...Katniss Everdeen is a strong independent human being. She is very mature and is the caregiver of the family. She watches over her little sister Prim and will do anything to protect her. “[Katniss] protect[s] Prim in every way [she] can, but [she’s] powerless against the reaping. The anguish [Katniss] always feel[s] when she’s in pain wells up in [her] chest and threatens to register on [her] face. [Katniss] notice[s] her blouse [is] pulled out of her skirt in the back again and force[s] [herself] to stay calm. “Tuck your tail in, little duck,” [Katniss] says, smoothing the blouse back in place. (pg.15)” Katniss is very resourceful and self-sufficient because her father died and she has to fulfill his shoes and care for her mother and sister....
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...important relationship. Katniss Everdeen, the main character, really helps to show us the power of relationships, especially with her younger sister Primrose Everdeen. This is shown to us when Katniss volunteers as tribute for Prim in the life threatening event, The Hunger Games. Another relationship that is important throughout the text is between Katniss and her stylist for The Hunger Games, Cinna. Cinna, unlike other stylists, has faith in Katniss and shows his love for her by showing Katniss how to be her best self. Finally we see a unique relationship between Katniss and her mentor for The Games, Haymitch. Although Haymitch may be harsh on Katniss throughout the novel, he truly does want the...
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...III-Courage 17 October 2012 I. INTRODUCTION The Hunger Games focuses more on Katniss Everdeen’s hardships and struggles for survival. She bravely faces challenges that come in her way, especially when dealing with life and death situations. Moreover, she also realizes that she must be strong and determined as she chooses a difficult path instead of giving up, which demonstrates her will to survive. The Hunger Games is a 2008 Young Adult novel by Suzanne Collins. The story revolves around 16-year-old Katniss Everdeen, who lives in the nation of Panem in North America. The Capitol exercises political control over the rest of the nation. The Hunger Games is an annual event in which tributes aged 12-18 from each of the twelve districts surrounding the capitol are selected by lottery to compete in a live TV Show to death. The Hunger Games is the first book in the ground-breaking Hunger Games Trilogy (New York Times Best Selling Series) followed by Catching Fire (2009) and Mockingjay (2010). Suzanne Collins is an American writer and novelist. Collins was named one of ‘Time Magazine’s Most Influential People of 2010’. The Hunger Games was first published on September 14, 2008. The book had sold 800,000 copies by February 2010. The initial price of the book is $10.99. The aim of this book review is to focus more on the characteristics, conflicts and the attitude of the main character in, Katniss. This pertains to her physical appearance, skills and personality. Another one is...
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...The Hunger Games: Action-film feminism is catching fire Lisa Schwarzbaum Burning up Jennifer Lawrence’s Katniss Everdeen is both strong and vulnerable – a new kind of action heroine who has powered The Hunger Games: Catching fire to a $158m US debut. (Lionsgate) Jennifer Lawrence’s Katniss Everdeen is a new type of female action film icon, and moviegoers should be very excited about that, writes Lisa Schwarzbaum. As Catching Fire ignites on movie screens around the world, this is what we know about the 21st Century heroine called Katniss Everdeen: she is strong but also soft. She is brave but she has doubts. She is a phenomenal fictional creation, yet is real enough that moviegoers can draw inspiration from her values, her resourcefulness, and her very human inner conflicts. And she is played by Jennifer Lawrence, who appears not only to be handling her current duties as Hollywood’s finest model of well-adjusted millennial female stardom but doing so with charm. Everdeen and Lawrence: golden girls both. Personified in Lawrence’s lithe movements and cool, focused gaze, Katniss is a brave, resourceful and independent-minded fighter; but she is also a troubled and vulnerably guilt-ridden human being. Nina Jacobson, the producer of the Hunger Games film franchise, puts it this way: “She is a singular heroine in that the burden of survival weighs on her. She has a ton of survivor’s guilt. And she keeps surviving.” Girl on fire It is strange that behaving like a well-adjusted...
