...is one of the most important issues confronted by cultural historians, theorists, and critics. There are many interpretations of the events that led to the solidification of hierarchical models, but generally historians and theorists, like John Storey, Michael Kammen, John Fiske, and Lawrence Levine, agree that three main social conditions allowed for the progressive development of cultural hierarchy throughout the nineteenth and into the twentieth century: the removal and appropriation by elites of favored cultural materials, products, and ideologies, advancements in intellectualism, and increasing industrial-capitalist socioeconomic conditions. Culture, as stratified as the citizenry, contained many descriptors, but all centered around Matthew Arnold’s interpretation of culture as “the best of the best”. The semantic descriptors like folk, highbrow, popular, mass, middle-brow, and lowbrow all come into use as culture stratifies throughout the nineteenth century. Lawrence Levine’s Highbrow/Lowbrow succinctly traced the evolution of cultural hierarchy through the period; his analysis appropriately meshes the three conditions mentioned afore. Levine captured the meaning behind the creation of the hierarchical cultural model without ascribing to the typically long-winded semantic debates about the “word-concepts” of culture, mass culture, popular culture, popular, mass, and folk. Some interpretations of early American culture focus on the commonality of culture, the shared experience...
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...San Francisco 49ers LEGENDS—The Golden Age of Pro Football, is a new 6" X 9," 305-page book, with 36 pages of photos. The book is essentially the definitive story of the 49ers' football team from their swirling tales of the old All-American Football Conference rivalries, and throughout the 1950s' decade in the National Football League. It's told personally by perhaps the team's most faithful follower - Martin Jacobs. It could be the book about the team's beginnings that most 49ers' fans will ultimately have on their shelves. Other books written about the 49ers dwell on facts, while not tapping into the personal devotion that Jacobs passionately express. Keep in mind there is, nor ever will be a book about the team's history which showcases a personal historic overview of the team's emerging years as this one. The book tells a story about the 49ers’ players we read about in...
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...A REVIEW OF KNOWING JESUS THROUGH THE OLD TESTAMENT By Christopher J. H. Wright Rick Mangrum OBST591-D17 Old Testament Orientation I Dr. Doug Wilson November 28, 2010 INTRODUCTION Knowing Jesus Through the Old Testament is one of many books written by the Rev. Dr. Christopher J. H. Wright. He is also the author of The Mission of God: Unlocking the Bible’s Grand Narrative. Born in Belfast, Northern Ireland the son of missionary parents, he was raised as an Irish Presbyterian. He studied at Cambridge earning his doctorate in Old Testament Economic Ethics. Ordained as a pastor in the Anglican Church of England, he has worked as writer, pastor, teacher and missionary. He currently lives and works in London.1 Wright’s purpose in this work is to give the reader a deeper understanding of Old Testament teachings and how they molded and impacted the life of Christ. “For these are the words he (Jesus) read”.2 A book completely without footnotes, it represents the thoughts of only the writer. This book has been in demand and in print since its original publication in 1992.3 The easy, though sometimes wordy style clearly teaches the book’s main idea that the Old Testament begins to tells the story that Jesus completes! Through a deeper understanding of the Old Testament story and promise, and how it molded Jesus’s identity and mission as well as his values, we are lead to a deeper understanding of who Jesus truly was, why he lived the way _____________________________ 1Langham...
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...[Date] [Date] AK [company name] AK [company name] H120 Introduction to the History of East Asia Essay 3 Andy Ricci 622624 Word Count: 2018 H120 Introduction to the History of East Asia Essay 3 Andy Ricci 622624 Word Count: 2018 Why do we sometimes refer to the events of 1868 in Japan as a 'restoration', but to those of the years following 1911 in China as 'revolutions'? Introduction The Meiji Restoration of 1868 in Japan and the Chinese Revolution of 1911 were responsible for producing an enormous amount of upheaval in both countries. Both nations were immersed in social, political and economic backwardness. In this context, both political episodes should be construed as an attempt to reverse decline and set the course for modernization. The main thesis of this essay is based on the notion that whilst there are some similarities between both political events, the main difference resides in the fact that the Meiji Restoration began the centralization of the mechanisms of governance and induced the social and economic modernization of the country. At the same time, the Chinese Revolution of 1911 did not succeed in engendering a sound system of government capable of reversing the country’s decline. The first part of the essay will deal with the main characteristics of the Meiji restoration of 1868. The second section of the essay will outline the main features pertaining to the Chinese Revolution of 1911. The third part of the essay will examine the similarities and differences...
