...Analyzing Poem At first the only aspect that really stood out to me in the poem, I Shall Paint My Nails Red, was the acts of a woman talking about feminine things that woman like to do to change up their appearance. After thoroughly analyzing this poem I came to the realization that it was much deeper than that. Every line of this poem is a distinct statement filled with self-expression and confidence. I Shall Paint My Nails Red by Carole Satyamurti, takes the simple act of painting your nails and shows the meaning behind it. This poem hits home to me because painting my nails is something I enjoy doing with my grandmother. My grandmother has never gone a day without having her nails painted, and after reading this poem I understand why. To me, womanism is the main theme that Satyamurti is trying to portray in this poem and it is being shown through beauty, strength, and passion. Beauty can represent a numerous amount of things, and in this poem Satyamurti does a remarkable job at capturing the true meaning of beauty. “Because I am proud of my hands” (Satyamurti 2), after I broke this poem down piece by piece, the imagery in this line caught my eye. I relate the pride she takes in her hands after painting them to my grandmother and how I never see her go a day without having her nails painted. Although painting your nails is a simple thing, it makes you feel good about yourself. My grandmother walks with confidence every day and though it may not be just because of her nails...
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...Hard Work Pays! May 9th, 2011 was not an ordinary day, but a pay day for the sweat of my studies. It was a day crowned with endless emotions, as I admired my durable and beautiful bracelet watch that ultimately spoke attitude. Featuring a round case, a black rotating bezel with hand crafted plastic link band with a silver double push safety Italian clasp, a stylish Ferrari logo inked in the heart of the minute wheel, finely visible from miles away through the watch’s crystal; meet the Ferrari Electro-Luminescent stylish watch, my precious summer gift from dad. Being my first gift for an exemplary performance in an exam, the Ferrari Electro Luminescent stylish watch has always ignited happiness to my life, as I dance to its ticking sounds generated by the contact of both the transmission and ratchet wheels. Furthermore, it has instilled confidence in me due to its lavish look. Since then, waking up has been the easiest chore of my daily activity, its notorious alarm bells set in the watch having immensely perfected the art of clouding my ear drums for the purpose of annoying my sleep, simply because, time to wake up is time to wake up. Like any ordinary human being rewarded with a perfect gift, having been perturbed by the watch’s superior look, I did not hesitate to show it off to my peers. Amazingly, many of my friends admired my look, as I swayed my hands in anticipation of being noticed, with the sun’s rays struggling to get a glimpse of my extraordinary look, which resulted...
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...The Lover-Duras The Lover (French title: L'Amant) is an autobiographical novel by Marguerite Duras, published in 1984 by Les Éditions de Minuit. It has been translated to 43 languages. It was awarded the 1984 Prix Goncourt. The Lover is also a 1992 movie based on this novel, directed by Jean-Jacques Annaud and starring Jane March and Tony Leung Ka Fai. The cast also included Lisa Faulkner. The film was nominated for the Academy Award for Best Cinematography. Summary of the movie Set against the backdrop of French colonial Vietnam, The Lover reveals the intimacies and intricacies of a clandestine romance between a pubescent girl (Jane March), from a financially strapped French family and an older, wealthy Chinese man (Tony Leung Ka-Fai). The story is narrated by Jeanne Moreau, portraying a writer looking back on her youth. In 1929, a 15 year old nameless girl is traveling by ferry across the Mekong Delta, returning from a holiday at her family home in the village of Sadec, to her boarding school in Saigon. She attracts the attention of a 32 year old son of a Chinese business magnate, a young man of wealth and heir to a tidy fortune. He strikes up a conversation with the girl; she accepts a ride back to town in his chauffeured limousine. Compelled by the circumstances of her upbringing, this girl, the daughter of a bankrupt, manic-depressive widow, is newly awakened to the impending and all-too-real task of making her way alone in the world. Thus, she becomes his lover, until...
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...past ruin the present? The main character Andrea is a divided individual, who is torn between a love from the past and her husband. First of all, Andrea is a divided self in the way that she is indecisive towards her husband and lover. Her lover made an ultimatum, which is seen in page 47 lines 38-43: “Her lover had said that she was always too slow to know what she really loved… When she would not decide in his favour, would not change her life and come to him, he asked what made her think she could have it both ways.” This clearly shows how Andrea cannot decide whether to leave her husband or not. Moreover, the quote shows how well the lover knows her compared to how little her husband knows her, take the following example: “When her husband first noticed the bowl, he had peered into it and smiled briefly… Her husband had pronounced the bowl “pretty,” and he had turned away without picking it up to examine it. He had no more interest in the bowl than she had in his new Leica” (P. 25 ll. 16-23). Comparing the two examples the reader gets the feeling that their marriage is loveless and uncaring, wherein Andrea’s relationship with the lover is the complete opposite. Andrea’s relationship is therefore more passionate and affectionate with her lover than her relationship with her husband. Second of all,...
