...2012 BostonUSA Events Produced by the Greater Boston Convention & Visitors Bureau January 2012 Edition Larry Meehan, VP, Media Relations & Tourism Sales 617- 867-8231, lmeehan@bostonusa.com; Stacy Shreffler, Media Relations & Tourism Sales Manager 617-867-8203 sshreffler@BostonUSA.com. We are happy to provide media & tour planners with images, contacts & visit assistance. BostonUSA.com is Boston’s official visitor website. The GBCVB is proud to be partners with the Massachusetts Office of Travel & Tourism, MASSPORT, Discover New England, Boston Mayor’s Office of Arts, Tourism & Special Events, the Cambridge Office for Tourism,& the National Park Service. January-February-March 2012 The 12-week Food & Wine & Performance Season Pages 2-3 • 23rd Boston Wine Festival Boston Harbor Hotel Jan. 6-March 30, 2012 • New Isabella Stewart Gardner Wing designed by Renzo Piano opens Jan 19, 2012 • 21st Boston Wine Expo largest on USA East Coast Seaport World Trade Center Jan. 16-22, 2012 • “Geckos: Tails to Toepads” Museum of Science Boston Opens January 22, 2012-May 6, 2012 • Smith & Wollensky Wine Week, March 5-9, 2012 • Restaurant Week Boston citywide prix fixe menus March 18-23 & 25-30, 2012 • 109th BostonUSA St. Patrick’s 2012 Weekend : St. Patrick's Day Sunday Parade: March 18, 2012 • 2012 Boston Wine Week Spring March 26-April 1, 2012 April –May 2012 The Spring Season Opening & 9-week Gardens, Flowers & Parks Season Pages 3-5 • Red Sox Centennial Fenway Park Celebration First Home...
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...Shakespeare’s “Macbeth” Theatre Review. There are many who do not know the famous tale of ‘Macbeth’ by the literacy mastermind, William Shakespeare. For those few who are not familiar with the story, it is one of pride, fate, deception and treachery. Macbeth, who returns from battle is confronted by three witches who have foreseen that he will become King of Scotland. The present king of Scotland, Duncan decides he will confer the title of the traitorous Cawdor on the heroic Macbeth. Macbeth makes the decision to murder Duncan, unaware of Duncan’s plan, and thus claims the throne for himself, placing the blame on the King’s guards. What follows can only be described as madness, as Macbeth and his wife become consumed with guilt, leading Macbeth on a road to insanity, which ends in a violent spectacle… I became excited to see this adaptation of Macbeth, as I had seen from its advertising was a darker and more modern take on the original play, after seeing a flyer featuring on it three hooded figures in a graffiti filled subway. Upon further inspection of the flyer I read that this production was described as a “darker, modern take on the Shakespearian story with darkly comic elements.” Well, as soon as I arrived in the lyric theatre and took my seat, I could definitely see I was in for a ‘darker’ version of the story by just looking at the greyish monotone set, resembling the inside of a castle on its ground floor, then just above it was an angled stage, giving the impression...
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...students see TAG’s production. In September 2003, Part 2 will be available to download from TAG’s website. This section of the resources will focus on the process of creating our production of The Birthday Party. It will include contributions from the Director, the Designer, the Performers and other members of the creative team. I hope that Part 2 will open up TAG’s working methods and provide a real insight into how a theatre company works. Please feel free to reproduce any section of the on-line resources for your use in the classroom. We are always aiming to provide the most effective and beneficial resources for teachers and so please do offer any comments you have regarding either part of this pack. We welcome and appreciate all feedback. I very much hope that you and your pupils find the resources useful and enjoy TAG’s production of The Birthday Party. Emily Ballard Education Officer TAG Theatre Company is funded by The Scottish Arts Council, with support from Glasgow City Council and other local authorities. TAG is part of the Scottish national theatre community. The Birthday Party CONTENTS PAGE Synopsis 1 Pinter’s Style 3 Theatrical Context of The Birthday Party 7 Characterisation &...
