...to discriminating because of gender, Shakespeare’s play, Macbeth, is infused with quotes that reveal how each character portrays gender roles. Determined to become King, Macbeth kills anyone that gets in his way. Lady Macbeth has an important role in Macbeth's actions; throughout the play she provokes him to do specific tasks when he fears that he has gone too far. The theme of gender is a prominent theme that exposes the personalities of the different characters and forwards the plot of the play. Characterization is an essential element to help the viewers connect with the characters and further the understanding of the story. To begin with, at the beginning of the play when Lady Macbeth fears that her husband might not be up for the brutal task of killing another person, she says, “unsex me here, and fill me from the crown to the toe top – full of direst cruelty” (1.5.40-42). This quotation shows that Lady Macbeth wants to become more cruel. Lady Macbeth is saying she wants to be stripped of her femininity to become more masculine because in her mind to be cruel is a more masculine trait that her husband lacks. Secondly, Lady Macbeth states that she would be cruel enough too kill her own child in order for her husband to advance to become king. Lady Macbeth says, “I would, while it was smiling in my face, have pluck’d my nipple from his boneless gums, and dash’d the brains out, had I so sworn as you have done this” (1.7.56-59). Again this quote is showing Lady Macbeth’s cruelty...
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...their traditional gender norms. For example, in spite of being the ideal male warrior that “Odysseus the great soldier” is, he, like many of the female characters, weaves his way through conversations to solve his problems. For instance, in book five, Kalypso the nymph, who is keeping Odysseus captive, says: “’though you wanted her forever, that bride for whom you pine each day… can I be less desirable than she? Less interested? Can mortals compare with goddesses in grace and form’ To this the strategist Odysseus answered: ‘My lady goddess, here is no cause for anger. My quiet Penelope… would seem a shade before your majesty.’” (Bk. 5 ln 218-226)...
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...William Shakespeare's play “Macbeth“, Shakespeare shows the challenges of the ideas of traditional gender roles, like power, masculinity, and leadership. In act 1 there is a quote that I believe is a good example for my thesis. Lady macbeth finishes reading the letter of the witches prophecy and then says “Come, you spirits that tend on mortal thoughts, unsex me here/Make thick my blood“ (1.5.47-54). she is calling the "spirits" to make her into a man that she believes her husband can't be. She refuses to act how her society suggests she should. Shakespeare portrays Lady Macbeth as ruthless and evil instead of obedient and nurturant, which is how females are usually seen as....
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...Macbeth begins to re-establish his role as the stereotypical male throughout Act 3 scene 2. During this scene he is clearly taking overall control of the situation and ordering Lady Macbeth in what he wants her to do during their dinner that night which Banquo would attend. ‘Give Banquo your special attention. Talk to him and look at him in a way that will make him feel important. We’re in a dangerous situation, where we have to flatter him and hide our true feelings.’ This quote shows the role reversal between the beginning of the play in which Lady Macbeth was manipulating her husband and using her power to overrule his word. Although this wasn’t stereotypical during the Jacobean era, Macbeth obeyed her commands which lead him to murdering...
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...the play Macbeth, gender roles and relations are a prominent theme throughout the play. This recurring thematic element is especially illustrated in Macbeth and Lady Macbeth's actions as individuals as well as a couple. Their perception of gender specific roles for male and females, as well as their personal adaptation to unforeseen situations in the play, caused them to reexamine the preconceived notions of acceptable male - female relations and ultimately led to their demise both as individuals and as a couple. During the opening acts of the play, specifically acts I and II, Macbeth’s persona could be described as timid and humble; on the other hand, his counterpart -Lady Macbeth, had ruthless, devious, and manipulative character traits. From the beginning, Lady Macbeth was undoubtedly not a typical wife. She broke the status quo of the stereotypical 11th century wife of the soon-to-be Thane of Cawdor and King of Scotland. She did not stay in her castle and perform mundane wifely duties; on the contrary, she was a go-getter, and her robust nature often made her seem more manly than her husband. In fact, she wanted to become a man, so she could do the things her timid husband would not. She knows Macbeth is ambitious, but fears he is too “full o th’ milk of human kindness” to take the necessary steps to make himself king. “...come you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe top-full of direst cruelty.” This quote from act...
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...More often than not leaders have a stronger sense of what is happening than what is being shared. To be an authoritative leader is to know when to stop hearing out irrelevant opinions and thinking for yourself. Macbeth had the decency to include other in his wavering of decision making but was also willing to factor in his own benefit when needed. “Stars hide your fires; Let now light see my black and deep desires.” (1.4.50-51) This quote is speaking of Macbeth's recurring ambition for power. The “fire” being used to represent all of his hopes and dream of being king, after the push from Lady Macbeth the deed is done; Duncan is killed off, and Macbeth is left as king. Macbeth can be related to Niccolos Machiavellis’s The Prince, within this excerpt Machiavelli states “It is much safer to be feared than loved”, this is because when loved the leadership is confused with a friendship. To be loved does not necessarily mean respected, without respect all power would be even and a kingdom would be left in total anarchy. If Macbeth was loved by his riffraff he would have been unable to conquer and kill when it needed to be done. When a leader is viewed as a friend they lose all creditability of what power and control they are originally given. A leader needs to lead not befriend all of the crowd below...