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...J. Prevert. „Sables mouvants“ The image of the quicksand is very symbolic. One has to analyse it first, in order to understand J. Prevert‘s poem. Quicksand consists of granular matter (silt, sand), clay and water. It may appear quite solid if it is undisturbed. However, when there is a change in pressure, the surface loses its strength, sand and water separate, causing buildings to fall over. Someone stepping on quicksand would start to sink. I am inclined to believe that the usage of this image was chosen not at random. The title gives us a clue that the poem is going to be about the duality of love. Like everything else in the world, love has both positive and negative faces. What appears to be solid and stable might collapse, when one comes closer. The poem „ Sables mouvants“ also examines the themes of the transience of time and sexuality. The repetition of “Demons et merveilles / vents et marees ” expresses the duality of love. One imagines demons as something magical, evil, dark, dangerous, and insidious. Because of our knowledge of mythology and religion, demons remind us of seduction (for example, Eve and the Serpent, The Bible) and sin. On the other hand, merveilles create the impression of something enchanting and delightful. The contrast between demons and merveilles shows us that what appears pure and fascinating, might allure into danger and darkness. What is more, vents et marees can be regarded as a hint of sensuality and sexuality. It impersonates force...
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...Academic Centre, Australia A Stylistic Analysis of D.H. Lawrence’s ‘Sons and Lovers’ Nozar Niazi English Department, Lorestan University, Khorramabad-Iran E-mail: nozar_2002@yahoo.co.in Received: 04-04-2013 doi:10.7575/aiac.ijalel.v.2n.4p.118 Abstract Accepted: 14-05-2013 Published: 01-07-2013 URL: http://dx.doi.org/10.7575/aiac.ijalel.v.2n.4p.118 This paper aims at analyzing D.H. Lawrence’s ‘Sons and Lover’ using a stylistic approach. Stylistics is a study of the amalgamation of form with content. The stylistic analysis of a novel goes beyond the traditional, intuitive interpretation, because it combines intuition and detailed linguistic analysis of the text. The defining elements of modern language are within the text itself, not prescribed from outside. With modernist texts, usually understanding comes from close study of the language system defined within the text itself. Form, technique and style are considered not as a mere vehicle of the content of the story, but an integral part of the work’s meaning and value. In our analysis of ‘Sons and Lovers’ the resources of language: lexis, syntax, phonology, figurative language, cohesion and coherence, are discussed in relation to the style of discourse in order to explore hidden meanings in the text. The resources of language are shown to be an essential part of the meaning of the novel. Key words: stylistics, D.H. Lawrence, Sons and Lovers 1. Preliminaries Literary stylistics refers to the study of style used in...
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...Influence of romances on students` academic achievement in KIMEP Survey Results Spring 2011 The problem under investigation was the association of love relations and academic achievement among students of KIMEP. The main goal was to find out the influence of romances on students’ academic performance in KIMEP and changes in their GPA depending on age and gender. It was hypothesized that problems in personal relationship result in a poor academic performance of a student. In addition, it was assumed that if there any problems in students’ love relations it will be reflected on their attendance and participation in classes. Moreover positive and negative sides of changes in study progress were examined. In order to achieve relevant data researchers used questionnaire distributed among 30 students of KIMEP. The present research found the following results. 30 people aged from 16 to 25 were asked by means of questionnaire. Table 1 shows that 57% were males and 43% were females. The majority of respondents were BSSPA students (43%), 30% were BSC, 14% BAE students and 10%, BSSIR/PS and only 3% were students of BAIJ program. Table 1. Program of students BSSPA | 43% | BSSIR/PS | 10% | BAE | 14% | BAIJ | 3% | BSC | 30% | First of all students were asked do they have any love relations with somebody not necessary from KIMEP. The Figure 1 and Figure 2 show the answers on the question. There were 47% of males were single and 53% have relations. Among female students...