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...World-Class Theatre in the Heart of Vermont 703 Main Stre e t , W eston, V T 05161 www.westonplayhouse.o rg The Weston Playhouse Theatre Company The 2010 WPTC Teacher’s Workshop and the School Matinee and Touring Production is made possible in part by grants from: The Bay and Paul Foundations Mountain Room Foundation National Endowment for the Arts The Shubert Foundation The Vermont Country Store and The Orton Family Vermont Humanities Council and the National Endowment for the Humanities With additional contributions from: Black River Produce Berkshire Bank Clark’s Quality Foods Price Chopper’s Golub Foundation Ezra Jack Keats Foundation Okemo Mountain Resort Thrifty Attic …and an ever growing family of individuals who believe in the impact that the performing arts can have on its community. This Teachers Study Guide was compiled and edited by Rena Murman. Credit and thanks to the following theatres for materials used or referenced from study guides created for Death of a Salesman: Guthrie Theatre, Minneapolis, MN; Kennedy Center, Washington, DC; Lyric Theatre, London; Royal Lyceum Theatre Company, Edinburgh; Yale Repertory Theatre, New Haven, CT. © 2010 Weston Playhouse Theatre Company, a nonprofit 501(c)(3) educational and cultural institution. WPTC Performance Guides may be duplicated at no charge for educational purposes only. They may not be sold or used in other publications without the express written consent of the Weston Playhouse Theatre Company. Weston...
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...Elements of Drama by: Christina Sheryl L. Sianghio Character Most simply a character is one of the persons who appears in the play, one of the dramatis personae (literally, the persons of the play). In another sense of the term, the treatment of the character is the basic part of the playwright's work. Conventions of the period and the author's personal vision will affect the treatment of character. Most plays contain major characters and minor characters. The delineation and development of major characters is essential to the play; the conflict between Hamlet and Claudius depends upon the character of each. A minor character like Marcellus serves a specific function, to inform Hamlet of the appearance of his father's ghost. Once, that is done, he can depart in peace, for we need not know what sort of person he is or what happens to him. The distinction between major and minor characters is one of degree, as the character of Horatio might illustrate. The distinction between heroes (or heroines) and villains, between good guys and bad guys, between virtue and vice is useful in dealing with certain types of plays, but in many modern plays (and some not so modern) it is difficult to make. Is Gregers Werle in The Wild Duck, for example, a hero or a villain? Another common term in drama is protagonist. Etymologically, it means the first contestant. In the Greek drama, where the term arose, all the parts were played by one, two, or three actors (the more actors, the later the...
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...OLD ENGLISH LITERATURE • Palaeolithic nomads from mainland Europe; • New inhabitants came from western and possibly north-western Europe (New Stone Age); • in the 2nd millennium BC new inhabitants came from the Low Countries and the middle Rhine (Stonehenge); • Between 800 and 200 BC Celtic peoples moved into Britain from mainland Europe (Iron Age) • first experience of a literate civilisation in 55 B.C. • remoter areas in Scotland retained independence • Ireland, never conquered by Rome, Celtic tradition • The language of the pre-Roman settlers - British (Welsh, Breton); Cornish; Irish and Scottish Gaelic (Celtic dialect) • The Romans up to the fifth century • Britain - a province of the Roman Empire 400 years • the first half of the 5th century the Angles, Saxons, and Jutes (N Germany, Jutland) • The initial wave of migration - 449 A. D. • the Venerable Bede (c. 673-735) • the Britain of his time comprised four nations English, British (Welsh), Picts, and Scots. • invaders resembling those of the Germans as described by Tacitus in his Germania. • a warrior race • the chieftain, the companions or comitatus. • the Celtic languages were supplanted (e.g. ass, bannock, crag). * Christianity spread from two different directions: * In the 5th century St Patrick converted Ireland, in the 7th century the north of England was converted by Irish monks; * in the south at the end of the 6th century Aethelberht of Kent allowed the monk Augustine...
