...Definition and Beginnings of Theatre Arts Theatre or theater is a branch of the performing arts. While any performance may be considered theatre, as a performing art, it focuses almost exclusively on live performers creating a self contained drama. A performance qualifies as dramatic by creating a representational illusion. By this broad definition, theatre had existed since the dawn of man, as a result of the human tendency for storytelling. Since its inception, theatre has come to take on many forms, utilizing speech, gesture, music, dance, and spectacle, combining the other performing arts, often as well as the visual arts, into a single artistic form. The word theatre means "place for seeing". The first recorded theatrical event was a performance of the sacred plays of the myth of Osiris and Isis in 2500 BC in Egypt. This story of the god Osiris was performed annually at festivals throughout the civilization, marking the beginning of a long relationship between theatre and religion. Elements and Principle of Theatre Arts There are six elements necessary for theatre: Plot, Character, Idea, Language, Music, and Spectacle. Script/Text, Scenario, Plan: This is the starting point of the theatrical performance. The element most often considered as the domain of the playwright in theatre. The playwright’s script is the text by which theatre is created. It can be simplistic, as in the 16thcentury, with the scenarios used by the acting troupes of the Commedia dell’ arte...
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...Running Head: DEVELOPMENT IN PERFORMING ARTS Dancing Name Professor Institution Course Date Development in Theatre Arts Introduction In the post-modern era, everybody focused on progressing in life in all possible ways and some of the most common ways in which people from Greece progressed were such as through joining the theatre group. According to some authors, modernity is described as the act of pursuing progress through incorporating the principles of hierarchy and rationality into the public and into the artistic life of many people in the society. Performing arts has come a long way and one of the aspects of arts that we are focusing on today is theatre arts. Theatre arts exists in manifold contexts thus there is a tension between studying it at depth and doing it within its wider and immediate contexts. The study of the background history of theatre in Greece goes back to the 21st century since through doing this is when researchers are able to trace the gradual changes that it has undergone. Theatre is done for acting and entertainment enjoyment especially when someone is excited and wants to express their particular state. Theatre can be done to express one’s sentimental feelings. Theatre can be used to express contentment and in most cases, this can be seen when an individual has undergone a particular situation that they want to express their feelings out. It is not very clear for one to state when dance became...
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...and the magician is creating an illusion, but they willingly suspend disbelief in order to enjoy the show. In my opinion, the limitation on special effects is a strength of theatrical plays, as it leaves the audience to their imagination, and serves the purpose of transporting the audience to a fantastical world where there occurs an encounter with the live characters of the play. We become so involved in a theatrical play that added demand on suspension of disbelief becomes immaterial. Unlike a film, we feel as if we are participating in a play, and the adrenaline is so high, suspension of disbelief comes almost willingly. I would rather see The Tempest on stage than in film because the Shakespearean plays are especially intended for theatre. I, personally, like the theatrical version, as it appears more involving to me. The various figurative effects were especially fashioned in The Tempest for theatrical illusion, which make it...
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...ACCIDENTAL DEATH OF AN ANARCHIST Theater has been used in a variety of ways throughout time. Storytellers anciently used stories to teach their children to behave, the ancient Greeks used their amphitheater to give parables teaching their fellow mortal fools what happens when they don’t obey their Gods, and medieval theater primarily recreated Bible stories for scared religious events. Many times theater has important things to say to its community; actions within society, exposés on the world around them, and responses to important issues being raised in the community. Oscar Wilde said “I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being, living in our world and the secrets it holds.” Dario Fo’s “Accidental Death of an Anarchist” is so exception. Responding directly to the corruption happening in Italy in the late 1960s and early 1970s, the play speaks of the corruption of the police and gives life to questions the public had regarding the government's inclusion in it. Its speaks even more specifically to an actual death of a real anarchist who was in police custody after a bombing of a bank in Milan that killed sixteen people. The police told the public that this anarchist's death was a suicide, that the man jumped four stories to his death in despair about his crime. Most Italians believed that the death was the result of overly harsh interrogation techniques...
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...Performing Arts Theatre in London Amphitheatre –Romans at Guildhall Liturgical dramas (from the service of worship). Took place in church during the Easter celebration. Sung and in Latin – vast cycles performed all over Europe in medieval times. Performed by Monks and nuns inside church. The spice seller was the first comic character as well as the first non-religious character. Liturgical dramas developed into Mystery/ Miracle plays and were performed outside. This is when we get the first actors. Mystery Plays In England different Craft Guilds were employed to perform different plays e.g. Carpenters acted out the story of Noah’s Ark and the Fishmongers the story of Jonah and the Whale. They were performed on wagons or temporary stages. The audience would move to different wagons to watch different plays. They might see six or eight short plays in a day. The performers were all amateur and all male. The Mystery Plays that we know today are the York Cycle of Mystery Plays and the Chester Cycle. Most of the others have been lost over the centuries. The Tudor monarchy was very flamboyant. Henry VII had his own company of players. This dynasty loved tournaments, and royal processions etc. There was an increase of professional actors in 16thc. They were attached to noble and royal families who protected them from religious and political turbulence. This religious upheaval eventually silenced the performance...