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...Steward Vanessa Steward English III Honors Period 2 Couillard Developing Derfel Derfel Cadarn is the protagonist as well as the narrator of the Warlord Chronicles written by Bernard Cornwell. Igraine, the Queen of Powys, asks an old Derfel to write the story about his past, the story of Arthur. Derfel begins the novel, first Winter King when he was just an orphan child taken by Merlin, a Druid, and in the second novel, Enemy of God, and the last novel Excalibur ends with Derfel well into his adulthood. Derfel develops from a timid child, to a developing man, and then a heroic one. Beginning with Winter King, Derfel Cadarn is only just a child. As odd as it may seem, Derfel’s lovers throughout the two novels are a tremendous developing factor. Derfel portrays himself as a foolish boy, for an example, “I can blush now when I think of a young boy’s desperate lunges at a woman’s affection,” on page 51, he had confessed his “love” to Nimue at this moment and reflects back on it in embarrassment. Although Derfel had not gotten together with Nimue then, he did acquire a youthful relationship with a young woman named Lunete. His relationship with Lunete did not last very long at all but during this time Derfel had just went with whatever Lunete had wanted. He says, “Lunete, like my new beard, was a sign of manhood and I wore both clumsily,” on page 114, basically saying Lunete was his first step into manhood but he was still not quite there. As the story progresses, Derfel...
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...telephone. The character in this story is awaiting a call from her lover, who promised to call but has not. The woman goes through a variety of emotions including anger, hope, and despair. Parker uses this very uncomplicated situation to highlight the power dynamics to be found in relations between men and women, and the problems etiquette creates in these relations. The telephone is an important part of this story. There are specific social rules for using the telephone and they place men and women in different and unequal positions of power. Social rules around people of the opposite sex who are dating are especially restrictive. Women are not supposed to call men, men are supposed to call them. This gives men more power than women, as they can decide whether to call or not. The main conflict in this story is the woman's inability to do what she wants. She would like to call her lover but afraid to do so because society has taught her that men dislike women to call them. This leaves her stuck and unable to do anything but rationalize why her lover hasn't called, play mind games with herself in an attempt to make him call, rage because he hasn't, and beg God to make him call. In her article "On the Wire with Death and Desire: The Telephone and Lovers' Discourse in the Short Stories of Dorothy Parker" April Middlejan discusses how the telephone is an intimate form of communication that brings together lovers while at the same time seperating and emphasizing the distance...
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...matching obtains less than 18 points, it is not considered good and marriage is not advisable. Apart from 36 Points, this report also considers Mangal Dosha (Manglik or Kuja Dosham) compatibility and pronounces results by combining these two important factors. Here are the points obtained for the given details: Guna Milan GUNA Varna Vasya Tara Yoni Maitri Gana Bhakoot Nadi BOY Sudra Manav Ati mitra Sarpa Mercury Devta Gemini Madhya GIRL Kshatriya Chatu Kshema Mesha Mars Rakshas Aries Antya MAX OBTAINED 1 2 3 4 5 6 7 8 OBTAINED POINTS AREA OF LIFE 0 1 1.5 2 0.5 0 7 8 Work Dominance Destiny Mentality Compatibility Guna Level Love Health Total Guna Milan: 20 Out of 36 Ashtakoot Matching between male and female is 20 Mr. Kunal has 'Low Mangal Dosha' and Ms. Richa has 'Low Mangal Dosha'. Conclusion: This Marriage Is Preferable. Interpretation of Each Point Varna The boys varan is Shudra, while the girl comes belongs to Kshatriya. There is a meager incompatibility in temperamental characteristics, outlook and objective. Varana indicates ego development between the partners. Compatibility chart of the boy and girl indicate less compatibility and possibility of occasional quarrel. Couple may have problems regarding happiness and family matters. Desire to show themselves superior to each other can create distance between the pair. The girl is sincere and hard working but may try to impose herself on him, which he may not like...
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...living in poverty; only the natural world is embraced as truth, and meditation is practiced regularly. After three years, Siddhartha grows weary of this life, too, and decides to accompany Govinda to visit the Buddha in Savathi. Govinda becomes a disciple of Buddha while Siddhartha continues his journey alone, still wishing to understand the world for himself since all teachings have failed to accomplish this, including the ancient beliefs of the Hindus and this new religion of Buddha. However, Siddhartha wishes to have the enlightenment that Buddha has attained by listening to the voice of his Self instead of denying it. It is lust that afflicts him first when he meets the beautiful Kamala in the town of Samsara. But in order to be his lover, she requires him obtain shoes, clothes, and money to buy her presents. Siddhartha becomes a merchant, accrues wealth and learns much about lovemaking from this beautiful woman. Over time, the desires of his body rage out of control; he gambles, drinks wine heavily, and becomes greedy. He remains in Samsara for many years, until, struck by his mortality, he...