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...The Hunger Games Trilogy Literary Analysis Paper “At some point, you have to stop running and turn around and face whoever wants you dead. The hard thing is finding the courage to do it.” -Katniss Everdeen (Catching Fire, Pg 118) As I read The Hunger Games Trilogy by Suzanne Collins my mind was constantly bombarded by violence, tragedy and a deadly love triangle. The Hunger Games, Catching Fire and Mockingjay were all emotionally difficult books to read, but they were also very powerful books that made me really think about my reality. The Hunger Games Trilogy also made me think about the meaning of the titles and what significance they have. Words with simple meanings like “hunger” in the title The Hunger Games and “fire” in the title Catching Fire can become vastly complex when used literally and figuratively in a very interpretive context. Before I read The Hunger Games I knew that the title was the name of the games that Katniss is partaking in, but after reading the book I realized there were so many other interpretations of the title. The Capitol’s “hunger” for control is how I depicted the title. The Capitol wants control everything and anything. The Capitol seeks to control how Katniss lives her life. Katniss is constantly told what to do and when to do it, but from a young age she has deliberately disobeyed the laws that the Capitol has forced upon the citizens of Panem. The Capitol claims that they rule Panem in their selfish way for the benefit of the Districts...
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...controlled by the Capitol, until only one remains. The story follows 16-year-old Katniss Everdeen, a girl from District 12 who volunteers in place of her sister, Primrose, for the 74th annual Hunger Games in place of her younger sister, Primrose. Also selected from District 12 is Peeta Mellark, a baker's son whom Katniss knows from school, and who once gave her bread when her family was starving. If she is to win, she will have to start making choices that weigh survival against humanity, and life against love. In the terrifying events that follow, Katniss must marshal all her skills to stay alive, and all her emotions to remain a caring human being in the face of the Games. Quote Analysis- “Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen.” Taking the kids from the districts, forcing them to kill one another while people watch, is the Capitol’s way of reminding the districts how their in control, and we are at their mercy. How little chance the districts would stand of surviving another rebellion. The main purpose is to remind the Districts how weak they are, and that their deaths are basically televised entertainment. In this sense, the Games are a form of control. Reflection- In my opinion, The Hunger Games was clear and brilliantly plotted with a great pace. Katniss is presented as brave, reserved, and smart with the...
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...For my book analysis I chose the “hunger games” by Suzanne Collins. This book follows the story of Katniss Everdeen, a young woman who grows up in the future of what was America. After the United States falling apart due to famine, war, and greed, a new country has formed named Panem. Under their control the remaining population has been divided up into twelve districts that are separated by what they export and contribute to the Capital and other districts. To maintain control the capital holds “the hunger games” each year where 2 children from each districts must fight to the death in order to gain respect and food for their district. The hunger games is there to remind everyone of what happened when rebellion broke out with in the districts against the capital. Katniss gets involved in the games when she volunteers to be a tribute to save her younger sister from the horror and pain in the hunger games. Katniss is a unique tribute because she is not concerned with following the rules but keeping those she loves safe, this makes her the embodiment of a rebellion. The purpose of this novel is to warn against the destructive and cruel nature of humans, the unjust social pyramid, and the danger of power. One of the big ideas of the book is that our democratic system is not perfect, neither is any other political ideology. All of these have weak spots and one that crosses all is they lack compassion. A major idea in this book is that no matter how you run a government, the government...
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...She’s independent, strong-willed, and a survivor. What’s there not to admire about Katniss Everdeen, the narrator and main character of The Hunger Games? The only thing she really knows at the beginning of the book is how to provide for her family. Katniss, being a natural survivor, gets through the games easily. She can run, she can hunt, she can camouflage, and most importantly, she has the instinct that she needs to stay alive. But that’s really all she has going for her. Katniss is socially awkward, stubborn, and determined to a fault. She’s also self-centered and self-reliant. Her pessimistic self really shows when she is narrating. Katniss’s struggles with her father’s death has hardened her, making her a somewhat difficult character to actually connect with. Everybody likes a happy story with a kind and self-sacrificing main character, but Katniss is far from that. She doesn’t have much warmth and love to offer anyone, and she finds it hard to get attached to someone – only socializing with her family, Gale’s family, and occasionally Hob traders. Katniss is a self-trusting person. She will only rely on herself and is stubborn when it comes to asking for help. Well, I guess she’s got some good sides to her, too. Katniss is a tragic hero, saving her sister and taking her place in the Hunger Games. She’s noble to a degree, protecting Rue, who reminded Katniss so much of her own sister. She mercifully killed Cato, another tribute who’s been basically terrorizing her and...
