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Meursault Identity Vs Society

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In his final peace, his acceptance and revelation of his life and anticipated death is heightened into him actualizing the Absurd. From his carefully chosen first words to his last the narrative of Meursault ends. As Ellison emplores and elaborates upon, Meursault’s journey leading up to actualizing the absurd was the design of his indifferent attitude and outlook on the world conflicting with theirs, on an emotional and judiciary standpoint. “The notion of the absurd as developed in The Stranger depends upon a confrontational relation between the misunderstood and mistreated individual and a society whose rules and laws hover in an abstract realm beyond his control and comprehension”. The development in terms of Meursault laying "[his] heart open to the benign indifference of the universe" and ultimate happiness is interested primarily in the condemnation of Meursault from his incomprehension to consciously recognize or perceive the norms of his society. …show more content…
Both Meursault and society undertake mutual mistreatment. Meursault is both the narrating protagonist and societally estranged antagonist. The conflict of Meursault versus society overlaps the conflict over Meursault versus himself and though at the demise of one, he achieves victory over the other. In speaking to the chaplain Meursault discusses his almost ignorance as to his condemned position in terms of justification by subjective "human" justice versus objective divine intervention/interpretation. Meursault then goes on to state his ignorance of sin and his acceptance, although unknowingly or incomprehensibly as to why, to his societal condemnation as guilty. Camus’ true absurd hero is actually presented in his other work The Myth of

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