...Jess Jones Persuasive Paper: Marvel vs. DC November 3, 2015 One of the most controversial topics for teenagers and adults alike is the topic of which comic brand is better, Marvel or DC? DC and Marvel fans have been at each other’s throats since the 1950’s. “The battle between DC and Marvel is eternal. First it was in the comic shop, then it was on the Internet and most recently, it’s on the big screen (Lussier).” says Tsujihara. DC characters are better because their status is more realistic and attainable, they are more popular among the children, and DC characters work hard for their strengths and powers and use them for good. There are two categories within DC: the gods, such as Wonder Woman and Superman, and the iconic underdogs, such as Batman and Green Lantern. The gods are from another planet or universe and are normally the ruler’s child. They use their powers to protect their land. The underdogs are the favorite in any story and work the hardest. They are not born with any powers, but they want to help so they make a way. The underdogs are the people we look up to and admire the most. They are good men and/or women whom we strive to be like. Everyone looks up to Bruce Wayne because he is a good guy who wants to turns the bad events in his life into profit for others. Marvel literally has no characters that work for their superhero status. People love Marvel and support it and they wonder why their children do not want to work for what they get. Children start...
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...The Marvel and DC franchises are two of the most popular comic book and movie companies. Being rivals has made choosing a side very difficult. With countless comic books in their past, but eventually, every fan must choose a side. The story of mythical heroes with extraordinary powers saving their kin from villains dates back to ancient history. The Greek Scribe Homer gave us earthly warrior heroes battling with one-eyed monsters and women with snakes for hair. In the Middle Ages, the enduring tale of a mythical hero was that of King Arthur, a man who wielded a magical sword to save his kingdom from ruin. These days, the average person might be hard-pressed to suspend belief in such gloriously bloody stories, but that hasn’t stopped us from telling tales in which Good is pitted against monstrous Evil. The most prevailing of these modern heroic tales have been the creations of storytellers whose medium is the comic book, and in turn, the film industry. Today we’ll compare two of the champions of the comic book genre, in this episode of The Infographics Show, Marvel vs. DC. First we’ll start with an introduction to DC, which is often hailed as ‘the...
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...Paul Fisher Analysis 1.1 I will be conducting a rhetorical analysis for the article “'Iron' vs. 'Steel': Who'll be the 'Man' this summer? “. Who would you choose from the Genius, billionaire, playboy, and philanthropist or a newspaper editor from the Daily News? If you can’t choose from those then how about Iron Man vs Man of Steel? Marvel movies have and will be the biggest movies ever made and DC movies are following in the shadows of Marvels Success. I know that man of steel movie didn't do better than any Iron Man movies in the box office because Marvel has great Movies already in its pockets. My evaluation of the target audience for this article happens to be toward young adults and older that are interested in movie income. To be most specific it would also go to the people that have a big fan base towards Marvel or DC. This article hits many clues towards its audience. First of all the Marvel and DC fan base, by including the names of Tony Stark and Clark Kent. These two names are very well known in the comic and movies since late due to movies and comics. The article also includes the amount that both moves made when it hit box office. This leads me to believe that the target audience is towards DC and Marvel fans and also young adults and older adults in financing. For the articles purpose was to get your answer if the man of steel movie would be a bigger hit in the box office than iron man 3. This article is date to June 2013 the same month the man of steel...
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...Marvel Entertainment: Marvel Studios Amy J. Keller June 28, 2009 This case study focuses on the Marvel Studios franchise. Marvel Entertainment took a huge risk when it decided to stop licensing its’ characters to outside production companies and develop their own in-house productions via Marvel Studios. This study focuses on the history of Marvel Studios and what harm or benefit has come from the creation of Marvel Studios and the expansion into filmmaking. Biography/History Marvel Entertainment, Inc. is a prominent character-based entertainment company that is worldwide. The have a collection of 5,000 characters that cover a 70-year company span and sever media types (comics, toys, movies, et cetera). “Marvel’s strategy is to leverage its franchises in a growing array of opportunities around the world, including feature films, consumer products, toys, video games, animated television, direct-to-DVD and online” (Viacom). Marvel Studios mission is to “develop and manage entertainment projects that leverage Marvel’s vast universe of creative content” (Marvel.com). Throughout the 1970s and 1980s, Marvel had licensed out a number of their characters for movies and direct-to-TV productions. Very few of these are remembered today. One that you might recall is Howard the Duck; it didn’t do so well in the box office. The reasoning behind such failures was the lack of research the company put into it’s licensing (Stax). Marvel Studios...
