...riHar raat ko chaand ka shringaar nahi milta Har baag ko phool ka dulaar nahi milta Maine bhi duniya dekhi hai dost Har insaan ko aap jaisa yaan nahi milta… Tue 3 Apr 2012 Kabhi kabhi sapne chur ho jate hain Halaat se log dur ho jate hain Par kuch yaadein itni haseen hoti hai ki Unhe yaad karne ko hum majboor ho jate hain Tue 3 Apr 2012 Aankho mein basne wala pyaara sa ishara ho…. Andheri raat mein chamakta sitara ho…. Chhu bhi nahi sakti udasi kabhi usko…. Jiska Koi DOST itna pyaara ho..!! Mon 2 Apr 2012 Kal ko milne ki aas rehene do, Zindagi ki baki pyas rehene do, Apni khushiyan samet lo jana, Mujhko yun hi udaas rehene do. Mon 2 Apr 2012 Humne Kab Tumse Mulakaat ka wada Chaha, Dur rehkar to tumhe aur bhi jyada chaha, Yaad aaye mujhe aur bhi siddat se Tum , Bhulne ka Tumhe jab bhi Irada Chaha… Sun 1 Apr 2012 Kitna bebas hai insaan kismat ke aage, Kitne door hai sapne haqiqat ke aage, Koi ruki hui Dhadkan se puche, Kitna tadapta hai Dil Mohabbat ke aage… Sun 1 Apr 2012 dil chizee hi kya hai, ye to bahana hai pyaar jatane ka. warna ye hamari jaan hi kya, ye to sirf bahana hai umar bhar saath nibhane ki.. Maana hai lakh buraiyan mujhme, par ek toh achhai hai… Baat jo thi ab tak dil mein, Aaj wahi juban pe aaye hai… Chaha hai sache dil se maine toh tujhko… Ek tu hi hai wo jisne ye shayari mujhe sikhkai hai…. agar ger hi banana tha to kya jarurat thi apnane ki, agar bad me rulana hi tha to kya jarurat thi hasane ki, dur hi karna tha...
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...apna raha Naa kisi aur ka Aisa mere Khuda kyun hai O.. o.. o.. Tu hi tu har jagah, aaj kal kyun hai Tu hi tu har jagah, aaj kal kyun hai Raaste har dafaa, sirf tera pataa Mujhse pooche bhala kyun hai Naa main apna raha, naa kisi aur ka Aisa mere Khuda kyun hai O.. o.. o.. Hangover Aww.. Jaane kab hothon pe Dil ne rakh di dil ki baatein Samjha nahi yeh dil Isko hum toh rahe samjhaate (x2) Maine dekha tujhe bhula ke Har ek tarqeeb laga ke Har nuskhe ko aazma ke Par dil se kabhi na utre (utre.. utre..) Hangover teri yaadon ka Hangover teri baaton ka Hangover teri yaadon ka Hangover teri baaton ka Jaane kab hothon pe Dil ne rakh di dil ki baatein Samjha nahi yeh dil Isko hum toh rahe samjhate (x2) Maine dekha tujhe bhula ke Har ek tarqeeb laga ke Har nuskhe ko aazma ke Par dil se kabhi na utre (utre.. utre..) Hangover teri yaadon ka Hangover teri baaton ka Hangover teri yaadon ka Hangover teri baaton ka.. Jaane kab meri neend udi Soyi soyi raaton mein Jaane kab mera haath gaya Soneya tere haathon mein, aww.. (x2) Chal badhte teri ore Main jab bhi kadam uthati hoon Jaaun tujh se door door Toh paas tere aa jaati hoon Maine dekha tujhe bhulaake Har ek tarqeeb lagaake Har...
