...into contact with graffiti whether it is on the train or simply walking down the street. Because of this most passer-by have grown used to its presence and barely even notice it. So why is it that some so strongly object against graffiti while otherwise recognize it as a cultural icon? One of the biggest distinctions to be made between art and graffiti is that art is sanctioned by the property owner whilst graffiti is done illegally. That is why two pieces that can be both classified as works of graffiti can illicit entirely different reactions. For instance, if the owner of a store allows a graffiti artist to spray paint a mural or even just a symbol on the side of his establishment, the end result would be considered a work of art. Scrap 1 is a photograph of a mural done by some local artists in the neighborhood commemorating their deceased friends. It is painted on the side of a hair salon and the owner allowed the artists to create it. It is an intricate and large piece that obviously required artistic talent. The people who live on that street often marvel at it when walking by. The first time I saw it I was also captivated but it made me question the rules of street art. In this case the permission of the owner was probably necessary because of the sheer size of the piece and amount of...
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...Critiques Chapter 1: 1. Mona Lisa is one of the most famous pieces of art work in the world. Leonardo da Vinci used a light and dark contrast in this portrait to achieve the emphasis of her mysterious facial expression. (Page 2). 2. The artwork of the “Kenyan woman” there was a variety of colors. The colors in this work portrayed the beauty in different cultures. The smile of the Kenyan woman shows that happiness is beauty. (Page 3). 3. This picture is of the Column of Trajan in Rome, Italy. The spirals on this piece of architecture portray the victories of Napoleon Bonaparte. The history and antiqueness of this column makes this picture beautiful. (Page 8). Chapter 2: 1. Sol LeWitt’s “Lines from four corners to points on a grid” shows how even a line can make a piece of artwork. This piece of work portrays simplicity along with complexity with the use of lines. (Page 28). 2. Elizabeth Catlett’s “Sharecropper” shows the strength of an African American woman. The use of texture in this picture shows the harsh environment the woman was living in. The woman’s look shows her overcoming the hard times. (Page 33). 3. Jacob Lawerence’s painting “Harriet Tubman Series No. 4” portrays a sense of freedom. The people in his painting seem to be jumping and leaping for joy as they overcame an obstacle in their lives. (Page 35). Chapter 3: 1. The artist Deliah Montoya’s artwork known as “Los Jovenes (Youth)” shows a bond of friendship. It portrays the culture...
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...Edited by Kristen Walker Painemilla, Anthony B. Rylands, Alisa Woofter and Cassie Hughes Edited by Kristen Walker Painemilla, Anthony B. Rylands, Alisa Woofter and Cassie Hughes Conservation International 2011 Crystal Drive, Suite 500 Arlington, VA 22202 USA Tel: +1 703-341-2400 www.conservation.org Editors : Kristen Walker Painemilla, Anthony B. Rylands, Alisa Woofter and Cassie Hughes Cover design Paula K. Rylands, Conservation International : Layout: Kim Meek, Washington, DC Maps [except where noted otherwise] Kellee Koenig, Conservation International : Conservation International is a private, non-profit organization exempt from federal income tax under section 501 c (3) of the Internal Revenue Code. ISBN 978-1-934151-39-6 © 2010 by Conservation International All rights reserved. The designations of geographical entities in this publication, and the presentation of the material, do not imply the expression of any opinion whatsoever on the part of Conservation International or its supporting organizations concerning the legal status of any country, territory, or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. Any opinions expressed in this publication are those of the writers, and do not necessarily reflect those of Conservation International (CI). Suggested citation: Walker Painemilla, K., Rylands, A. B., Woofter, A. and Hughes, C. (eds.). 2010. Indigenous Peoples and Conservation: From Rights to Resource Management. Conservation...
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