...On Monday, march 12 2018, at about 7:30pm I attended a musical concert at Chabot college in building 1300. The concert was tithe “Chabot wind symphony”. It was a concert that was conjoined with Chabot wind ensemble and Tennyson high school jazz ensemble, Patricia Hurtado was the director of Tennyson High School while Beverly Johnson was the director of Chabot wind ensemble. Tennyson high school jazz ensembles and the instrument they played were, CLARIENT, which was played by Charles Hingco, Timothy Huynh, Sakerie Ridecout while TRUMPET was played by Noel Almazan, Brandon Arevola, Uriel Artteaga Aguilar, Alexis Ayala Martinez, Harold Liantada, Juan Pablo Regas and ALTA SAXOPHONE was played by Briana Guillen , TENOR SAXOPHONE was played...
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...Example of Concert Review Essay [This was a paper written by an actual student in the Popular Music in America class. It is not offered as an award-winning review nor is it compositionally error-free. It did, however, receive an A for this assignment and is an example of the level of writing and analysis that is required to receive an A. Please do not, however, begin your paper in exactly the same way or attempt to copy “buzz words” or phrases. Write your own paper!] On February 17, 2005, the Jazz Ensemble at Tarleton State University had their first concert of the spring semester with special guest trumpeter, Daryl White. The jazz ensembles collectively performed thirteen pieces during the concert. “Fly Me to the Moon”, “Waltz for Debby” and “Ancient Memories” were three stylistically different pieces that allowed the audience to experience the various sounds of jazz music. Jazz music, like all music, tells a story and here are the stories of “Fly Me to the Moon”, “Waltz for Debby” and “Ancient Memories”. “Fly Me to the Moon”, written by Bart Howard and arranged by Sammy Nestico, is an upbeat standard sung most famously by Frank Sinatra. In the instrumental version of this song, a Latin-inspired sounding consonance set the romantic mood at the beginning of this song. A piano and saxophone then alternated the melody of the song as though they were dancing like two lovers flying to the moon. As the passion of the song heated up, the texture changed within...
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...Example of Concert Review Essay [This was a paper written by an actual student in the Popular Music in America class. It is not offered as an award-winning review nor is it compositionally error-free. It did, however, receive an A for this assignment and is an example of the level of writing and analysis that is required to receive an A. Please do not, however, begin your paper in exactly the same way or attempt to copy “buzz words” or phrases. Write your own paper!] On February 17, 2005, the Jazz Ensemble at Tarleton State University had their first concert of the spring semester with special guest trumpeter, Daryl White. The jazz ensembles collectively performed thirteen pieces during the concert. “Fly Me to the Moon”, “Waltz for Debby” and “Ancient Memories” were three stylistically different pieces that allowed the audience to experience the various sounds of jazz music. Jazz music, like all music, tells a story and here are the stories of “Fly Me to the Moon”, “Waltz for Debby” and “Ancient Memories”. “Fly Me to the Moon”, written by Bart Howard and arranged by Sammy Nestico, is an upbeat standard sung most famously by Frank Sinatra. In the instrumental version of this song, a Latin-inspired sounding consonance set the romantic mood at the beginning of this song. A piano and saxophone then alternated the melody of the song as though they were dancing like two lovers flying to the moon. As the passion of the song heated up, the texture changed within...
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...Minh Vuong MUSIC 104-01 Concert review #1 Kletz Coffeehouse Band Performance On September 19th this year, I experienced the best student band concert I have ever seen. That day, some of my friends asked me if I want to go with them to Kletz at 9 for a little coffee and some music. It was a Thursday night and I still have tons of unfinished homework, but for some reason I still decided to go with them. There were a lot of people there, and all of them were doing homework. After 5 minutes, I’ve already wanted to go back to my room. However after that, a guy introduced the band that is going to play for tonight and I decided to stay for just one song. For some odd reason I don’t remember the band’s name, maybe because what memorable is about their music and not their name. So from now I will call them “Good music but forgettable name” or “GMBFN” for short. Just like a normal student band, they weren’t dressed up or used any props. They just wore their normal, casual clothes that they might wear in class that morning. The first song they were playing is pretty slow and the genre was alternative rock. At first I tried to listen to the words to find out if I knew that song, and then I realized it was an original song, their original song. It was pretty neat for a band to play its own song although that first song was a little bit uncreative and plain. So I stayed for the second song to give GMBFN a second chance, this time it was another original song. It was a lot better than...
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...[pic] |Course Design Guide College of Humanities SOC/105 Version 5 Introduction to Popular American Culture | |Copyright © 2011, 2010, 2006, 2004, 2003, 2002, 2000, 1999 by University of Phoenix. All rights reserved. Course Description This is an introductory course on modern American culture. The course focuses on the interactions between social forces such as advertising, media, and lifestyle and cultural trends in modern American society. Students are asked to cast a critical eye on current trends and changes in our culture. Policies Faculty and students/learners will be held responsible for understanding and adhering to all policies contained within the following two documents: • University policies: You must be logged into the student website to view this document. • Instructor policies: This document is posted in the Course Materials forum. University policies are subject to change. Be sure to read the policies at the beginning of each class. Policies may be slightly different depending on the modality in which you attend class. If you have recently changed modalities, read the policies governing your current class modality. Course Materials Petracca, M., & Sorapure, M. (2007). Common culture: Reading and writing about American popular culture (5th ed.). Upper Saddle River, NJ: Pearson Prentice Hall. All electronic materials are available on the student website. |Week One: Overview of Culture ...