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...and over-emphasised femininity, placing all other forms of masculinities and femininities in the shadowy background of covert representations. Expressing a serious concern for politicised representations, my thesis focuses on unraveling the ambivalent portraiture of superheroines in the phantasmal world of superheroes and villains in comics. In spite of being gifted with superpowers the bodies of superheroines are subject to hyper-fetishised presentation, their bodies appearing more alluring than powerful. In the course of the narrative, again and again, superheroines fall into trap of their own quintessentially feminine traits projected as vulnerabilities. I would specifically talk about the representation of Marvel and DC (Detective Comics and henceforth DC) comics superheroines (from 1970s to 2016) to develop my argument on how the bodies become performative semiotics enacting and reenacting their gendered identities. Incidentally, a character in comics depends on the creativity of the illustrator and innovativeness of the writer to come to life on the pages. It is not necessarily need to be the same writer or the illustrator working on a character for ages, which also is not feasible always, considering the practicality of the existence of a character for consecutive decades. As for instance the character of Wonder Woman was brought in the medium of comics in 1941 by William Moulton Marston, but in the 1950s Robert Kanigher took charge of carrying forward the...
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...and construction of a unique electric vehicle in a form that is easily understood. Unique characteristics include dual, independently controlled A/C drive motors, elimination of traditional mechanical power transmission devices, and traction control software with the ability to make changes several thousand times per second. These original ideas make for an environmentally responsible vehicle with few moving parts. ACKNOWLEDGEMENTS Brocton Barras – Wrote a brief recap of the history of electric vehicles. Joshua Day – Responsible for originality/acknowledgments page, as well as abstract and conclusions. Matthew Griffin – Provided research for innovative control methods section of paper. Andrew Phegley – Wrote a brief description of A/C vs. D/C motors. Nathan Smith – Provided research for the construction of battery packs. Alex Turek – Responsible for introduction, section on the CAN bus, and editorial duties. ABSTRACT The objective of this project is to design and build an electric vehicle that exhibits unique qualities not found in any production vehicle in its class. The vehicle will operate in a similar capacity to the average automobile so as to maintain familiarity to consumers. The vehicle will be powered by independently controlled A/C motors that forgo typical mechanical power transmission devices. Highly intelligent programming techniques will be employed to vary the torque and speed several thousand times per second. Through the research conducted, our team has...
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...Running head: DIGITAL FREEDOM FIGHTERS Digital Freedom Fighters: Defending Free Speech in the 21st Century Abstract Many forms of speech have been contested over the course of time with many being banned, but comic books have been the target of many critics over the 75 year time span of publication. The First Amendment of the United States Constitution guarantees that free speech should not be impeded. Many organizations, including the Comic Book Legal Defense Fund, are continuing the legal battle of insuring the right of free speech remains unencumbered. Digital Freedom Fighters: Defending Free Speech in the 21st Century Introduction Comic books have been published for over 75 years with a varied subject matter including superhumans, gods, soldiers, historical events and animals. Originally conceived as a child’s reading fodder, comics have evolved beyond the original audience. A recent study found that over 98% of comic book readers are over the age of 18. (Pantozzi, 2012) No longer an art form exclusively for children, comics have been the target of many censorship attacks. With the advent of 21st century technology, comic books have evolved and the criticisms have evolved with them. Newer challenges to this form of speech can sometimes be overwhelming, but there are many organizations which are focused on protecting these freedoms. These are the digital freedom fighters. They are a safeguard against...
