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Journey of Visual Culture

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Submitted By alexcharlotte888
Words 586
Pages 3
Journal of Visual Culture
Murray

Thesis:

• Social use of digital photography signals a shift in the engagement with the everyday image (less about special/rarefied moments of domestic living, more about immediate/fleeting display/collection of discovery and framing of the small/mundane)
• Photography no longer embalmer of time but more alive/immediate/transitory practice/form
• Everyday image becomes something that even the amateur can create/comment on with relative authority/ease → breaks down traditional bifurcation of amateur vs. professional categories in image-making

Flickr

• Images organized through technological features (tags, groups, batches), less concrete processes/functions of fetishization, collection, memory, flow, taste, signification, social networks
• Example of temporal/social relationships: “Memory Map’s mashup pool”
• One of the most popular free photo-sharing sites, most active social networks, one of the rare sites centered more on image than on text
• Offers variety of functions that take its services beyond other commercial sites, such as Ofoto/Kodak (turned into repositories of traditional family photographs of special events)
• Contributes to the construction of a community (through use of categories or tags, notes contact lists, groups, larger collection of photographs
• Become a collaborative experience: shared display of memory, taste, history, signifiers of identity, collection, daily life, judgment through which amateur and professional photographers collectively articulate a novel, digitized/decentralized aesthetics of the everyday

• Long, complex history of amateur photography and its relationship to domesticity, leisure, consumerism, and artistic production
• Social use of digital photography signals a shift in the engagement with the everyday image that has to do with a move towards transience and the

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