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Lord of the Flies Drama Production Report.

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Stage Two – Drama Studies
By Sean Wintrell
The Venue – Cardijn College-- -Lecture Theatre

Ensemble – Yr 12 Drama Class
The Director – Greg Hay
The Play – The Lord of the Flies

The lights come up on children oblivious to the world around them, as the play, read and enjoy the good things of life. They are only distracted momentarily by the sounds of planes and bombs before they go back to what they are doing, almost as if it would not affect them. Darkness returns and this time the sound is not of distant planes or bombs, it’s of a very real plane crash, within the darkness it would be easy for those of no imagination to feel detached from the happenings, but a few people would feel the horror and the dread. We then proceed to watch a small group of survivors, young boys, try to survive. The boys try to put into action the same rules that society uses, these quickly break down and the boys begin to go feral. We watch in horror as we realise even the most refined human can commit terrible atrocities.

The Lord of the Flies, directed by Greg Hay, creates an atmosphere of horror as we watch the effects of war, even on those who do not take part. Hay’s interpretation of William Golding’s ‘Lord of The Flies’ presents to us the dark side of human beings, and the effects of it has if it gains control over that of reason and logic. In essence Hay’s ideas make it an extremely moving, and horrifying play. Throughout the play, the use of lighting and sound played one of the major roles in creating the atmosphere. Using red lights to signify danger or aggression triggered the audience’s immediate response, the minute the red lights came up people huddled in close, as they felt the danger through what they saw and well as the use of blue lights was used to signify fear or uncertainty often triggered a similar response. In general the flow of the

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