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ROUSSEAU’S THANE OF CAWDOR
Considering the variety and the extension of William Shakespeare’s work, it’s not only intricate but obstinate to even try to select under objective criteria one writing as prominent among his many crucial plays. It is rather a matter of personal choice and preference, casting one’s lot with a specific composition. Yet, most critics consent in widespread statements and observations concerning Shakespeare’s universe, many of the prevailing allegations are debatable. Macbeth, his shortest and bloodiest tragedy tells the story a Scottish general who receives the prediction from a trio of witches that he’ll soon be King of Scotland. Driven by ambition and the influence of his wife, he spurred in action and murdered King Duncan in order to gain the crown. His mind, being clouded with fear and guilt, rapidly results in a tyrannical reign and a succession of murders to protect what he acquired from enmity and suspicion. Circumstances promptly consummate the one reputed hero into madness, ending in a miserable death. Macbeth, weighed as one of Shakespeare’s most powerful and emotionally intense tragedies, radiates madness from its opening to its conclusion.
As previously said, one can be overwhelmed with the diversity of analysis done in Shakespeare’s creations, to which Macbeth is not exempt. The article written by J. Lyndon Shanley,Macbeth: The Tragedy of Evil offers plenty of elements to dissect. Therefore, taking the mentioned text in reference and the play itself, it’s plausible to affirm that beyond responsibility and culpability attributed to Macbeth, the exterior forces that intervened shouldn’t be disregarded as an influential factor. The story of Macbeth, is perhaps the best example of the widely known phrase “Man is born good and through society he becomes corrupt”by Jean Jacques Rousseau. Thus, despite being held accountable for the

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