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...trapped. Elaboration: Effie goes over to the bowl with the names in. Everyone are sad and anxious, but Effie is smiling and exited - 22 sec. Point of no return: When Primrose gets chosen. There is only one pice of paper with Primroses name in the bowl, but she gets picked anyway. She reacts very calm and cool, but in some way the viewer can see that she is in shock. Conflict: When Prim starts walking to go up to Effie it starts a conflict in Katniss. She is so shocked that she doesn’t react in the start. Climax: When Katniss volunteers as a tribute she yells it out when she realize that Primrose is on her way to the stage. It comes as a huge shock when she volunteers because no one ever did it before. Resolution: Gale comes to take Primrose away, and Katniss tries to calm Primrose down. But Primrose just screams cries and tries to escape Gale’s grap. - This shows the importance of the scene. These points are the reason we chose this particular scene, because it’s so emotional. Detailed audio-visual analysis At first there is no music. It goes well with the atmosphere, and as the viewers, we get a clearer feeling of the tension in everybody. We are not supposed to be affected by what music is playing in the background; the silence is so raw that it gives this cold and lifeless sense to the situation. - Sad music starts playing when Peeta gets chosen - Effie says to give them a hand, but instead they give the hand gesture to show admiration. - Effie wears...
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...twenty first century stereotypes of gender roles. All the novels in the trilogy— The Hunger Games (2008), Catching Fire (2009), and Mockingjay (2010)— as well as a criticism from Kristi Tyson, author of Modern Literary Theory of Sexes (2011). The essay explores the question of whether gender is a determining factor of what makes a strong character. Through the research and analysis of the pieces, the essay resolves that Collins actually by-passes gender roles, focusing more on a character's ability to adapt to both gender stereotypes in order to have a well rounded understanding of society. Genders are not the determining factor of a strong character, because gender roles do not matter in the long run of being a human being in general. Word Count: 212 On September 14, 2008, Suzanne Collins published her novel, The Hunger Games. The twisted story line of a barbaric showdown was an instant hit. Katniss Everdeen, the main protagonist of the series, became an idol— girls thought she was a new symbol of independence, and guys loved the lack of romance and emphasis on gore. The novel centers around Katniss in the futuristic society of Panem, which is dictated by the Capitol. After a rebellion arose against the Capitol, the Hunger Games was formed as a reminder to the people of Panem of the rule the Capitol has over their lives. One boy and one girl from each...
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...Being a ‘Team’ Player: The Linguistic Alteration of Identity in Online Communities Dedicated to The Hunger Games In the first chapter of Gender and Language, Penelope Eckert and Sally McConnell-Ginet discuss how the connection between language and gender enables a “continual performance” of gendered interactions (33), which, in turn, enables “social reproduction” founded on the separate categories of male and female. They argue that language not only reflects gendered categories but “constructs and maintains these categories” (34). Being such strong categories, they claim it is “impossible” to escape gendered behavior and not influence others to give gendered responses (50). In a later chapter, Eckert and McConnell-Ginet discuss how “gender schemas and ideologies” are implied and interpreted (203). Using an example from a university setting, the authors illustrate their point that the assumption of gender may not result from “the particulars of our exchange but in familiar gender stereotypes” (204). If no specific clues or pronouns are given during the exchange of information, presuppositions relying on stereotypes often emerge. Not only do stereotypes and behavior fill the linguistic gaps, but the power in individual words alone is a cause for concern. Sally McConnell-Ginet explores this further in her article “Words in the World: How and Why Meanings Can Matter.” She argues that single words can carry multiple meanings in each use whether the speaker means them to or not...
