movement was fully established by Miles, surprisingly enough, he changed again, he just could not keep a straight pace. He brought in Chick Corea, electric keyboards, and doubled up sopranos as rock influenced his new style better known as Fusion. Two...
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...Louis Armstrong: American Myth, American Master Louis Armstrong was the greatest jazz musician of all time. He dazzled audiences with his stunning high notes, gorgeous melodies and soul-stirring rhythms. Ground-breaking recordings such as “West End Blues” changed the face of music. But by all accounts, his live performances were even more amazing. Both as a trumpet player and a singer, Armstrong routinely performed musical feats that no other musician could match. His charismatic stage presence and daring improvisations cemented his status as an American master (Robbins 23). His recordings with the Hot Fives and Hot Sevens are considered the most important in jazz history (The Complete Hot Five and Hot Seven Recordings, Remastered). In this research paper, I attempt to trace the history of Louis Armstrong’s musical development, beginning with his early years in New Orleans, on through to his life on the road as a traveling musician, and, finally, to his last years in New York. Childhood in New Orleans Louis Armstrong was born in New Orleans in 1901. His family was extremely poor, so poor that young Louis had to work from a very early age in order to help put food on the table. [Add more about Louis Armstrong’s early life in New Orleans.] First Cornet Young Louis was surrounded by music in New Orleans. Dance halls and street parades featured a host of talented musicians, from which he could learn a great deal. However, he might not have become a truly disciplined musician...
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...Alexander Francis ENG 200 November 4, 2013 Prof. Hamann, Erika Thesis: WWII was critical to the degree at which swing influenced the development of American identity; not only through recognition of social inequalities, but furthering the development of a musical identity that still influences the modern sounds of our ever-changing culture. Why Swing Swung What separates you from others can appropriately be deemed as a series of conflict’s, conflict is critical to the development of identity; without conflict the unconscious perception of us, them, we or they would not exist. Humans being naturally prone to argument create a cultural identity designed around the conflicts in which a number of people are affected, in turn allowing people to identify with each other through common grounds; unintentionally creating a communication barrier between them and us. This model although small demonstrates how groups are formed, and can be projected upon the development of a musical identity within America during the Second World War. Possibly seen as the largest conflict in recorded history, World War II set the boundaries for numerous identities; creating a conscious affiliation of differences, people now identified themselves through stereotypes that otherwise would not have developed. Most of these conflicts or stereotypes would happen to be woven inside the United States due to propaganda: a necessary war tool developed to instill a feeling of pride and ensure a feeling of...
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...Lecture 1 July 4, 2012 • Popular Music in the United States: o Lies in the African-American Population o West African music was brought into America and was thrown into a mixing pot that the slave population count themselves as Americans. o Blues is the beginning of Jazz, Rock and R&B • Congo Square –Passage from book: History of Jazz o An eligible black man sits with a large cylinder drum using his fingers and edge of his hand he jams repeatedly on the drum head which is around 14 diameters and probably made from animal skin. ____________________ with rapid sharp strokes. A second drummer holding his instrument between his knees joins in, playing with the same ______ attack. A third black man seated on the ground _________ instrument the body of which is rashly fashioned from the calabash. Another calabash which has been made into a drum and a woman beats at it with two short sticks. One voice then another voice, then other voices join in a dance of scene contradictions __________ give and take ___________ one handed performance spontaneous yet on closer inspection ritualize and precise is a dance of massive proportions, a dense crowded _________ performed in circular groups perhaps five or six hundred individuals moving in time to the pulsations of the music some swaying gently and others aggressively stumping their feet. A number of women in the group begin chanting. This scene could be Africa, in fact it is 19th century in New Orleans scattered first handed...
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...19 July 2010 Jazz as a Black American Art Form : Definitions of the Jazz Preservation Act JEFF FARLEY Jazz music and culture have experienced a surge in popularity after the passage of the Jazz Preservation Act (JPA) in 1987. This resolution defined jazz as a black American art form, thus using race, national identity, and cultural value as key aspects in making jazz one of the nation’s most subsidized arts. Led by new cultural institutions and educational programs, millions of Americans have engaged with the history and canon of jazz that represent the values endorsed by the JPA. Record companies, book publishers, archivists, academia, and private foundations have also contributed to the effort to preserve jazz music and history. Such preservation has not always been a simple process, especially in identifying jazz with black culture and with America as a whole. This has required a careful balancing of social and musical aspects of jazz. For instance, many consider two of the most important aspects of jazz to be the blues aesthetic, which inevitably expresses racist oppression in America, and the democratic ethic, wherein each musician’s individual expression equally contributes to the whole. Balanced explanations of race and nationality are useful not only for musicologists, but also for musicians and teachers wishing to use jazz as an example of both national achievement and confrontation with racism. Another important aspect of the JPA is the definition of jazz as a ‘‘ high ’’...