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...Name – Jigar Parekh Roll No. – 25 After the success of last year Bangalore hosts the Bangalore Literature Festival (BLF) - a paradise for scholars in the field of literature from India and around the world. The Garden City of India commemorates the literary diversity, bringing it in conversation with the best minds in the world for the second consecutive year. BLF bridges the gap between English literature and other regional languages also helping youth to clasp the idea in understanding the power of sound knowledge. The event was spread over for three days at Crowne Plaza, Velankani Park, Electronic City, Bangalore. The Festival was fusion of folk performances, celebrating 100 years of cinema in India, workshop from many renowned speakers and literates -talking about the blend of culture, Classical music and much more. BLF gave the opportunity to mingle with the finest minds of India from inspirational master like Gulzar, Prasoon Joshi to hearth throbbing Farhan Akthar. The Festival endeavors to become an annual flagship event in the Indian and international literary circuit and would provide an ideal platform for urban young thinkers, writers, authors and lovers of literature to meet, discuss and exchange thoughts and views thereby enlarge the scope of literature. DAY-1 A new track this year is one commemorating 100 years of Indian cinema with a discussion on the adaptation of biographies to bio-pics. This track features actor Farhan Akhtar, director Rakeysh Omprakash...
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...Number: 79-53323 ISBN: 0-525-48039-0 Published simultaneously in Canada by Fitzhenry & Whiteside Limited, Toronto 10 9 8 7 6 5 4 3 2 1 First Edition Vito Acconci: "Notebook: On Activity and Performance." Reprinted from Art and Artists 6, no. 2 (May l97l), pp. 68-69, by permission of Art and Artists and the author. Russell Baker: "Observer: Seated One Day At the Cello." Reprinted from The New York Times, May 14, 1967, p. lOE, by permission of The New York Times. Copyright @ 1967 by The New York Times Company. David Bourdon: "An Eccentric Body of Art." Reprinted from Saturday Review of the Arts 1, no. 2 (February 3, 1973), pp. 30-32, by permission of Saturday Review of the Arts and the author. Cee S. Brown: "Performance Art: A New Form of Theatre, Not a New Concept in Art." Copyright @ 1983 by Cee S. Brown. Printed by permission of the author. Chris...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSICS EDITION OF G EORG E B E R N A R D S HAW ’S PYGMALION By LAURA REIS MAYER BUNCOMBE COUNTY SCHOOLS, ASHEVILLE, NORTH CAROLINA S E R I E S E D I T O R S JEANNE M. MCGLINN, Ph.D., University of North Carolina at Asheville and W. GEIGER ELLIS, Ed.D., University of Georgia, Professor Emeritus 2 A Teacher’s Guide to the Signet Classics Edition of George Bernard Shaw’s Pygmalion TABLE OF CONTENTS An Introduction .......................................................................................3 Synopsis of the Play .................................................................................3 Prereading Activities .................................................................................6 During Reading Activities ......................................................................13 After Reading Activities .........................................................................21 About the Author of this Guide .............................................................29 About the Editors of this Guide .............................................................29 Full List of Free Teacher's Guides...........................................................30 Click on a Classic ..................................................................................31 Copyright © 2007 by Penguin Group (USA) For additional teacher’s manuals, catalogs, or descriptive brochures, please email academic@penguin.com or write...
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..."FOR COLORED GIRLS" By Tyler Perry Based on The Stage Play "For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf" By Ntozake Shange Goldenrod Revision - 8/03/10 Yellow Revisions - 7/02/10 Green Revisions - 6/30/10 Pink Revisions - 5/27/10 Blue Shoot Draft - 5/25/10 34th Street Films, LLC 2769 Continental Colony Pkwy. Atlanta, GA 30331 404/355-6870 This material is property of Tyler Perry Studios and intended for use by its personnel. No portion of this material may be performed, reproduced or used by any means, or quoted or published in any medium without prior written consent of Tyler Perry Studios. Distribution to unauthorized persons is prohibited. DO NOT DUPLICATE GOLDENROD REVISED 1. OPENING: 1 INT. COMMUNITY CENTER - YASMINE’S DANCE STUDIO - DAY 1 The community center is an old run down building with two floors and several different rooms. Built in the 50’s, it looks like it hasn't been kept up or painted in years. Water spots and old creaky floors line the hallway. The center is housed in a state funded facility with several other volunteer operations. Juanita’s free clinic and Yasmine’s Rhythms, a dance studio, are two of them. We enter the dance studio where Yasmine is dancing alone. We see soft shots of her hands and feet dancing about the room. The fabric from her yellow leotard move gracefully in the wind as she dances to the sound of a solo piano. The slow speed of the film catches her face in the light from the huge old dirty window. The...