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...Alana jones Throughout society women were considered to be second class citizens who were expected to obey their husbands, stereotypically they were seen as the weaker sex and insecure. Women were also socially neglected, as they were expected to remain at home whilst their respective husbands ensured the upkeep of the family by managing the family finances. The male population at this point in time ignorantly viewed women as, innocent people, seemingly unaware that women had the same feelings and emotions as themselves. In the literature studied women are portrayed in a more dominant and powerful people. For instance Lady Macbeth would not be your typical Elizabethan woman. Steinbeck`s Of Mice And Men was influenced by its social, historical and cultural context. `all the main characters in Of Mice And Men and men acknowledge, at one point or another, to envisaging a different and better life. Before her death, Curley`s wife confesses her desire to be in the movies. However, Steinbeck`s view of the harsh reality of 1930s America is alluded to before the story begins: circumstances have robbed most of the characters of these dreams before they could become reality. Curley`s wife for instance, has resigned to being married to someone she doesn’t love. What makes all of these dreams typically American is that the dreamers wish for perfect happiness. Steinbeck presents Curley`s wife in many different ways throughout the text. Overall, we should consider how Steinbeck wants...
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...Shakespeare's play, Macbeth, Lady Macbeth has an extreme influence on her husband Macbeth. Due to Macbeth’s submissive personality, he is easily conceivable and will do whatever Lady Macbeth demands he does. If Macbeth did not have Lady Macbeth telling him what to do he would never rise to power and make the play have such an influential message. Lady Macbeth is more important to the deeper meaning of the play than Macbeth because she is influential, ruthless, and ambitious and even though she was not the one who put the most action into anything she was the one who convinced Macbeth to act on anything. First off, people gain most power...
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...Quotes in chronological order 1. Dearest partner in greatness 2. Human kindness 3. Unsex me here 4. Make thick my blood 5. To beguile the time 6. Face my thane is a book 7. Night’s great business into my dispatch 8. Out damned spot! William Shakespeare’s ‘Macbeth’ and John Steinbeck’s ‘Of Mice and Men’ written in the 17th and 20th century, separated by hundreds of years of development and change within the world, both reflect the ideologies, treatment and representations of women in their respective eras. The principal feminine representatives are Lady Macbeth and Curley’s wife who throughout both texts demonstrate similarities and differences in their portrayal of their relationships with their male counterpart, the description of their tragic deaths and the conventional role of men and women and how they fit or break the stereotype. In this essay, I will refer to the aforementioned depictions, analysing the techniques the writers use to create their characters, and how a Jacobean audience, one during the Great Depression of the 1930s and a modern audience would react. Rather than supporting her husband in a subservient manner, Shakespeare makes Lady Macbeth the ruthless mastermind of a fiendish, venal and daring enterprise aimed to ensure her husband would ‘catch the nearest way’. In Act 1 Scene 5, when attempting to convince Macbeth to commit this necessary deed, she utters the heartless words ‘you shall put this night's great business...
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...Shakespearean Women (Analysis on the treatment of women by Shakespeare) The role of women in society has changed drastically over time. The expectations and responsibilities varied depending upon the culture and area you lived. An analysis of the majority of women's roles globally around the time of Shakespeare was that similar to a slave. A woman belonged to her husband, and most times she was actually bought from her father by her newly betrothed. A woman's job was to do as her husband bid her and fill the house with children. Women had different duties depending on which class they were in, but overall women had little to no rights no matter what class they were in. Educating women on matters outside the home was a frightening idea, and...
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...Attitudes Broad Learning Outcomes Chapter 3 5 7 9 10 11 11 13 Curriculum Planning 3.1 Planning a Balanced and Flexible Curriculum 3.2 Central Curriculum and School-based Curriculum Development 3.2.1 Integrating Classroom Learning and Independent Learning 3.2.2 Maximizing Learning Opportunities 3.2.3 Cross-curricular Planning 3.2.4 Building a Learning Community through Flexible Class Organization 3.3 Collaboration within the English Language Education KLA and Cross KLA Links 3.4 Time Allocation 3.5 Progression of Studies 3.6 Managing the Curriculum – Role of Curriculum Leaders Chapter 4 1 2 2 3 3 13 14 14 15 15 16 16 17 17 18 21 Learning and Teaching 4.1 Approaches to Learning and Teaching 4.1.1 Introductory Comments 4.1.2 Prose Fiction 4.1.3 Poetry i 21 21 23 32 SECOND DRAFT 4.1.4 Drama 4.1.5 Films 4.1.6 Literary Appreciation 4.1.7 Schools of Literary Criticism 4.2 Catering for Learner Diversity 4.3 Meaningful Homework 4.4 Role of Learners Chapter 5 41 45 52 69 71 72 73 74 Assessment 5.1 Guiding Principles 5.2 Internal Assessment 5.2.1 Formative Assessment 5.2.2 Summative Assessment 5.3 Public Assessment 5.3.1 Standards-referenced Assessment 5.3.2 Modes of Public Assessment 74 74 74 75 77 77 77 Quality Learning and Teaching Resources 104 6.1 Use of Set Texts 6.2 Use of Other Learning and Teaching Resources 104 108 Chapter 6 Chapter 7 109 Supporting Measures 7.1 Learning and Teaching Resource Materials 7.2 Professional Development 109 109 Appendix 1 Examples...
