The Merchant of Venice opens on a street in Venice, where Antonio, a Venetian merchant, complains of a sadness he can't quite explain. His friends suggest they'd be sad too if they had as much merchandise to worry about as Antonio. Apparently all of his money is tied up in various sea ventures to exotic locales. But Antonio is certain it's not money that's bothering him.
Antonio's friend Bassanio enters the scene, and we learn that Bassanio has been at the forefront of Antonio's mind. Apparently Bassanio just got back from a secret trip to see an heiress named Portia in Belmont. Bassanio financed his trip by borrowing tons of money from Antonio. Portia is beautiful, intelligent, and, most important, rich. If Bassanio could only get together the appearance of some wealth, he would be in a good position to compete with all the other guys vying for Portia's attention. If they marry, he's all set financially. Antonio would be happy to lend Bassanio the money he needs to woo Portia, except, as we know, all of Antonio's money is at sea. The two friends part ways, agreeing that they'll try to raise the funds on Antonio's credit around town.
Meanwhile, Portia is plagued by suitors from the four corners of the earth but isn't allowed to choose the one she wants. Instead, her father, before his death, devised an unusual test. Three caskets – one gold, one silver, and one lead – are laid out before each suitor, and whoever picks the right one gets the girl. Portia complains about all of the important men who come to see her, as there's something wrong with each of them.
As Portia is trying to figure out how to avoid marrying, Bassanio is trying to figure out how to marry her. He negotiates with the Jewish moneylender, Shylock, asking for 3,000 gold coins (ducats). Bassanio borrows the money on his friend Antonio's credit. Trouble is, Antonio is
