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Masculinity in Death of a Salesman

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Masculinity in ‘Death of a Salesman’

In Arthur Miller’s play ‘Death of a Salesman’, masculinity, and indeed the characters’ perceptions of it, is a key theme. Willy Loman is the patriarch of his family, and as was the norm at the time, he feels he alone has to provide for his family. In the 1950’s the traditional version of the ‘American Dream’ was being altered by newfound consumerism, and therefore Willy is caught between two worlds, unable to provide for his family as well as he would like. Therefore, Willy feels he doesn’t live up to what he should be doing as a man.

Throughout the play, Willy demonstrates the intense social pressures felt by men during this time. At the beginning of the play, Willy’s career as a salesman is coming to a bitter end. With his mind and body deteriorating from age and years of disappointment, Willy is in denial of his continued failure which he has been attempting to cover up for many years, for instance when he vastly exaggerates how much he made on his trip in his first flashback, initially claiming to have made “five hundred gross in Providence and seven hundred gross in Boston”, before conceding that he actually only made “roughly two hundred gross on the whole trip”. In this instance, and indeed throughout the play, Willy is trying to preserve his waning sense of masculinity, which has taken a devastating blow at the hands of drastic economic changes in the 1950’s. With the rise of catalogues and shopping malls, success has come to mean something entirely different for Willy and the rest of America, and whether or not he is able to achieve it for his family is, to him, the ultimate test of his masculinity. Unfortunately, Willy’s age and old-fashioned ideals within the business world make this very difficult for him, yet his thirst for the American Dream is just as strong. His complete obsession with the new consumer

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