Martha Rosler likewise stands for the considerate and gentle creative reaction from photographers. Lucy Soutter in her Documentary Dilemmas essay brings up Martha Rosler’s argument on documentary Photography and her critique of the social-documentary agenda, which Rosler considers to be intensely defective and severely faulty. (Soutter, 2013).

The motive behind this statement appears to be Rosler’s belief in the need to help the victims of the documented pictures rather than achieving goals of taking them. Goals that are normally involved around supporting personal objectives of the photographer while producing stereotypical war imagery and forgetting the victim’s needs in front of the lens “She argues that rather than helping its depicted