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...Q.3 is a theories essay for 33 marks. THIS QUESTION IS SYNOPTIC! You should spend 45 minuets on this question. Below is a list of all the areas and studies you need to know for each section of the exam. Don’t worry if you don’t know all the studies, each college/school are likely to teach slightly different ones, just make sure you know about that amount for each section. Q.1 For the first two pure crime parts you need to know: Functionalist theories of crime and deviance Durkheim – Social control, social regulation including suicide Merton-Strain theory, blocked aspirations Cohen – Status frustration Cloward and Ohlin – Deviant subcultures New Right/Right Realism James Wilson – Strict law enforcement needed Wilson and Kelling – Broken windows, zero tolerance Murray – Cultural deprivation, single parents and ineffective, the underclass Erdos – Families without fathers Subcultural theories Cohen – Delinquent subcultures Cloward and Ohlin – Delinquency and opportunity, criminal, conflict and retreatist subcultures Willis – pupil subcultures (learning to labour) Patrick – Gang culture (Glasgow gangs) Humphreys – Gay subcultures and covert participant observation Miller – Focal concerns, lower working class male subculture Matza – Delnquency and drift, techniques of neutralisation, subterranean values Marxist theories of crime and deviance Gordon – Criminogenic...
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...------------------------------------------------- http://vnthuquan.net/(S(1rcl4v45ae4z5mugzj1lc545))/truyen/truyen.aspx?tid=2qtqv3m3237nvnnn0n4n2n31n343tq83a3q3m3237nvn&AspxAutoDetectCookieSupport=1#phandau ------------------------------------------------- The Great Gatsby From Wikipedia, the free encyclopedia This article is about the novel. For the film, TV and opera adaptations, see The Great Gatsby (disambiguation). The Great Gatsby is a 1925 novel written by American author F. Scott Fitzgerald that follows a cast of characters living in the fictional town of West Egg on prosperous Long Island in the summer of 1922. The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion and obsession for the beautiful debutante Daisy Buchanan. Considered to be Fitzgerald's magnum opus, The Great Gatsby explores themes of decadence, idealism, resistance to change, social upheaval, and excess, creating a portrait of the Jazz Age or the Roaring Twenties that has been described as a cautionary tale regarding theAmerican Dream.[1][2] Fitzgerald, inspired by the parties he had attended while visiting Long Island's north shore, began planning the novel in 1923 desiring to produce, in his words, "something new—something extraordinary and beautiful and simple and intricately patterned."[3] Progress was slow with Fitzgerald completing his first draft following a move to the French Riviera in 1924. His editor, Maxwell Perkins, felt the book...
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...Fashion and Its Multi-Cultural Facets Critical Issues Series Editors Dr Robert Fisher Lisa Howard Dr Ken Monteith Advisory Board Karl Spracklen Katarzyna Bronk Jo Chipperfield Ann-Marie Cook Peter Mario Kreuter S Ram Vemuri Simon Bacon Stephen Morris John Parry Ana Borlescu Peter Twohig Kenneth Wilson John Hochheimer A Critical Issues research and publications project. http://www.inter-disciplinary.net/critical-issues/ The Ethos Hub ‘Fashion’ 2014 Fashion and Its Multi-Cultural Facets Edited by Patricia Hunt-Hurst and Sabrina Ramsamy-Iranah Inter-Disciplinary Press Oxford, United Kingdom © Inter-Disciplinary Press 2014 http://www.inter-disciplinary.net/publishing/id-press/ The Inter-Disciplinary Press is part of Inter-Disciplinary.Net – a global network for research and publishing. The Inter-Disciplinary Press aims to promote and encourage the kind of work which is collaborative, innovative, imaginative, and which provides an exemplar for inter-disciplinary and multi-disciplinary publishing. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the prior permission of Inter-Disciplinary Press. Inter-Disciplinary Press, Priory House, 149B Wroslyn Road, Freeland, Oxfordshire. OX29 8HR, United Kingdom. +44 (0)1993 882087 ISBN: 978-1-84888-309-3 First published in the United Kingdom in eBook format in 2014. First Edition...
