...difficult to let go of your greed and to find your own happiness before your death. This was especially prevalent in the 1970’s when Led Zeppelin produced “Stairway to Heaven.” America was in the middle of an economic downfall that essentially left two classes: rich and poor. Led Zeppelin wrote “Stairway to Heaven” to enlighten those who have lost their way in greed and materialism. They gained their listeners attention by drastically changing their otherwise hard rock tone to a softer power ballad, using a storybook method to make their argument, and using appeals such as ethos, pathos and logos throughout the song to make a long lasting connection to their audience. When “Stairway to Heaven” aired in 1971, avid Led Zeppelin listeners were taken aback by the song’s sound. Led Zeppelin is known for its hard rock tone and musicality. “Stairway to Heaven” and its musicality begins as a very slow, depressing guitar arpeggio and a story begins to take place. Slowly and deliberately, more and more instruments are introduced to the whole of the song as the true purpose of the song comes to light, ending in a more typical, upbeat Led Zeppelin sound. The composers wanted to grab their listeners’ attention by being so drastically different. What they had to say was worth the initial sacrifice of being the opposite of their norm. The lyrics of “Stairway to Heaven” are very poetic and are riddled with metaphors, imagery, and symbolism that can be read as many different things; differentiating...
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...curly haired stickman with the group Rare Bird. “He’s so fucking heavy!” Ashton shouted in my ear. We stared in disbelief at the aggressive, beefy guy who seemed intent on breaking the heads on his toms. 30 TRAPS TRAPSMAGAZINE.COM PREVIOUS PAGE PHOTO BY JAN PERSSONS/REDFERNS The first time I saw Bonham up close was in December 1968, at The Marquee Club on Soho’s Wardour Street. While The Marquee has long held a mythical status in the rich history of the London rock scene – hosting early appearances by such legendary bands as The Who and The Rolling Stones – it was actually a dark and rather cramped facility with a tiny stage that fronted an even stuffier dressing room. vividly remember the moment when a review copy of Led Zeppelin’s eponymous debut album arrived at the office. My colleague and fellow scribe Tony Wilson had secured the precious black vinyl LP and dropped it onto the turntable, awaiting my reaction. We were immediately transfixed by the brash, bold sounds that fought their way out of the lofi speakers – Robert Plant’s screaming vocals, the eerie Hammond organ sounds of John Paul Jones, and Jimmy Page’s supreme guitar mastery. But amid the kaleidoscope of impressions, the drums were the primary element that set pulses racing. We marveled at the sheer audacity, the sense of...
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