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...Comments on Chapter 7 Lock ‘Em Up! Why do We Lock “Em Up?” Goals: Incapacitation: Physically prevent offenders from committing additional crimes against society. Retribution: (just Deserts). Offenders need to pay for their crimes. Deterrence: You understand this from the previous chapter. Rehabilitation: The ‘forgotten’ goal. Restitution: The offender “compensate” the victim, victim’s family of community for the crime. It can be community service or money for property crimes. In the case of murder and violent offense it can be apologizes and/or convincing remorse for their crimes. They help the victim forgiveness is healthier than anger. This is often referred to as Restorative Justice. Types of Incarceration Jails (city and county level): They confine those awaiting trail and those serving ‘short’ sentences. Depending on the state sentences can range from a maximum of one year (NY and NJ) to five years (PA). Approximately 50% of those in jail are bail eligible (they simply cannot afford – you only need to post 10%). Generally conditions in jails are much worse than prison. They tend to be Under-funded, under-staffed, people coming and going, high staff turnover, people coming off the street with drug/alcohol/mental conditions, and far fewer activities. Prisons: State custody, more serious offenders with longer sentences. Prison have far more resources than jails. The Incarceration Binge Causes 1, Three Strikes/Mandatory Minimums:...
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...United Breaks Guitars In March 2008, Dave Carroll, a musician from Halifax, NS and his band, the Sons of Maxwell, traveled from Halifax to Nebraska via O’Hare airport in Chicago. What happened on the journey became the subject of outrage, embarrassment, amusement, and transformed Carroll from country singer to customer service guru. Carroll claimed that his guitar was severely damaged by United Airlines baggage handlers at O’Hare. His attempts to pursue a damage claim with United having been frustrated, he posted two amusing videos about the incident on YouTube. The overwhelming response raised questions about brands and the nature of marketing communications in the internet age. The Incident and Carroll’s Response In Carroll’s own words, what happened was as follows: “In the spring of 2008, Sons of Maxwell were traveling to Nebraska for a one-‐ week tour and my Taylor guitar was witnessed...
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...Amar Chitra Katha Since its inception in 1970s, Amar Chitra Katha witnessed success by entering the niche segment of comic industry, the Indian traditional method of storytelling and transfer of mythological knowledge. It became popular in early 80s with all-time favourite titles like “The Mahabharata” and later by “Tinkle”. A. Challenges of ACK Since 90s, with the entry of colour televisions, Amar Chitra Katha has been facing challenges due to the change in the interests of children towards substitute productes. Although a pioneer in mythology oriented comics, ACK faces tough competition from other indigenous graphic content companies (Chandamama, Champak, Children’s Digest, etc), international comic books (Tintin, Asterix, Marvel and DC titles, etc). With the changing times the penetration of television and internet media (animated cartoon movies and children shows on Cartoon Network, Nickelodeon, Pogo, etc.), YouTube video channels and digital online games also pose a major challenge. Also, the contribution margin for Amar Chitra Katha is decreasing with the increasing costs and decreasing sales volume. Traditional advertisement is not faring good for Amar Chitra Katha, and it is looking at other avenues for increasing profitability and increasing sales. B. Strengths of ACK Good content generation – ACK has developed expertise in generating good and authentic content who go through hundreds of reference before developing the story and also focus on suitability...
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...REV: SEPTEMBER 18, 2007 ERICH ALEXANDER VOIGT JORDAN MITCHELL Airbus vs. Boeing (A) Should Airbus go ahead and develop its own version of a super jumbo (the A3XX)? Should Boeing develop a larger version of the 747? What would Boeing and Airbus gain by teaming up? What could they lose? The answers to these questions would determine the future of both companies for many years to come. The Commercial Airline Industry Do The global aviation industry was sized at approximately $100 billion as of 1992. The single largest segment was the manufacture and sale of large commercial aircraft, which totaled $38.5 billion in 1991.1 The sale of large commercial aircraft was expected to grow to $40 billion by the end of 1992. The worldwide commercial aircraft fleet was made up of nearly 8,000 passenger and 1,200 cargo planes spread out over 450 airlines and operators. Large commercial aircraft were defined as airplanes with 100 or more seats. Large aircraft made up 90% of the fleet, while smaller airplanes accounted for the remaining 10%.2 The VLCT was defined as a plane over 400 seats or with the ____________________________________________________________ ____________________________________________________ Professor Ramon Casadesus-Masanell, Erich Alexander Voigt (Tiggeman Associates), and Research Associate Jordan Mitchell prepared this case. This case was developed from published sources. HBS cases are developed solely as the basis for class discussion. Cases are...