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...ARTS TEACHERS’ GUIDE Grade 9 ARTS Teacher’s Guide Unit I WESTERN CLASSICAL ART TRADITIONS GRADE 9 Unit 1 ARTS TEACHERS’ GUIDE GRADE 9 Unit 1 WESTERN CLASSICAL ART TRADITIONS LEARNING AREA STANDARD The learner demonstrates an understanding of basic concepts and processes in music and art through appreciation, analysis and performance for his/her self-development, celebration of his/her Filipino cultural identity and diversity, and expansion of his/her world vision. key - stage STANDARD The learner demonstrates understanding of salient features of music and arts of the Philippines and the world, through appreciation, analysis, and performance, for self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision. grade level STANDARD The learner demonstrates understanding of salient features of Western music and the arts from different historical periods, through appreciation, analysis, and performance for self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision. CONTENT STANDARDs The Learner: demonstrates understanding of art elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding that the arts are integral to the development of organizations, spiritual belief, historical events, scientific discoveries, natural disasters/ occurrences and other external phenomenon ...
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...The Illusion of Leadership Directing Creativity in Business and the Arts Piers Ibbotson The Illusion of Leadership This page intentionally left blank The Illusion of Leadership Directing Creativity in Business and the Arts Piers Ibbotson © Piers Ibbotson 2008 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2008 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan®...
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...Stagecraft Essay Since ancient times, people have been enjoying the delights of theatre and play enacted and carried out on stage. The history on lighting for the theatre is very interesting and innovative. As technology has developed over the years, theatergoers have been witness to extraordinary progress as innovations took over and added unique contributions to stage craft, architecture and theatrical lighting. The history of stage lighting and lighting cues in theatre dates back to Greek and Roman times. Light has always been an important component for theatrical storytelling, and various lighting techniques have evolved over the centuries, Before the 20th century, many experimented with electric lights but it was until the turn of the century where electric lights were used exclusively in most theatres. During the 20th century, stage lighting design became an art in its own right, emerging from the obscurity of props, set designs, and costumes. Great efforts were to bring the subtlety and drama of effective light on the stage. The American playwright and producer David Belasco and his assistant Louis Hartman had developed many light instruments. Jean Rosenthal, another pioneer of American stage lighting, invented a system for recording a particular lighting sequence so that it could be faithfully repeated. Going into the 1940s and 1950s, stage lighting kept on evolving and improving. Many technical advances included special lenses, reflectors, projectors,...
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...Speech to Entertain: An Overview The primary purpose of a speech to entertain is to have the audience relax, smile and enjoy the occasion. The speech should have a central theme or a focus. A series of jokes will NOT work well for this type of speech. Good speeches to entertain typically mix humor with more serious morals, lessons learned, or experiences. In other words, they have a real point to make… they are not just silly, slapstick humor. You can tell a lighthearted, personal story that reveals a life lesson you’ve learned or examine a familiar subject from a different and unexpected viewpoint or take a lighthearted look at a particular issue. Example: Summer jobs: “Summer jobs for high schoolers: The daily diary of the American Nightmare.” Additional suggestions for the composition and delivery of after dinner speeches are as follows: 1. Carefully select an interesting, timely, and appropriate topic. Having something familiar in the talk that the audience can relate to will enhance listener interest. 2. Build your speech around a central theme, moral, or idea. 3. Support your main point or central theme with colorful stories, narrative and examples. 4. Be imaginative and creative when delivering your talk. Few speeches demand more imagination and creativity than the speech to entertain. 5. Be positive and good-natured when delivering your talk—irony and sarcasm are acceptable but not bitterness. 6. Be optimistic and modest when speaking and create...
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...Mallatratt. The play is based on the book of the same name, which was written in 1983 by Susan Hill. The venue for the woman in black was the fortune theatre in London and we went there on the 1st of November 2011. The Theatre from outside appears small old and slightly neglected, inside there was no attempt to prepare one for or indeed set the atmosphere for the nature of the play. The Fortune is small and the intimacy between actor and audience was brought out well by the fact that the furthest seats can only have been 15m away. The theatre is of Victorian style with ornate decorations and red carpets and seating, this instantly transport me to the era in which the play is set in the 19th century. The stage is open for the audience to see before the play starts and is set out as the stage in a small theatre, a basket for props, two chairs, a rack of costumes and buckets catching water from a leaky roof. The most important part of the set though was the gauze at the back of the stage separating a separate scene behind and revealing it hen needed using lighting. This combination of props and structure conveys the location strongly to the audience without being so defined that it is not possible to change the scene. While we waited there was no background music which gave a slightly eerie edge to the wait. The play started in the theatre depicted on the stage and almost immediately the humour as Mr Kipps’s is reading his memoirs and you don’t think it is going to be horror at all...