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...The Illusion of Leadership Directing Creativity in Business and the Arts Piers Ibbotson The Illusion of Leadership This page intentionally left blank The Illusion of Leadership Directing Creativity in Business and the Arts Piers Ibbotson © Piers Ibbotson 2008 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2008 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan®...
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...THE JOURNAL OF FINANCE • VOL. LVI, NO. 4 • AUGUST 2001 Investor Psychology and Asset Pricing DAVID HIRSHLEIFER* ABSTRACT The basic paradigm of asset pricing is in vibrant f lux. The purely rational approach is being subsumed by a broader approach based upon the psychology of investors. In this approach, security expected returns are determined by both risk and misvaluation. This survey sketches a framework for understanding decision biases, evaluates the a priori arguments and the capital market evidence bearing on the importance of investor psychology for security prices, and reviews recent models. The best plan is . . . to profit by the folly of others. — Pliny the Elder, from John Bartlett, comp. Familiar Quotations, 9th ed. 1901. IN THE MUDDLED DAYS BEFORE THE RISE of modern finance, some otherwisereputable economists, such as Adam Smith, Irving Fisher, John Maynard Keynes, and Harry Markowitz, thought that individual psychology affects prices.1 What if the creators of asset-pricing theory had followed this thread? Picture a school of sociologists at the University of Chicago proposing the Deficient Markets Hypothesis: that prices inaccurately ref lect all available information. A brilliant Stanford psychologist, call him Bill Blunte, invents the Deranged Anticipation and Perception Model ~or DAPM!, in which proxies for market misvaluation are used to predict security returns. Imagine the euphoria when researchers discovered that these mispricing proxies...
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...re tu ra li CAPE Modern te ng Languages Literatures nE e siniEnglish ur e at l er g it En sin ur e at er it L Caribbean Examinations Council ® SYLLABUS SPECIMEN PAPER CSEC® SYLLABUS,MARK SCHEME SPECIMEN PAPER, MARK SCHEME SUBJECT REPORTS AND SUBJECT REPORTS Macmillan Education 4 Crinan Street, London, N1 9XW A division of Macmillan Publishers Limited Companies and representatives throughout the world www.macmillan-caribbean.com ISBN 978-0-230-48228-9 © Caribbean Examinations Council (CXC ®) 2015 www.cxc.org www.cxc-store.com The author has asserted their right to be identified as the author of this work in accordance with the Copyright, Design and Patents Act 1988. First published 2014 This revised version published 2015 Permission to copy The material in this book is copyright. However, the publisher grants permission for copies to be made without fee. Individuals may make copies for their own use or for use by classes of which they are in charge; institutions may make copies for use within and by the staff and students of that institution. For copying in any other circumstances, prior permission in writing must be obtained from Macmillan Publishers Limited. Under no circumstances may the material in this book be used, in part or in its entirety, for commercial gain. It must not be sold in any format. Designed by Macmillan Publishers Limited Cover design by Macmillan Publishers Limited and Red Giraffe CAPE® Literatures...
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...P LA T O and a P LAT Y P U S WA L K I N TO A B A R . . . Understanding Philosophy Through Jokes < T H O M A S C AT H C A RT & D A N I E L K L E I N * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * P l at o a n d a P l at y p u s Wa l k i n t o a B a r . . . PLATO and a PLAT Y PUS WA L K I N T O A B A R . . . < Understanding Philosophy Through Jokes Th o m as Cat h c a rt & Dan i e l K l e i n A B R A M S I M AG E , N E W YO R K e d i to r : Ann Treistman d e s i g n e r : Brady McNamara pro d u c t i on m anag e r : Jacquie Poirier Cataloging-in-publication data has been applied for and may be obtained from the Library of Congress. ISBN 13: 978-0-8109-1493-3 ISBN 10: 0-8109-1493-x Text copyright © 2007 Thomas Cathcart and Daniel Klein Illlustration credits: ©The New Yorker Collection 2000/Bruce Eric Kaplan/ cartoonbank.com: pg 18; ©Andy McKay/www.CartoonStock.com: pg 32; ©Mike Baldwin/www.CartoonStock.com: pgs 89, 103; ©The New Yorker Collection 2000/ Matthew Diffee/cartoonbank.com: pg 122; ©The New Yorker Collection 2000/ Leo Cullum/cartoonbank.com: pg 136; ©Merrily Harpur/Punch ltd: 159; ©Andy McKay/www.CartoonStock.com: pg 174. Published in...
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