History The pioneer settlers of the Mindoro Islands were the Aeta, referred to in the early Spanish accounts as the Chichimecos. It has been theorized that when the Malay immigrants arrived in Mindoro, they pushed the Aeta deep into the interior. The former, however, did not completely isolate the latter and instead continued bartering their commodities with forest products which were in turn traded with foreign merchants plying Philippine seas. The Mangyan settled along the shores of Mindoro Island approximately 600-700 years ago. It is believed that they had come from the southern regions of the archipelago. They were gradually forced to leave their coastal settlements by more aggressive groups. It appears that the Mangyan have traditionally been an unwarlike people, choosing to give up an area uncontested rather than fight for it. The earliest accounts, which mention Mindoro and its people, are found 13th century Chinese dynastic records. A number of Chinese state documents, particularly those written in the Sung and Ming dynasties, suggest that before the coming of the Spanish conquistadors, commercial trade was flourishing between the inhabitants of Mindoro and Chinese merchants. Objects unearthed on the island, such as ceramics, porcelain, large earthenware, beads, and glass object are evidence of precolonial trade, which contributed to the shaping of an indigenous material culture among the early inhabitants of Mindoro. The island was a viable and busy trading port, one of the many islands regularly visited by Chinese merchants. Chao Ju-Kua's Chu Fan-Chi, written in 1225, mentions the island of Ma-i, believed to be the ancient name of the present day Mindoro. Other names associated with the island include Mait, Minolo, Min-to-lang, Mang-Yan San, and Ka-Ma-Yan. "Mait" is believed to be an old Chinese term meaning "gold". Chinese references to the term " Mangyan", or that which sounds like the present day word, could be evidence that it existed in earlier times. In the 16th century Spanish colonizers overran the native settlements of Mindoro and reduced the island to vassalage. Spanish accounts describe the inhabitants of the coast as a well-dressed people who "wore showy headdresses of many colors turned back over their heads", and who, more significantly, casually wore gold on their bodies. The conquistadors attacked villages, destroyed settlements, and pillaged the inhabitants of their possessions. The Spaniards exacted heavy tributes, imposed onerous monopolies and demanded forced service from thesubjugated people. As a result, the people of Mindoro fled to the mountains. Yet the natives were not completely defenseless or given to passive surrender. There existed native forts, which were surrounded by moats. The local warriors also used metal weapons, a fact, which surprised the Spanish forces. Excellent knowledge of metallurgy and martial skills characterized the defenders of Mindoro. But predictably, the technological superiority and firepower of European weaponry carried the day for the marauders. One factor that could explain the outright hostility of the Spaniards towards the inhabitants of Mindoro was the presence of an old foe: Islam. Preacher-traders from southern Philippines had earlier succeeded in spreading the Islamic faith among a number of Mindoro natives. Spanish chroniclers relating events in Mindoro referred to the people there as the "Moros of
Mindoro".
The colonialists imposed the Christian faith and their political will with much harshness and taught the Mangyan the ways of loyal subjection to the faraway European monarch. Muslim incursions into Spanish-held territories intensified in the 17th century. For the European colonizers, the encounter with Islam in the Philippines was but a continuation of the centuries-old conflict in Europe and in the "holy Land". For the Muslims on the Philippine archipelago, however, the wars with the Spaniards were simply a reaction to European incursion in the islands where Islamic influence had built up and spread over a long, evolutionary period of conversion and commerce. Branded as piratical attacks in some accounts, the Muslim expeditions were mainly responses to Spain's occupation and control of Muslim territories. During the Spanish colonial period, tremendous pressure was brought to bear upon the lives of the Mindoro natives, who found themselves the object of contention between two armies fighting for their spheres of influence. As a result of the Moro-Christian wars, the Mangyan of Mindoro were taken captives, sold as slaves, and sometimes killed without mercy. The island went through a period of depopulation. Trading deteriorated badly. A plague of malaria made conditions even worse. The rivalry of Christian and Muslim forces in the island of Mindoro went on intermittently for most of the 333 years of Spanish rule in the Philippines, such that the Mangyan suffers extreme pain and privation. The Spanish regime ended, but the colonization of the Mangyan continued --- and their marginalization with the rest of the other Philippinegroups grew apace with the imposition of the American colonial rule in the archipelago. American arms came with American anthropology. As with the Spanish derogation such as "savage" and "infidels", the concept of "pagan", "minority" and "non-Christian" entered current usage, referring to tribal communities in the Philippines such as the Mangyan. The shy, withdrawn, and hardworking nature of the Mangyan came to the attention of the American entrepreneurs who saw their potential as a labor force. Such traits were valuable for an American-owned sugar estate that was to be established in Mindoro. When Secretary of the Interior Dean C. Worcester, who had an explorer's background, approved the purchase and lease of a large piece of land to an American company, he set off a process of economic exploitation that perpetuated the pattern of colonial extraction started by the Spanish government. Worcester's activities didn't go unnoticed. Nationalist writers of the El Renacimiento denounced him in a celebrated editorial. "Aves de Rapina"