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...work as well as positions where it won’t explain a thing. For starters, there’s finding the right outsourcer, which you’ll rapidly find out is just a little part of the puzzle (McDonald, Jacobs, 2005). Nearly any outsourcer can make a powerful case, but with a correct investigation of your present methods, an identically, if not more powerful, case can be made for holding the enterprise in-house. If you have not ever finished this kind of investigation before, it can be a genuine discovering experience. Keep an open brain and you may find that there are positions where outsourcing makes flawless sense for your enterprise by setting free up some of your interior assets for more significant and perceptive efforts. USA vs. the World The most prominent and democratically ascribed tendency has been to outsource work to nation’s out-of-doors the United States. Countries like India and Mexico, amidst other ones, tout well-trained, low-cost employees and can be a good fit in some situations. There are furthermore, numerous well-established household outsourcers that may be a better fit for your enterprise counting on the sensitivity grade of the method under consideration. Regardless of...
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...Introduction to bench marketing If a company is to be successful, it needs to evaluate its performance in a consistent manner. In order to do so, businesses need to set standards for themselves, and measure their processes and performance against recognized, industry leaders or against best practices from other industries, which operate in a similar environment. This is commonly referred to as benchmarking, in management parlance. The benchmarking process is relatively uncomplicated. Some knowledge and a practical dent is all that is needed to make such a process, a success. Therefore, for the benefit of corporate executives, students and the interested general populace; the key steps in the benchmarking process are highlighted below. A Step-by-Step Approach to Benchmarking Following are the steps involved in benchmarking process: (1) Planning: Prior to engaging in benchmarking, it is imperative that corporate stakeholders identify the activities that need to be benchmarked. For instance, the processes that merit such consideration would generally be core activities that have the potential to give the business in question, a competitive edge. Such processes would generally command a high cost, volume or value. For the optimal results of benchmarking to be reaped, the inputs and outputs need to be re-defined; the activities chosen should be measurable and thereby easily comparable, and thus the benchmarking metrics needs to be arrived at. Prior to engaging in the...
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...Electronics FOR DUMmIES by Gordon McComb and Earl Boysen ‰ TEAM LinG - Live, Informative, Non-cost and Genuine ! Electronics For Dummies® Published by Wiley Publishing, Inc. 111 River Street Hoboken, NJ 07030-5774 Copyright © 2005 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, e-mail: brandreview@wiley.com. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written...
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...The Tongue and Quill AFH 33-337 1 AUGUST 2004 Communication is an essential tool for the twenty-first century Air Force BY ORDER OF THE SECRETARY OF THE AIR FORCE AIR FORCE HANDBOOK 33-337 1 AUGUST 2004 Communications and Information THE TONGUE AND QUILL COMMUNICATING IS A POWERFUL TOOL FOR THE TWENTY-FIRST CENTURY AIR FORCE The Tongue and Quill is dedicated to every man and woman in today’s Air Force who will ever sling ink at paper, pound a keyboard, give a briefing, or staff a package to support the mission. Currently, The Tongue and Quill is widely used by Air Force military and civilian members, professional military school educators and students, and civilian corporations around the United States. As United States Air Force employees, it is important we communicate clearly and effectively to carry out our mission. This handbook together with AFMAN 33-326, Preparing Official Communications, will provide the necessary information to ensure clear communications— written or spoken. The use of the name or mark of any specific manufacturer, commercial product, commodity, or service in this publication does not imply endorsement by the Air Force To all you enthusiastic users worldwide, keep up the good fight! SUMMARY OF REVISIONS This revision improved organization; rearranged layout; updated quotes, art and word lists; and added material on preparing to write and speak, writing with focus, communicating to persuade, research, meetings, briefings and listening;...
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