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... The USSR’s image of being a “tough-minded apotheosis of progress,” was a big part of this gain in intellectual followers and was a strong gain for much of Party’s influence. Frederick Schuman, a prominent political scientist of the time observed, “For the first time, a great people has embarked upon a consciously organized effort to plan its entire economic life” in The New Republic (Kuznick, Peter - 109). The Party used these gains to play the idea of America being a “devastating land ruled by heartless corporations and feckless Republicans,” (Kazin, M. – 167). Other writers such as Edmund Wilson, a literary critic of the time supported these ideas when he wrote, “‘the deadened civilization of industry, where people are kept just alive enough to see that the machines are running’ with a well-fed clergyman, his ‘round, pink, bald boyish head so shiny that it might be buttered.’” (Wilson, Edmund – 448, 521). The Communists were quick to infiltrate areas of intellectual congregation and proliferate the idea that class struggle was a systemic issue of American capitalism. They moved into universities, and utilized propaganda and theoretical writing where possible. Many of the intellectuals influenced by the party had become radicalized during the Great Depression (Klehr, Harvey). Many of these individuals were teaching in American colleges helping shape the thinking of the next generations, and redefining what it meant to be a society. Many of the sociologists and economists had...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...Human Resource Management, 12e (Dessler) Chapter 9 Performance Management and Appraisal 1) Which of the following terms refers to the process of evaluating an employee's current and/or past performance relative to his or her performance standards? A) recruitment B) employee selection C) performance appraisal D) employee orientation E) organizational development Answer: C Explanation: Performance appraisal means evaluating an employee's current and/or past performance relative to his or her performance standards. Performance appraisal always involves setting work standards, assessing the employee's actual performance relative to those standards, and providing feedback to the employee. Diff: 1 Page Ref: 306 Chapter: 9 Objective: 1 Skill: Concept 2) The primary purpose of providing employees with feedback during a performance appraisal is to motivate employees to ________. A) apply for managerial positions B) remove any performance deficiencies C) revise their performance standards D) enroll in work-related training programs E) change their peer evaluation procedures Answer: B Explanation: The purpose of providing feedback to the employee is to motivate him or her to eliminate performance deficiencies or to continue to perform above par. Diff: 2 Page Ref: 306 Chapter: 9 Objective: 1 Skill: Concept 3) Which of the following is NOT one of the recommended guidelines for setting effective employee goals? A) assigning specific goals B) assigning measurable goals C) assigning...
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...00-BBR_18.2.book Page 209 Friday, September 12, 2008 12:00 PM Bulletin for Biblical Research 18.2 (2008) 209–231 “The Disciple Jesus Loved”: Witness, Author, Apostle— A Response to Richard Bauckham’s Jesus and the Eyewitnesses andreas j. köstenberger and stephen o. stout southeastern baptist theological seminary Richard Bauckham’s Jesus and the Eyewitnesses: The Gospels as Eyewitness Testimony (Grand Rapids: Eerdmans, 2006) makes a persuasive argument that the Gospels display eyewitness testimony and thus renews the quest for the identity of the Beloved Disciple as the author of the Fourth Gospel. While Bauckham attributes this Gospel to “the presbyter John” mentioned by Papias, the authors of this study show that the patristic evidence more likely seems to support the authorship of John the apostle and that the literary device of inclusio in the Fourth Gospel, astutely observed by Bauckham, also favors the authorship of John the son of Zebedee. Key Words: Fourth Gospel, Beloved Disciple, John, authorship, apostle, Zebedee, John the Elder, Papias, Eusebius, Muratorian Fragment, Polycrates, Irenaeus, Bauckham Introduction Recent years have witnessed a significant number of publications on the identity of “the disciple Jesus loved” in John’s Gospel. The ever more daring proposals have included identifications of this figure as diverse as the apostle Thomas, Mary Magdalene, Lazarus, James the son of Zebedee, and even the Samaritan woman, among others. 1...
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...Interjection by David Gagne 1 • An Essay on In Our Time by Nathan Kotas 2 • Preludes to a Mood in The New York Times October 18, 1925 3 • Love and War in the pages of Ernest Hemingway by Percy Hutchinson 4 Ernest Hemingway had the most unique and colourful style of writing . He used symbolism. His style of writing involved getting right to the core of the scene without spending much time on building of characters. He used simple and declarative language. But this unique style of writing, made many feel that Hemingway was an artist in his essence. Lets find what these four people have to say on this particular aspect of Ernest Hemingway. The first two essays deal with mainly the narrative style of Hemingway. As such, they would justify that Hemingway was truly an artist because of his narrative style. The latter two place Hemingway in a super soul level. His writings are considered more divine and bestowed with a power to evoke higher levels of feelings and that would be because of his real life experiences....
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...From: Cervantes: Bulletin of the Cervantes Society of America 19.1 (1999): 158-76. Copyright © 1999, The Cervantes Society of America FORUM Against Dualisms: A Response to Henry Sullivan* HOWARD MANCING n a recent essay entitled “Don Quixote de la Mancha: Analyzable or Unanalyzable?” published in this journal, Henry W. Sullivan makes the case for the psychoanalysis of literary characters. While there is much to ponder in Sullivan's essay, there are two points, both involving dualisms, that I would like to discuss. In the first case, Sullivan argues insightfully and convincingly against an absolute distinction between how we know and think about fictional characters and how we know and think about real people. In the second case, however, Sullivan insists on an absolute (Cartesian) mind-body dualism as a cornerstone of psychoanalytic theory. I would like to repeat and extend Sullivan's argument in the first case, but refute it and deny its validity in the second. First dualism: Fact/Fiction Sullivan cites as representative of a certain widely-shared approach Maud Ellmann's insistence that there is an important distinction between a “human being made of flesh and character made of words” (5), a distinction that allows us to make one kind statement about the former but not the latter. Ellmann is not alone in making the real-life/fictional distinction a fundamental matter of ontology. We are all familiar with arguments like hers, having heard * For a response to this...
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