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Masculinity In Macbeth

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In Act 1 of Macbeth, Lady Macbeth is shown as the dominant figure in the relationship of Macbeth. She is more masculine when it comes to the planning of the murder of King Duncan by being ruthless. Come, you spirits/That tend on mortal thoughts, unsex me here/And fill me from the crown to the toe top-full/ Of direst cruelty (1.5.47-50). Lady Macbeth defies the differences between a man and a woman because she handles death and murder without compassion as if a woman would. To allow her to follow through with the murder of Duncan, she prays to supernatural forces to get rid of all of her womanly characteristics that show kindness and compassion for others. This is the turning point in the play, where lady Macbeth rids herself of womanly qualities …show more content…
“My thought, whose murder yet is but fantastical/ shakes so my single state of man” (1.3.152-153). Although the plot for King Duncan’s murder is not yet planned out, the idea of committing murder for Macbeth instills fear in him causing him to not recognize who he is anymore. As the play proceeds, Macbeth’s becomes more of an aggressor. When Macbeth hires the murderers for the death of banquo, he tests their masculinity but they respond differently from what he wants them to. He questions if they are willing to let Banquo’s descendents keep them in poverty by taking ruling of Scotland. Instead of becoming upset, the first Murderer only says, "We are men, my liege" (3.1.89). Then Macbeth tests them by saying, "Ay, in the catalogue ye go for men; / As hounds and greyhounds, mongrels, spaniels, curs, / Shoughs, water-rugs and demi-wolves, are clept / All by the name of dogs" (3.1.90-94). He continues by saying that they won’t qualify as real men until they’re ready to …show more content…
When Macduff is informed on the death of his wife and children, he begins to show signs of crying. Then, emotionally, he states, All my pretty ones? / Did you say all? O hell-kite! All? / What, all my pretty chickens and their dam / At one fell swoop?" (4.3.217-220). Unsettled by his outburst , Malcolm reminds him to demote his emotions: "Dispute it like a man" (4.3.220) This excerpt from Malcolm is similar to the cliché that real men don’t cry. Macduff responds by saying, "I shall do so; / But I must also feel it as a man" (4.3.220-221). This point in the play is where Malcolm motivates Macduff to get revenge by saying, "O, I could play the woman with mine eyes / And braggart with my tongue!" (4.3.230-231). Macduff agrees that he can "play" a woman's part and weep, while simultaneously seeking the revenge that he will gain on Macbeth. Macduff then promises that he will seek revenge on the “tyrant”, Macbeth. At this, Malcolm, satisfyingly, says, "This tune goes manly.

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