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Lovely Bones Conventions

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The Lovely Bones (TLB) directed by Peter Jackson, 2009, follows a canonical story structure whilst adhering to the conventions of a classical fragmented film narrative. This is due to the “unified, linier storyline” (Kelly Mcwilliam, 2009, p. 153). that incorporates a beginning, middle and end. The scenes consist of the protagonist, Susie Salmon’s exploration of the afterlife; the antagonist’s George Harvey’s disposal of Susie’s body and multiple flashbacks and flash forwards of the Salmon family. One scene showing the dramatic irony of the family meeting the ‘friendly’ neighbour, Mr George who the audience knows as Susie’s murderer. This shows the fragmentation of the film as it is decentred and features different characters in different places at non-sequential timeframes. …show more content…
The more dominant genre being fantasy through the conventions and codes of supernatural themes as a main element and location. The flow of the film is determined to what Susie narrates from beyond the grave. This shows that the major plot of finding Susie’s body is dictated to what is narrated, therefore causing the plot to be supernatural. The locations of half the film vary from everyday places such as, the Salmon’s family home, Harvey’s home and the fields whereas; the other half is more supernatural. It is set in in an after-life limbo, this is known due to Susie being shown beyond the grave and the iconography: as it’s consistently white rooms to represent purity, flower fields to represent freedom and in one scene, there is a massive tree to represent life. These symbolic features although seemingly normal, fit under the supernatural convention as they are shown beyond the protagonist’s life span and usually appear randomly- which would not happen in every-day

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