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...Adapting Plays Into Movies “In theatre, you can change things ever so slightly; it’s an organic thing. Whereas in film, you only have that chance on the day, and you have no control over it at all,” These insightful words were once spoken by actress (Casino Royale, Quantum of Solace) and Oscar winner Judi Dench, and they very clearly illustrate one of the biggest differences between theatre and film. However, a small hint of bias seems to be depicted in this point of view. The quote (and many others) seem to suggest that one form of acting is more difficult than the other. It seems the opposite is true; that when taking one of these art forms (i.e. theatre) and transforming it into the other, one would come across a wide array of differences, as well as similarities. When researching a topic such as this, one must go beyond reading. One must not only dive into a script or a periodical or academic journal, one must immerse themselves into the films that have come about as a result of the transformation of turning a play into a cinematic experience. When going about researching this topic, I watched the movie Chicago (Dir. Rob Marshall, 2002) as well as looked over the original Broadway script (By Jon Kander, Fredd Ebb, and Bob Fosse 1975). The original Broadway production opened June 3, 1975, at the 46th Street Theatre and ran for 936 performances. Chicago's 1996 Broadway revival holds the record for the longest-running musical revival and the longest-running American musical...
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...ESSAY A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good....
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...Theater Today Matthew King How to See a Play 6/4/07 Fusion I have to say that overall I really enjoyed Performance Fusion. The physical theater was small, but much larger than the last show that we saw at Impact. After our first tour of the small theater, I didn’t know what to expect of a play there. My first impression of the small theater was that it was very bare, dark and small, so it was interesting to see the stage with sets and actors illuminated by the lights. Since the theater was small, the actors were easy to see. I also want to comment on the sound. I thought the acoustics in this theater were just mediocre. Although the theater is small and about the same size as the Ashby Stage, the actors were a bit more difficult to hear, although the microphones did help quite a bit. I thought most of the performances were great; however I enjoyed some of them better than others. My favorites were The Boogeyman, Rhythms in the Veins, and Playwriting 101: The Rooftop Lesson. I really enjoyed the way Boogeyman began. First off, the play opened with the heavy sounds of hard rock/metal band Godsmack, and then followed by a scary story by from the older brother to his little brother Timmy. During his scary story, I really liked the effect that the flashlight gave along with the strobe flashes that simulated lightning. I also liked the sound effects that were used in the play. For example I thought the creaky door was a good effect. I thought the set...
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...12/01/2012 Comic Sprit Lemon Boots (extra credit paper) For this extra credit assignment I attended the play Lemon Boots. I don’t really go to plays too often so I had no idea what to expect. The play was at Long Beach State in the Studio Theatre. In this play there were three things that really stood out in my mind. Those were the stage setting, the story behind the play, and the end of the play. The first thing that really stood out in my mind was the stage when I walked in. I thought it was going to be like an auditorium, a stage with seats in front of it. To my surprise when I walked in the stage was in the middle with the seating going around it in a circle. There were two rows of chairs on top of one row that was like a cement bench people were sitting on. I really liked the lighting throughout the play. It went really good with the music. Another thing I liked was that the play involved the audience. It was only for a few minutes but it was pretty cool, really kept me into the play. The second thing that stood out, but in a bad way, was the whole meaning of the play. Most of the play there was no verbal language. If someone were to talk it was a scream or it was in Spanish, so I didn’t really understand what was going on. Too me it just looked like everyone running around doing some crazy dancing. The characters would turn into animals and then humans. Some of the symbolic meaning I would get, and then there was parts where I was like, what is going...
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...I have watched many speakers while in the military. There are many times that I come out of the room and I don’t remember the things that they had talked about because of the way they had put it out. It was 1 o’clock in the afternoon at the Sky Warrior Theatre where the audience was all military. It was a mandatory training that we have called Sexual Assault Prevention Response. The speaker was a spokesperson from The Naval Criminal Investigative Service. It was a big crowd and there was a microphone that was set up. I noticed that even though there was a microphone in place that he did not use it to his advantage. The theatre was packed and the speaker did not go on the stage. He stayed in one spot at the bottom left part of the theatre, where it was really hard for people in the back to see him. The speaker talked about avoiding dangerous situations, being aware of your surroundings and trusting your instincts. He needed to work on his opening because he just introduced himself and went straight to the points. He didn’t really add anything interesting on the introduction, so I knew it was going to be a long boring afternoon. He talked about how sexual assault is never accepted anywhere and that offenders are held accountable. He talked about one of the common factors dealing with sexual assault is alcohol. He used a PowerPoint to show the information, which was very detailed and didn’t have that much pictures. He was also just reading off the slides, but explains the details...
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