...Ray Bradbury is a master of characterization techniques. He uses his expertise, such as indirect characterization, in the creation of Fahrenheit 451. In addition to learning about the explicit qualities of Bradbury’s characters, readers receive deeper insight as we carefully read his stories. In Fahrenheit 451, we learn more indirect information about the protagonist, Guy Montag, through the words used to introduce this character. We have a clear view of Montag’s thoughts and feelings that lead him into his own transformation. When the novel begins, we learn that Montag’s values are similar to that of the society he lives in. The culture in which Montag is accustomed to is one without cogitation or analysis. Their society believes that books cause pain and should not exist. Everyone in this society believes they live in a carefree, painless world beyond having burdens. In the first sentence of the novel, Montag shows how much he loves his work as a fireman: “It was a special pleasure to see things eaten, to see things blackened and changed” (Bradbury 1). The job of a fireman in this society is to set fires, not to eradicate them. Houses that are revealed to contain books, by those who set off the alarms, are destroyed by firemen. Montag enjoys watching books wither and disintegrate in front of his eyes, but never thinks why he does it. His ideas begin to change when he walks home one evening and runs into a young woman named Clarisse McClellan, who lives on the same street as...
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...In the novel Fahrenheit 451, the author Ray Bradbury paints a picture of a science fiction dystopian world that warns people of the dangers of becoming too hopelessly dependent on society and its rules. He does this mostly through the descriptions and lives of his characters, none more so than his main protagonist of Guy Montag, who is a fireman whose role in life is to burn books until he starts to question this role and his place in the world. Guy Montag is the main protagonist in the novel Fahrenheit 451. When we meet him in the book he seems to be a man who is carefree and living in society exactly as he should. He is a fireman who’s only job in life is to burn the books that make people ask questions that might otherwise upset the natural...
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...Technology played a major role in how the citizens within Montag’s society in Fahrenheit 451 interacted with each other and how they responded to certain situations. The same can be said for today’s society. Mildred and her friends’ relationships with their husbands and children, or lack, thereof, are key examples of the effect of technology on their correlations with others. Seashells and the “parlor walls” are also used to help the user forget about everything else around them, which is not too far from today’s reality. In Fahrenheit 451, Ray Bradbury makes comments on how technology affects relationships with others, which in turn affects how well the society functions. Mildred’s use of her Seashells― little earplugs that play a continuous...
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...Reading The Bible results in jail for life. This is what life is like for people in Fahrenheit 451. Fahrenheit 451 is book set in the future in an unknown country. The government has censored material so much that most of society conform and become oblivious to what the government has done. Although there is a presence of individuality in Fahrenheit 451, the presence of conformity is more prevalent. Conformity is when a person complies with rules, regulations, and social normalities. Individuality is a quality or character that makes a person different from others. Through the use of individuals, such as Clarisse and Mildred; the government; and media and technology Fahrenheit 451 highlights the key elements of both individuality and conformity....
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
Words: 43588 - Pages: 175