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...Josephine Baker was an African American dancer, actress, pop music and jazz singer who was known for by multiple nicknames such as the “Bronze Venus”, “Black Pearl”, “Jazz Cleopatra”, and the “Creole Goddess”. Baker was a thrilling entertainer. More than that, she was the 20th Century’s first international black female sex symbol. The resume of Ms. Baker does not end after being known as an enticing erotic performer, she was also known for becoming an activist in the Civil Rights Movement. After reading this research paper, we will hold a better understanding of how Ms. Josephine Baker impacted American society against racism while being a sex symbol. Freda Josephine McDonald was born on June 3, 1906 in St. Louis, Missouri. Growing...
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...Relationship between human appetite and music Chapter 1 THE PROBLEM AND ITS SETTING/INTRODUCTION Introduction There are a lot of services served in a restaurant, like, high quality food and drinks, skilled staffs, nice ambiance and good music. Consumers are not aware that music is part of the service offered. And subconsciously, they didn’t know that music can boost their appetite and affect their mood in eating. Background of the Study Music and noise level can affect people’s enjoyment of what they eat (Journal of Culinary Science and Hospitality). Appetite in 2006, found that listening to music increased the amount of food eaten and the duration of meals, but that the speed and volume of the music didn’t have a significant effect. Taste is the most obvious sense associated with food, but it is by no means the only sense we engage to to enjoy a good meal. In fact, all our senses come into focus when we eat. According to Hopkins (2007) study found that music has the ability to influence the speed with which we eat. Slow music slows us down; test subjects listening to slow music downed three mouthfuls of food per minute, as compared to the five mouthfuls diners listening to a fast beat consumed. Hoteliers and restaurateurs know that taste is only one aspect of good meal. In national settings, Tin Drum Café in Atlanta, Steven Chan, the owner of fast casual concept and Asian street food eatery Tin Drum Cafe, was originally inspired by the atmosphere and...
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...Putting Thoughts to Paper For several years in school, I dreaded writing academic papers because I found many of the topics monotonous, provoking little desire in me to work hard. The writing process intimidated me because I was often unaware as to where I should begin a paper and once I did, how I should develop my thoughts in an effective manner. My appreciation of writing, both academically and artistically, did not surface until my sophomore year in high school. When I transferred from public to private school, I realized that my writing skills were not as strongly developed as many of my fellow classmates. This feeling of inadequacy motivated me to seek help from my teachers and peers. By the end of first semester sophomore year, my...
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...Cultural Moves AMERICAN CROSSROADS Edited by Earl Lewis, George Lipsitz, Peggy Pascoe, George Sánchez, and Dana Takagi 1. Border Matters: Remapping American Cultural Studies, by José David Saldívar 2. The White Scourge: Mexicans, Blacks, and Poor Whites in Texas Cotton Culture, by Neil Foley 3. Indians in the Making: Ethnic Relations and Indian Identities around Puget Sound, by Alexandra Harmon 4. Aztlán and Viet Nam: Chicano and Chicana Experiences of the War, edited by George Mariscal 5. Immigration and the Political Economy of Home: West Indian Brooklyn and American Indian Minneapolis, by Rachel Buff 6. Epic Encounters: Culture, Media, and U.S. Interests in the Middle East,1945–2000, by Melani McAlister 7. Contagious Divides: Epidemics and Race in San Francisco’s Chinatown, by Nayan Shah 8. Japanese American Celebration and Conflict: A History of Ethnic Identity and Festival, 1934–1990, by Lon Kurashige 9. American Sensations: Class, Empire, and the Production of Popular Culture, by Shelley Streeby 10. Colored White: Transcending the Racial Past, by David R. Roediger 11. Reproducing Empire: Race, Sex, Science, and U.S. Imperialism in Puerto Rico, by Laura Briggs 12. meXicana Encounters: The Making of Social Identities on the Borderlands, by Rosa Linda Fregoso 13. Popular Culture in the Age of White Flight, by Eric Avila 14. Ties That Bind: The Story of an Afro-Cherokee Family in Slavery and Freedom, by Tiya Miles 15. Cultural Moves: African Americans and the Politics of...
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