...Truman Capote once said, “No one will ever know what In Cold Blood took out of me. It scraped me right down to the marrow of my bones. It nearly killed me. I think, in a way, it did kill me.” What about In Cold Blood was so harrowing for Capote? The answer is not clear from the quote but the answer can definitely be found in his book. The answer can be discerned by examining and analyzing his use of rhetorical elements. Thus, Capote’s projected persona must be examined, his audience must be identified, his relationship with the audience must be analyzed, his central message must be dissected, the arrangement of his arguments must be sorted out, the context must be explained, and the influence of the context must be thoroughly understood. By understanding these elements and their roles in In Cold Blood it will give readers an insight into Capote’s purpose and experience as an author. The First Rhetorical Question The first question that must be answered when examining the rhetorical elements is: “What kind of person does the writer or speaker seem to be?” This simply means to look at Capote’s diction and tone and determine his persona. In Cold Blood is alleged to be entirely factual; however, Capote blatantly infuses biases in the novel to further his overall argument and entertain readers. Capote shows himself in the text as a recorder of events, a reporter of the murders of the Clutter family, detailing the lives of every person involved. However, he gives special attention...
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...Capote uses his nonfiction novel to criticise a justice system that punishes those who never had a real chance in life. Truman Capote, author of the non-fiction novel ‘In Cold Blood’, published in 1965 tells the story of the Clutter family murders. Capote uses the facts that he collected from the immediate people surrounding the case to establish his story. Capote uses these facts to establish scenes for the reader and allows them to see the Clutter family on their last day and the story of Perry and Dick. Capote also uses his novel to criticise the justice system of Kansas who punishes those who never had a real chance at life. ‘In Cold Blood’ contains details of the bias atmosphere that was present throughout the trial, the slighting of the M’Naghten rule and the stance that the result of capital punishment was unfairly executed. In the state of Kansas, the M’Naghten rule is not recognised and the justice system refuses to allow it to alter their cases. The M’Naghten rule states that the jurors ought to be told in all cases that every man is to be presumed sane, and to possess a sufficient degree of reason to be responsible for his crimes, until the contrary be proved to their satisfaction. Capote implies that this was a major missing link in the case of Perry Edward Smith and Richard Eugene (‘Dick’) Hickok. Capote tries to show his readers at multiple stages throughout the novel that Perry and Dick were not the perfect models for sane people. Capote truly embeds his criticism...
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...Truman Capote's In Cold Blood illustrates his views against the death penalty because it reflects on the immorality and unjustness of capital punishment and its connection with mental illness and shows that one can be conditioned or born to criminality Capote shows that capital punishment is undeniably immoral and unjust through its high usage among mentally ill offenders. Capital punishment is immoral which is shown through the inequality of it and its inability to deter crime and its ability to diminish the value of human life. Most people facing capital charges and the death penalty are poor and do not have the resources to retain expert attorneys and witnesses for their trial. They often get a court appointed attorneys who never raise their mental...
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...been studying the book, In Cold Blood written by Truman Capote. Having read and studied this nonfiction book on the case of the Clutters, I became interested in the investigation by the police. I decided to write a transcript of a press conference after the arrest of the murderers. It would be held by Al Dewey, the leader of the investigative team in the case of the Clutter family. He is speaking to the public about the details of the police investigation and the motives of the killers. The press conference also gives a small solace for the people of Holcomb, where the crime took place. They have lived under anxiety and fear for 1 month. In order to make the task reflect a real press conference, the conference...
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...The Innocent Man: Murder and Injustice in a Small Town From Wikipedia, the free encyclopedia Jump to: navigation, search "The Innocent Man" redirects here. For a South Korean television series, see The Innocent Man (TV series). The Innocent Man | | Author(s) | John Grisham | Country | United States | Publisher | Doubleday | Publication date | October 10, 2006 | Pages | 368 | ISBN | 978-0-385-51723-2 | OCLC Number | 70251230 | The Innocent Man: Murder and Injustice in a Small Town (2006) is a nonfiction book written by John Grisham, and his first outside the legal fiction genre. The book tells the story of Ronald 'Ron' Keith Williamson of Ada, Oklahoma, a former minor league baseball player who was wrongly convicted in 1988 for the rape and murder of Debra Sue Carter in Ada and was sentenced to death. After serving 11 years on death row, he was exonerated by DNA evidence and other material introduced by the Innocence Project and was released in 1999. Contents * 1 Synopsis * 2 Book edition * 3 References * 4 External links | Synopsis Ron Williamson has returned to his hometown of Ada, Oklahoma after multiple failed attempts to play for various minor league baseball teams, including the Fort Lauderdale Yankees and two farm teams owned by the Oakland A's. An elbow injury inhibited his chances to progress. His big dreams were not enough to overcome the odds (less than 10 percent) of making it to a big league game. His failures lead to, or aggravate...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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