(Birds of Prey), which gave rise to a controversial suit in 1908. The editorial pilloried the American colonial administration, and Worcester in particular, for exploiting the tribal peoples of the country in guise of "benevolence". The racist tribal policies adopted by the Americans abetted and perpetuated the discrimination against non-Christian indigenous groups in the Philippines. The Mangyan were forced to live in reservations, much like those created for the native American Indians, and relocated to areas far from lowland settlements inhabited mostly by the Tagalog. The American government favored such an isolation since "a people divided cannot effectively press for freedom" (Lopez 1976). The cumulative effect of centuries of exploitation is being felt to this day. Wily lowlanders time and again have tricked the Mangyan intodubious debts, barters, labor contracts, and often succeeded in displacing the natives from their ancestral domain with the use of spurious land titles. It is no wonder that the Mangyan have become only too wary of the damuong, non-Mangyan, the transgressor. Displaced and dislocated, the various Mangyan groups sought peace and freedom from the harassment in the deeper and higher parts of the mountainous interior of Mindoro, but their life has continued to be precarious. Natural disasters, inclement weather, limited food supplies, difficulties in taming the wild and rugged land, have exacerbated their subsistence level of life. "Illiteracy" has prevented them from coping with the challenge posed by "mainstream" society in terms of legal issues concerning land as well as development schemes that threaten their culture and ecosystem, and therefore their survival as a people. The process of cultural disintegration and ethnic extinction appears to be irreversible, if proper intervention is not effected soon. Counterinsurgency campaigns, economic exploitation of Mindoro's natural resources, landgrabbing and speculation, and the more gradual but potentially erosive influx of modernization and assimilation into lowland cultures are constant threats to the survival of the Mangyan and their centuries-old folkways. Characteristically, the Mangyan avoid trouble at all costs, even losing territory they have long occupied. In the process, they continue to face instability in their living conditions and economic dislocations. Sadly, this process of dislocation and dispossession continues to the present. After Christian settlers came the loggers, and then the mining corporations. Today the
Mangyan find themselves with increasingly less space in which to conduct their age-old subsistence activities.
Religious beliefs and practices Since the Mangyan are swidden farmers, their spiritual beliefs are related to their means of livelihood. Agricultural rites suggest the importance of farming and the belief in spiritual beings or forces that can influence a good harvest. The Hanunoo Mangyan believe in a Supreme Being who is referred to as the Mahal na Makaako, who gave life to all human beings merely by gazing at them. They believe that the universe, called sinukuban ("that which is covered) or kalibutan ("the whole surrounding") has a globular shape "like a coconut". All beings, visible or invisible, live in this space. The stratum of the earth is called the usa ka daga. The daga (land) is surrounded by a border area, which is dagat (sea). Beyond the dagat is the katapusan, the edge of the universe, covered with thick woods and rocks. Nothing lies beyond it. This is the home of the labang or the horrible creatures and evil spirits greatly feared by the Hanunoo. The labang can take on animal and human forms before killing and eating their victims. They are believed to roam the areas they used to frequent during their mortal existence until they move on to dwell in Binayi's garden, where all spirits rest. Binayo is a sacred female spirit, caretaker of the rice spirits or the kalag paray. She is married to the spirit Bulungabon who is aided by 12 fierce dogs. Erring souls are chased by these dogs are eventually drowned in a caldron of boiling water. The kalag paray must be appeased, to ensure a bountiful harvest. It is for this reason that specific rituals are conducted in every phase of rice cultivation. Some of these rituals include the panudlak, the rite of the first planting; the rite of rice planting itself; and the rites of harvesting which consist of the magbugkos or binding rice stalks, and the pamag-uhan, which follows the harvest. Batangan cosmogony is less clear. They believe in four deities, who are all naked. Two come from the sun and are male; two come from the upper part of the river and are female. They are believed to be children (Kikuchi 1984: 7). The paragayan or diolang plates play an important role in Batangan religious practices. These plates are owned by only a few families, and are considered heirlooms. They are essential in summoning the deities to all religious and curing rituals (Kikuchi 1984: 7).
