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SCULPTURE Module 1: Aegean Sculpture Summary of Aegean Sculpture Pre-Palace age (Cycladic) ca. 3000-2000 BC Palace age (Minoan) ca. 2000-1400 BC Mycenaean age ca. 1400-1200 BC

The Aegean age featured three major cultures: Cycladic, Minoan, and Mycenaean. The Minoan and Mycenaean cultures are responsible for most Aegean artistic production. The chief exception lies in the Pre-Palace age, during which the Cycladians were the most accomplished sculptors of the Aegean. All Aegean cultures worked mainly in small sculpture. Large-scale sculpture only became common in Europe under the ancient Greeks, who drew inspiration from the great sculpted works of Egypt and Mesopotamia.H114-15 Pre-Palace Age: ca. 3000-2000 BC The foremost Aegean sculptures of the Pre-Palace age are the marble Cycladic idols: stylized figures whose faces are blank except for narrow triangular noses. Thousands of these sculptures have been discovered throughout the Cycladic Islands, often in graves. Most are individuals in a crossed-arm position, though some are engaged in activity, and some are group sculptures. The smooth contours and simple geometry of these figures are uncannily reminiscent of modern art.

Palace Age: ca. 2000-1400 BC Minoan art gradually took form throughout the Pre-Palace age, then flourished during the Palace age. The Minoans sculpted in clay, bronze, ivory, and stone. They produced many figurines, both human and animal; bulls and bull-jumpers were particular favourites.

Mycenaean Age: ca. 1400-1200 BC Most innovation in Aegean art was achieved by the Minoans. The Mycenaeans, known more as cultural adopters than innovators, embraced Minoan culture as the foundation of their own. Consequently, the style and forms of Mycenaean sculpture are largely similar to those of the Minoans.

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