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...Why is Anbe Sivam regarded as the best movie in the history of Tamil cinema by many? Did this movie have any story at all? First of all is it a movie? No. Anbe Sivam is an experience, not only for one Madhavan but for another few thousands, who care to learn quite a lot of things and feel conceited about themselves, but fail miserably to confront the vagaries of life. What was the movie all about? An experienced matured man and a squeamish, egotist but tender hearted youth (a typical modern day youth) travelling together from Bhubaneshwar to Chennai(East coast of India).Fate hinders their journey in all possible ways which Madhavan initially considers exasperating but later reveres as an experience of a lifetime. The story is as simple as that but the associated scenes,dialogues and the lessons learnt reverberate through your mind for a long time. Be it the floods,train accident or the little boy's death it is Madhavan who breaks down and get shattered. But Kamalhassan adapts himself and reconciles himself to reality and helps in the best possible way he can. While it takes a lot of effort for Madhavan to tell Kamalhaasan about his fraternal love towards him, Kamalhaasan finds it easy to tell 'A.Ars, you are a go(o)d man' (it's not that easy to tell it to someone earnestly). From where did Kamal get this maturity? The story moves into the flashback of Kamal,a communist, who loves the daughter of a capitalist, Nasser, whom he opposes as a worker regarding wages. When the duo...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...I I HAVE noticed that when someone asks for you on the telephone and, finding you out, leaves a message begging you to call him up the moment you come in, and it’s important, the matter is more often important to him than to you. When it comes to making you a present or doing you a favour most people are able to hold their impatience within reasonable bounds. So when I got back to my lodgings with just enough time to have a drink, a cigarette, and to read my paper before dressing for dinner, and was told by Miss Fellows, my landlady, that Mr. Alroy Kear wished me to ring him up at once, I felt that I could safely ignore his request. “Is that the writer?” she asked me. “It is.” She gave the telephone a friendly glance. “Shall I get him?” “No, thank you.” “What shall I say if he rings again?” “Ask him to leave a message.” “Very good, sir.” She pursed her lips. She took the empty siphon, swept the room with a look to see that it was tidy, and went out. Miss Fellows was a great novel reader. I was sure that she had read all Roy’s books. Her disapproval of my casualness suggested that she had read them with admiration. When I got home again, I found a note in her bold, legible writing on the sideboard. Mr. Kear rang up twice. Can you lunch with him to-morrow? If not what day will suit you? I raised my eyebrows. I had not seen Roy for three months and then only for a few minutes at a party; he had been very friendly, he always was, and when we separated he had expressed...
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...2 States THE STORY OF MY MARRIAGE Love marriages around the world are simple: Boy loves girl. Girl loves boy. They get married. In India, there are a few more steps: Boy loves Girl. Girl loves Boy. Girl's family has to love boy. Boy's family has to love girl. Girl's Family has to love Boy's Family. Boy's family has to love girl's family. Girl and Boy still love each other. They get married. Welcome to 2 States, a story about Krish and Ananya. They are from two different states of India, deeply in love and want to get married. Of course, their parents don’t agree. To convert their love story into a love marriage, the couple have a tough battle in front of them. For it is easy to fight and rebel, but it is much harder to convince. Will they make it? From the author of blockbusters Five Point Someone, One Night @ the Call Center and The 3 Mistakes of My Life, comes another witty tale about inter-community marriages in modern India. This may be the first time in the history of books, but here goes: Dedicated to my in-laws* *which does not mean I am henpecked, under her thumb or not man enough PROLOGUE “Why am I referred here? I don’t have a problem,” I said. She didn’t react. Just gestured that I remove my shoes and take the couch. She had an office like any other doctor’s, minus the smells and cold, dangerous instruments. She waited for me to talk more. I hesitated and spoke again. “I’m sure people come here with big, insurmountable problems. Girlfriends dump...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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