Visual arts and crafts A common attire for the Mangyan groups is the ba-ag or loincloth worn by males. Clothing is considered by the Mangyan as one of the main criteria distinguishing them from the damu-ong. A Hanunoo Mangyan male wears his ba-ag, topped by a balukas or cotton shirt. A female wears the ramit, an indigo-dyed short skirt, and a lambung or blouse. Their traditional shirt and blouses have on the back an embroidered motif called pakudus, from the Spanish word cruz, meaning "cross", which bears its shape. This motif is common on their bayong, bags made from the palm leaf buri and the black fern nito. Miyamoto believes that the pakudus motif might also be explained by the sacred number four and the mandala symbol often seen in Southeast Asian art. Hanunoo men and women wear the hagkus or willed rattan belt with a pocket. Women wear the hulon, a belt made from nito, around their waist. They wear their hair long, and sometimes wear a headband made of beads or buri or nito. Hanunoo Mangyan of all ages and both sexes are fond of wearing necklaces and bracelets made from beads. These beads are used not only for decoration but also for magical, religious and judiciary purposes. They are used as adornments by lovers, in curing a sick person (white beads only), in rituals presided over by the pandaniwan, and for paying fines, the quantity depending on the severeness of the wrongdoing. Among the Iraya, males wear bahag or loincloth fashioned from a tree bark, the kaitong or belt, and the talawak or headband. The females wear the tapis or skirtlike covering made from bark, the lingob or belt, and the sagpan or pamanpan to cover the breast. They wear necklaces called kudyasan, made from tigbi seeds, and the panalingnaw or earrings. Some Ratagnon males still wear the traditional loincloth, and the women wear a wraparound cotton cloth from the waistline to the knees. They weave a breast covering from nito or vine. The males wear a jacket with simple embroidery during gala festivities and carry flint, tinder, and other paraphernalia for making fire. They also carry betel chew and its ingredients in bamboo containers. Strings of beads or copper wire may adorn their necks. Both men and women wear coils of red-dyed rattan at the waistline. Among the Hanunoo, men forge and repair blades for knives, axes, bolo or long knife, spears, and other bladed instruments. Women traditionally spin, dye, and weave cotton cloth for clothing and blankets. Tailoring and embroidery of garments is usually women's work, while men carve the handles and scabbards. Woven basketry is mainly women's work, but sewn goods, twisted cordage, and other goods are craftedby both sexes. Basketmaking is well developed among the northern Iraya and southern Hanunoo groups. Lane (1986: 141-144) describes the various kinds of Mangyan baskets. The Iraya have the hexagonal household basket, which is always made in small sizes, from 18-20 cm in diameter. The materials used consists of soft and narrow strips of the buri palm leaf, which are then overlaid with nito strips. Another Iraya basket is the open grain basket made from bamboo strips, which are first blackened and dried. Variations in the weaving process produce the many designs of the basket. The Hanunoo baskets are small, fine, and leatherlike in texture. Various designs such as the pakudus or cross pattern are created with split nito or red-dyed buri laid over strips of buri. The base of the basket is square but the mouth is round. Other types of Hanunoo basketry include purses and betel-nut carriers which come in round, polygonal, or other shapes. The covers fit snugly with the container.
Performing arts The musical instruments found among the Mangyan are the gitara, a homemade guitar; the gitgit, a three-string indigenous violin with human hair for strings; the lantoy, a transverse nose flute; the kudyapi, a kind of lute; and the kudlung, a parallel-string bamboo tube zither. Most of these instruments are used by a male suitor in wooing a Mangyan female. A young man and his male friends strum the guitar and play the gitgit to announce their arrival at the house of the woman. The Hanunoo use the guitar to play harmonic chords and interludes between verses sung in one or two tones. The Hanunoo use several kinds of flute. The transverse flute has five stops (unlike the Buhid's palawta which has six), and is tuned diatonically. The pituh is a flute which is diatonically tuned, has finger-holes, but no thumb hole. The bangsi is an external duct flute, which has a chip glued on to the tube of the flute. Another type of aerophone, aside from the flutes, is the budyung, a bamboo trumpet which is also found among the Mandaya in Mindanao. Two idiophones are used by the Hanunoo: the buray dipay, a bean-pod rattle used in ensemble with other kinds of instruments , and the kalutang, which are percussion sticks played in pairs to produce harmonies on seconds, thirds, and fourths (Maceda 1966: 646). The Hanunoo also have an agung ensemble, which consists of two light gongs played by two men squatting on the floor: one man beats with a light padded stick on the rim of one of the gongs. Both performers play a simple duple rhythms (Maceda 1966: 646). Music for the Hanunoo is part of celebrating ordinary and festive occasions. Accompanying themselves on these instruments as they recite their love poems, the Hanunoo Mangyan pay court to the women. During the wedding rituals, songs are sung, musical instruments are played, food is eaten, and wine is drunk. The songs of the Mangyan are lullabies, recollections of war exploits in the distant past, lamentations, lovelyrics, and stories based on persona.

Mangyan Gallery Mangyan (Hanunoo Tribe) Children so scared that they Feet adopted for not wearing shelter with fire inside refused to leave the tree top. Shoes. A boy returning from the Making Fire a Mangyan Mother
Tree top. a curious mangyan Mangyan Family