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...do you do when you try to move past the gossip, and stumble upon the ugly truth? We see this in the novel “Vast Hell” by author Guillermo Martinez, where the quote is also from. The story takes place in a small village, and resolves around a man that thinks back to the arrival of a nameless young boy in the small-town, that manages to become the talk of town, when rumour starts spreading that he is romantically involved with the wife of one of the two barbers in town, who people call “the French Woman” for unknown reasons. Fuel is added to the fire when the boy and the French Woman disappear, leading half the town to believe they ran off together and the other half to believe that the barber somehow did away with them. Further investigation into the case gives the story a whole different turn, because after digging in the ground to see if the barber had buried them there, they do find dead bodies, but not the bodies of the boy and the French woman, but of a lot of unknown people. The story is told with a first person narrator, which is this man working in a grocery stop, who seems to be a very common and simple citizen in the small town, with no personal relationship to the boy, the barber or the French woman. This makes us as a reader see the drama the way in a very subjective way, and how the rest of the town generally sees it. From afar and without any real insight on what really has happened between the barber,...
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...Monty Miller Literature Comparison Robert Browning's poems “Porphyria's Lover” and William Faulkner’s story “A Rose for Emily” are stories of where the characters Emily Grierson (“A Rose for Emily”) and Porphyria’s lover ('Porphyria's Lover') are so insanely in love to the point they cannot live without the one they feel so strongly for, which drives them to insanity and murder. Emily Grierson and Porphyria’s lovers insanity are brought on from different emotional states. Insanity or mental illness is defined as “any disease or condition affecting the brain that influences the way a person thinks, feels, behaves, and/or relates to others and to his or her surroundings” (Amal Chakraburtty). According to the website WebMD Amal Chakraburtty, MD, Mental illness may be caused from many factors such as: Heredity (genetics), Biology, Psychological trauma, and Environmental stressors. The character Emily’s illness may be caused from either heredity, Psychological trauma, and or Environmental stressors. Porphyria's Lovers mental illness appears to be brought on by Psychological trauma. An analysis of Emily Grierson and Porphyria’s lovers emotional state will provide in contrast the reason that drove them both to murder. Robert Browning's “Porphyria's Lover” is a dramatic monologue poem about an insecure, possessive and egotistical lover who, upon finding a moment in which he is reassured of his partner’s love for him; attempts to preserve the moment by killing her. The poem has a very...
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...Comparative essay on ‘My last Duchess’ and ‘Porphyria’s lover’ Robert Browning was born in May 1812 and died at the age of seventy. Browning was an English poet who has become known as the person to invent and popularise the dramatic monologue. This made him the foremost Victorian poet; two of his most successful dramatic monologues are those of ‘My last Duchess’ and ‘Porphyria’s Lover’. The reoccurring theme within the two monologues is murder as they show the idea of men killing a lover Dramatic monologues are significant in that there is only one point of view expressed throughout. In Victorian times dramatic monologues were very popular; Browning was seen as the innovator of this style of writing along with other eminent Victorian poets such as Rossetti and Tennyson. The dramatic monologue takes its style from Shakespeare’s soliloquies were a character speaks their thoughts and feelings aloud. This idea and style has been extended to the preset day, with Alan Bennett’s ‘Talking Heads.’ The speaker in ‘Porphyria’s Lover’ is the lover himself, residing in a cottage in the countryside at the beginning of the poem. The mood of the narrator is established right at the start as he talks about “the sullen wind’ ‘tore,’ ‘vex’ and ‘spite.’ He is clearly angry and unhappy. However as soon as Porphyria ‘glided’ in, the mood changes and she ‘ shut the cold out and the storm.’ The narrator feels warmed by her presence. At once the reader sees that Porphyria has taken control...
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...“Porphyria’s Lover” by Robert Browning contains perturbing imagery throughout the poem that leads to the main focus of control. Primarily, the controlling aspects that will be focused on are the murder of Porphyria, the lies that the narrator/ speaker tells, and possession. Describing these aspects will furthermore aid in distinguishing the control in the poem. The speaker in “Porphyria’s Lover” had thoroughly controlled Porphyria in many ways. First, the speaker takes control of Porphyria through murder. He wanted her for himself. In lines 21 to 25, “Murmuring how she loved me-she/ Too weak, for all her heart’s endeavor, / To set its struggling passion free/ From pride, and vainer ties dissever, / And give herself to me for ever”, the speaker...
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