Analysis on “The Yellow Wallpaper” Charlotte Perkins Gilman was born on July 3, 1860, in Hartford, Connecticut. Gilman was a writer and social activist during the late 1800s and early 1900s. She had a tough childhood. Her father, Frederick Beecher Perkins, but he abandoned the family, leaving Charlotte's mother to raise two children on her own. Gilman moved around a lot as a result and her education suffered greatly for it. Gilman married Charles Stetson in 1884 and the couple had a daughter named Katherine. Sometime during her ten year marriage to Stetson, Gilman experienced a severe depression and suffered a series of uncommon treatments for it. This experience is believed to have inspired her to the short story "The Yellow Wall-Paper" (1892). The story takes the form of undisclosed journal entries written by a woman who is supposed to be recovering from what her husband, a physician, calls a "temporary nervous depression”. This haunting psychological horror story chronicles the narrator's descent into madness, or perhaps depending on your interpretation, into freedom. The author’s use of setting, conflict and point of view, provide this short story with the drama needed to capture the reader’s attention. The author begins the story using the key element setting to keep the readers mind in a constant roam. The narrator's view of the setting is colored by her limited and troubled perspective. She sees the yellow wallpaper in the room as a mostly evil and troubling presence, while it actually may not be, because the whole story is from her point of view, the readers gradually see the ways in which her mind is affected by the yellow wall paper. The room that she resides in could be a nursery, or it could be a confinement room for mental patients (it has "rings and things" on the walls). The isolation of the house, and the room, enhances her isolation