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...Authentic: Oppositional Semiotics and Macklemore Introduction Macklemore and his producer Ryan Lewis have enjoyed widespread success. Their success has been both critical – 2012 album The Heist has received “generally favorable reviews” from both fans and critics (Metacritic, 2014) – and commercial – their hit single with singer Wanz, “Thrift Shop”, has been proclaimed the most popular rap song since the inception of the Hot 100 Rap Songs chart (Billboard Staff & Ramirez, 2014, March 6). Additionally, in January 2014 the duo won in the categories Best Rap Song, Best Rap Album, Best Rap Performance, and Best New Artist at the 56th Grammy...
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...POPMUS 305 The Punk movement as a reaction to stagnant music scene of the 70s Ivan Stevanovic 3461726 The Punk movement is often seen as a reaction to what was regarded as a blown up and stagnant, self-indulging music scene in the mid-70s. In wider perspective, it is considered not merely as a music genre, but more as a complex mixture of social, cultural, rebellious upheaval of the marginal, disillusioned young white generation, first in the US and UK and then in the rest of the western world. This essay will try to explore these statements and find out whether any of the two can be considered as the only cause for the emergence of punk. MUSIC INFLUENCES AND BACKGROUND One would say that any form of modern music in its initial phase is a protest, by default. That could be supported by numerous examples throughout the music history when rebellious young artists were crossing the boundaries of the conventional music genres and styles and often rejected from the music establishment. The stylistic music origins of punk could be found in second half of the twentieth century. First it was rock’n’roll of the fifties that shook the post war society with its wild rhythms and raw cords played on electric guitars amplified to produce more “noise”. The other influences were R&B, country and rockabilly and in the 60s many sub-genres that emerged on the rock music scene like: garage rock, frat rock, psychedelic rock, pub rock, glam rock, and proto-punk. Although its origins...
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...English 123 II – 2.2 Final Project Milestone One: Annotation Bibliography By Vincent Berry WHAT IS YOUR RESEARCH QUESTION? Are record labels racism and political in the music industry? What impact does racism and politics have on the artist and fan base? SUMMORIZE SOURCE INFORMATION FOR EACH ANNOTATION Suisman, David. "Co Workers in the Kingdom of Culture: Black Swan Records and the Political Economy of African American Music." Teaching the Journal of American History Vol. 90, No. 4.March 2004 (2004): 1295-1324. Web. 1 Mar. 2004. African American owned Record Company, which produced records for African American consumers, was faced with attempts by a large record corporation to force them into bankruptcy. Why would a large company do this for such a small African American owned company? How would it merit attention from African American people in this medium when you have more important subjects like voting rights and lynching? Moreover, why would it merit any attention at all, not to mention, selling records to black consumers. This article answers these questions and investigates the rise and fall of the small record company and explores the political economy in which it operated. Black Swan Records created by Henry H. Pace, who saw a way to respond to a hostile environment that African American people faced with, both in the entertainment industry and in American society. The protégé of W.E.B Du Bois, also saw that African Americans were not equally even when they...
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...money economy. Instead, a central government agency may allocate recourses for art projects.” According to Becker, with the creation of “culture industries”, organizations with profit motives have successfully latched on forms of arts with commercial value. He also said that their dominance needs to be stopped by the federal government to ensure equitable opportunities among artists. The earliest patronage of the arts dated before the First World War with the formation of the Commonwealth Literary Fund in 1908 and the Commonwealth Arts Advisory Board in 1912. However, an official committee to cultural and arts funding began with the formation of the ABC in 1932. The ABC broadcasted mainly music performed by its own orchestras. Eventually the primary focus on such funding was solely on music, opera and ballet as it was deemed fitting for high cultural aspiration of the federal government. Media became a...