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...CONTEXT Growing up, Suzanne Collins was a military brat. Her father was a career airman in the United States Air Force, as a result, Collins and her siblings—two older sisters and an older brother—moved around frequently, spending time in numerous locations in the eastern United States as well as in Europe. The military, in fact, played a leading role in the family’s history. Collins’s grandfather had served in World War I, her uncle served in World War II, and the year Collins turned six, her father left to serve his own tour in the Vietnam War. War, consequently, was a part of life for Collins, something very real and not just an abstract idea. While her father was gone, she would sometimes see video footage of the war zone on the news, and she recognized that her father was there fighting. Though her father returned after a year, Collins’s connection to war didn’t end. In addition to being a soldier, Collins’s father was also a military historian and a doctor of political science. That knowledge and experiences serving in the Air Force and fighting in Vietnam had a profound effect on his relationships with his children, and he made sure they learned what they could about war. While other girls’ fathers were telling them fairytales, Collins’s father educated her about military history. When the family was moved to Brussels, Belgium, for instance, her father educated her about the region’s violent history and took her on tours of the country’s historic battlefields. Eventually...
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...Recap... And all i could think of is "This is so K-drama cliché." I stretched my hands for support. But the guy had other ideas. He grabbed my waist and carried me bridal style. “Aish! Put me down.” I barked swinging my legs back and forth trying to get out of his cast iron grip. “Stop squirming…” he spoke. His voice sent a surge of chills down my spine; I looked up to see a handsome guy with soft brown eyes, chiseled jaw and long eyelashes staring back at me. my throat went dry; This guy was beyond gorgeous. “Yah! We’re here.” He spoke nudging me from my daydream. “O-oh” I replied hoisting myself as he put me down. ”Omo! Kenchana?” the cute old nurse spoke caressing my arm soothingly. I nodded my head in response. “I just need some ice for my ankle.” I said rubbing my swollen egg shaped ankle. .. Minho’s POV I walked down the corridor, observing my surroundings until some girl bumped into me sending her falling to the ground flat on her bum. I stretched my hands to help her up; she took my hands and tried to support herself up but I noticed her struggling she must have hurt her leg… so I grabbed her smooth legs and carried to the nurse’s office to get checked. She squirmed in my arms trying to make me let go. “Stop squirming” I told her looking her silky brown air. Her chocolate eyes met mine and I swore my heart stopped. She had this long hair, plump lips and rosy cheeks. When our eyes met I glanced away. I noticed we reached the nurse’s office. “Yah we’re here.” I said...
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...physical strength, power, or gender, and more value on virtue and morality. Evidence of the increasing obsoleteness of the relevance of gender and power can be found in recent literature and film. Many of society’s collective Heroes are not only female (Princess Leia, Star Wars; Daenarys Targaryen, A Game of Thrones; Janie Crawford, Their Eyes Were Watching God), but children as well (Alice, Alice in Wonderland; Scout Finch, To Kill a Mockingbird; Katniss Everdeen, The Hunger Games). Even male Heroes have shifted from super-human to ordinary men (The Father, The Road; Winston Smith, 1984; Guy Montag, Fahrenheit 451). A single trait relates theses Heroes and every other Hero in literature—they have made considerable sacrifices in the face of adversity in order to accomplish a task more significant than their own trivial, everyday interests. However, all of these modern Heroes differ from their more ancient Hero counterparts: they are extremely ordinary. Campbell, Vogler, and Jung were, and still are, critical figureheads in the analysis of quest literature. Their explanations of literary archetypes are paramount in describing the similarities and differences of stories in various cultures and eras. The central archetype, according to these scholars, is the Hero; however, the societal idea of a Hero, at least in most developed Western societies, has become broader over time. No longer does the Hero archetype need to be a super-human male individual with extravagant power and wealth;...
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