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...HEART TOUCHING STORY :'( Ek ladka our ladki ek dusre se bahut pyar karte the.. Wo hamesha ek saath jeene marne ki kasme khaya karte the.. Par wo ladki hindu thi aur ladka muslim tha.. Ladki janti thi ke uske mumma papa kabhi unke pyar ko kabul nahi karenge..Isliye usne us ladke se baat kar ke us ko bhul jane ko kaha.. Ladke ne usko bahut samjhane ki koshish ki par wo ladki nahi maani..Wo apne dil pe patthar rakh ke us ladke se alag ho gayi.. Par usko bhul jana us ladki ke bas me nahi tha..Kyuki wo usko apni jaan se bhi jyada pyar krti thi.. Par wo majbur thi kyuki hindu thi aur wo ladka muslim..Aise hi kuch mahine beet gaye par ek din, Achanak wo ladka us ladki ke ghar aaya aur usko bola ki, tum mujhe bhul gayi, par jaan mai tumhe bhula nahi paya.. Please ye letter padho.. Ladki ne wo letter hath me lete hue usko kaha ki, Jaan Kya mai tumhe ek baar hug kar sakti hoo ? Please (aur uski aankho me aasu aa gaye) Ladka muskurate hue bola ki kyu nahi.. Ladki ne usko rote rote gale lagaya aur wo boli ke please jaan muje maaf kar do I LOVE U :* Ladka muskurate hue usko bola I LOVE U 2 :* and bye mujhe der ho rahi hai take care.. Aur wo waha se chala gaya..Us ladki ne wo letter khola aur padhne lagi.. Usme likha tha, "Jaan main tumhe pagal jaise miss karta hoo, Kal mujhe mare hue pura ek saal ho jayega, please meri kabar pe phool dalne aa jana.. I Love You My Sweet heartLadki...
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...& her crew. Host 1: Wo hoth kya jisme laali nahi Wo upwan kya jisme maali nahi Wo sasuraal kya jisme saali nahi Aur wo mahfil kya jisme taali nahi Host 1: wah wah wah What a wonderful performance. 9:40-10:00Host 2: Lets get to our next performance by the brides side by Asma's brothers & sisters. (after performance) Lab surkh sharbathi ho jaaye Gaalo per cha jaaye laaliya aur is dance per ho jaaye jordaar Taliya Host 2: Host 1 do you know what kind of rings do men need for marriage A1: Engagement Ring A2: Wedding Ring A3: Suffe-Ring A4: Endu-Ring 10:00-10:10-Host 1: Our last performance of the night by Zoheb & Asma's Friends. 10:15-(end of Sangeet) Mubarak Ho Tumko Ye Khushiya Bhari Raat Sajan Lene Aaye Hai Sajni Ka Haat Salamat Rahe Dono Ki Ye Joddi Rahe...
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...ma tujhe salaam……….. Vande Mataram (4-6) --- Tere hi paas main aa raha hoon , Apni bahe khol de Zoor se mujhko gale laga le Mujhko phir voh pyaar de Ma........... Tu hi zindagi hain Tu hi meri Mohabbat hain Tere hi pairon mein jannat hain Tuhi dil tu jaan amma ……… ma tujhe salaam Pathshala (Rang de Basanti) Lose Control..(1) One more to lose (2) Lose control(2) I’m a rebel (2) Na koi padne wala , na koi sekhne wala (2) Apni toh pathshala masti ki pathshala(2) Lose Control --- Chehrae ki kitabe hain hum who padne aate Yeh surat teri meri mobile library Yaaron ki equation hai, love multiplication hai Jisne dil ko jeeta hai Who alpha hai , theta hai. Lose Control(2) One more to lose (2) Lose Control (2) I’m a rebel. (2) ---Talli hoke girne se samjhi hamne gravity, Ishq ka practical kiya tab aayi clearity Na koi padne wala na koi sekhne wala Nata yeh sarnata hai dekho lambu shor hai Har dil mein bud bud karta H2SO4 hai. Na koi padne wala , na koi sekhne wala (2) Apni toh pathshala masti ki pathshala(2) I’m a rebel , Lose control ! Aadat (Kalyug) Juda Hoke bhi tu mujhmein kahin baaki hai Palko mein banke aansu Tu chali aati hai , Juda hoke bhi …… Aaise zinda hoon main zindagi .. bin tere mein Dard hi dard baaki raha hai.. seene mein, Saans lena bhar bhi yahan jeena nahi hai, Ab toh aadat si hain mujhko aise jeene mein, Juda hoke bhi tu mujhmein kahin baaki hain. Palko mein banke aansu Tu chali aati hai , ...
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...SL 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Song Name Amanush Theme Amanush Duchokher Oi Jhiley Hai Rama Jiboner Jalchabi Monta Kore Uru Uru O My Love Aamake Aamar Moto Thaakte Dao Bhaage Jaana Hai Kahan Bneche Thakar Gaan (Rupam) Bneche Thakar Gaan (Saptarshi) Chawl Raastaye (Shreya) Chawl Raastaye (Priyam) Phnaade Poriya Bawga Knaade Re Uthche Jege Shawkalgulo Bol Na Aar Dui Prithibi It's Only Pyaar O Yara Vey Pyarelal Keno Aaj Kal Keu Mone Mone Khujechi Toke Raat Berate Pirit Koro Na Sexy Maye Aas Paas Hai Khuda (Unplugged) Aas Pass Hai Khuda Ale Ab Jo Bhi Ho Anjaana Anjaani Hai Magar Anjaana Anjaani Ki Kahani Apna Har Din Jiyo (Remix) Apna Har Din Jiyo Baki Main Bhool Gayi Chhan Ke Mohalla Sara (Remix) Chhan Ke Mohalla Sara Chori Kiya Re Jiya (Female) Chori Kiya Re Jiya (Male) Dabangg Theme Desi Kali Your A Desi Kali (Bawara Sa) (Remix) Desi Kali Your A Desi Kali (Bawara Sa) Desi Kali Your A Desi Kali (Remix) Song Code 5551 5552 5553 5554 5555 5556 5557 5558 5559 55510 55511 55525 55512 55513 55514 55515 55516 55517 55518 55519 55520 55521 55522 55523 55524 55526 55527 55528 55529 55530 55531 55532 55533 55534 55535 55536 55537 55538 55539 55540 55541 Artist/Movie/Album Amanush Amanush Amanush Amanush Amanush Amanush Amanush Autograph Autograph Autograph Autograph Autograph Autograph Autograph Autograph Dui Prithibi Dui Prithibi Dui Prithibi Dui Prithibi Dui Prithibi Josh Josh Josh Josh Josh...
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...RESEARCH PAKISTANI SINGER’S EYE ON INDIAN MUSIC INDUSTRY (IMI) FOR EXPOSURE (-research by MADHU VIJHANI) TABLE OF CONTENTS SNo. | Particulars | Page no. | 1. | Introduction | 6-8 | 2. | Problem | 89-10 | 3. | Significance of the research | 11-14 | 4. | Objectives of the research | 15 | 5. | Hypothesis | 16 | 6. | Review of literature | 17-33 | 7. | Methodology | 34-36 | 8. | Data processing and analysis | 37-38 | 9. | Data representation | 39-48 | 10 | Conclusion | 49 | 11. | Bibliography | 50 | 11. | Annexures | 51-55 | Table of Data Analysis& Reppresentation SNo. | Particulars | Page no. | `1. | Number of people inclined towards music | 39-40 | 2. | Preference of music by people for different genre | 41-42 | 3.(i) | Number of people preferring Indian singers/music | 43-44 | (ii) | Number of people preferring Pakistani singers | 45-46 | 4. | Number of people favouring Pakistani singers in IMI | 47-48 | Introduction The term 'mass' denotes great volume, range or extent (of people or production) and reception of messages. The term 'mass' suggests that the recipients of media products constitute a vast sea of passive, undifferentiated individuals. With the advancement in Media Technology, people are no longer receiving gratification without questioning the grounds on which it is based. Instead, people are engaging themselves more with media products such as computers, cell phones and Internet. These have...
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...fulfilment of the requirements for the Degree of Master of Arts in Media and Cultural Studies School of Media and Cultural Studies Tata Institute of Social Sciences Mumbai 2013 i DECLARATION I, Kshitij Pipaleshwar, hereby declare that this dissertation entitled ‘ ‘Gunda’ and ‘Loha’ : A Study of Cult Film Cultures’ is the outcome of my own study undertaken under the guidance of Assistant Professor K.V.Nagesh Babu, Centre for Critical Media Praxis, School of Media and Cultural Studies, Tata Institute of Social Sciences, Mumbai. It has not previously formed the basis for the award of any degree, diploma, or certificate of this Institute or of any other institute or university. I have duly acknowledged all the sources used by me in the preparation of this dissertation. 3rd March 2013 Kshitij Pipaleshwar ii CERTIFICATE This is to certify that the dissertation entitled ‘‘Gunda’ and ‘Loha’ : A Study of Cult Film Cultures’ is the record of the original work done by Kshitij Pipaleshwar under my guidance and supervision. The results of the research presented in this dissertation/thesis have not previously formed the basis for the award of any degree, diploma, or certificate of this Institute or any other institute or university. 4th March 2013 K.V.Nagesh Babu Assistant Professor Centre for Critical Media Praxis School of Media and Cultural Studies iii CONTENTS 1. Attractions of Cinema…………………………………………………………………….1-9 2. Understanding...
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