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...Section D M/W/F 11:15 AM–12:10 PM Section classrooms: Art: Goodman 204 Music: PPAC135 Theatre: Elder 146 Prof Anne Greeley anne.greeley@indwes.edu Beard, Office 115 Office hours: M/W 1:00–5:00 PM T/TH by appointment Prof Davy Chinn davy.chinn@indwes.edu PPAC, Office 164 Office hours: M/W 1:00–3:00 PM T/TH 10:30 AM–12:30 PM All others by appointment COURSE DETAILS Description MUS180 is an integrated arts appreciation course. It is part of the Humanities Core Curriculum. Each week, you will rotate between classes in art, music, and theatre appreciation (see p. 11 for course rotation schedule). Classes will be structured around a common topic or theme, enabling you to make connections between the different art forms. Required Course Texts Erwin Raphael McManus, The Artisan Soul: Crafting Your Life Into a Work of Art, HarperOne, 2014. Other texts as assigned, available via Learning Studio. Required Course Fee Our class field trip to the BSU David Owsley Museum on Jan. 22 will cost $10, due by Jan. 20 to Amanda Dyer in the BAC office. Prof Katie Wampler katie.wampler@indwes.edu Elder, Office 140E Office hours: M/W/F 12:10–1:25 PM W 2:30–3:30 PM T/TH 11:00 AM–1:30 PM Syllabus Contents Course details Learning outcomes Policies & expectations Course evaluation Museum Artwork Analysis paper Museum Art & Music Integration paper Mix-tape project Concert reports Theatre critiques Mix-tape project Arts Integration assignments ...
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...An Ode to the Beatles… In 1957, John Lennon had begun a band called the Blackjacks who later became the Quarry Men and later that year invited Paul McCartney to join the group. The lineup that McCartney joined featured Lennon, Eric Griffiths on guitar, Len Garry on "tea-chest" bass, Pete Shotton on "washboard" and Colin Hanton on drums. In February 1958 the young guitarist George Harrison joined the group, which was then playing under a variety of names. Recordings of Lennon, McCartney and Harrison from that year still exist. During this period, members continually joined and left the line up. Lennon, McCartney and Harrison were the only constant members. Hanton left in 1959. The group became a regular gig at the Cashashm which was formed by Mona Best—the mother of the early drummer Pete Best. The band had gone through some rough times and even through a few names before become the Beatles. Brian Epstein, the record producer, told them that Pete Best would have to stop drumming so they could invite a better drummer in. Ringo Starr from Rory Storm and the Hurricanes was pulled in because they favored him (and the band also lost to his band in an old contest). With John Lennon, Paul McCartney, and Stuart Sutcliffe doing the guitar and vocals, while Ringo Starr was handling drums, and finally George Harrison handling bass with vocals every now and then, the band had begun to release singles. Stuart left the band in 1961 and died the next year from a brain hemmorage. But even...
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...Haven, Connecticut, where Shaw spent many of his formative years. A shy child, he was deeply hurt by the anti-Semitic taunts from his schoolmates. Shaw was further wounded when his father abandoned the family. While he learned the ukulele early on, Shaw first started getting serious about playing music when he took up the saxophone. He later moved on to the clarinet. Around the age of 15, he quit school to learn to become a better musician. Shaw listened to such jazz greats as Bix Beiderbecke and Louis Armstrong in an effort to improve his own playing. Moving to Cleveland, he eventually found work with Austin Wylie, a well-known bandleader. In addition to his music, Shaw was an avid reader and maintained literary aspirations. In 1927 Artie heard several "race" records, the kind then being made solely for distribution in black (or "colored," as they were then known) districts. After listening entranced to Louis Armstrong and his Hot Five playing Savoy Blues, West End Blues, and other now-classic Louis Armstrong records from the late 1920's, Artie made a pilgrimage to Chicago's Savoy Ballroom to hear the great trumpet player in person. Back in Cleveland, Artie, now 17, won an essay-writing contest which took him out to Hollywood in 1928, where he ran into a couple of musicians he had known back in New Haven who were now working in Irving...
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...Club IT Essay Part Two Christina Ransom University of Phoenix BIS 219 Introduction to Business Information Systems Hann So 6/17/2012 Club IT Part Two Club IT is a downtown music venue owned and managed by Lisa Tejada and Ruben Keys. Nowadays it is very important to include and consider information technology in one’s organization in order to be successful. So it is very important for Lisa and Ruben to make improvements and bring it up to par. Lisa and Ruben run the office and maintain all the financial and business-related records, but have realized that even though the resources they spent on other miscellaneous projects, the information management is struggling. After gathering information from the review of the Club IT Web site and interviews with Reuben and the staff to perform and analysis of the Information Technology status of the business, this research paper will evaluate Club IT’s resources, customers, and supply chain. It will also address three problems and provide solutions to improve the system. It will also explain how different departments may use the solutions to enhance the system, using ERP, SCM, and CRM. Club IT has a website that has a dining menu with prices, a merchandise section where customers can buy merchandise such as hats, mugs, t-shirts, and shot glasses, in which there is a special for members to receive a 10% discount on items. There is also a tab to see what the featured acts are for each month. Although customers can purchase their...
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...CHAPTER I INTRODUCTION Rock Music in the Philippines is performance arts composed in various genre and styles. The rock music of the Philippines is a mixture of indigenous foreign countries. The United States occupied the Islands in 1898 until 1946, and introduced American blues folk music, Rock &Blues, and rock and roll became popular. In the late 1950s, native performers adapted Tagalog lyrics for North American rock and roll music, resulting in the seminal origins of Philippine rock. The most notable achievement in Philippine rock of the 1960s was the hit song "Killer Joe," which propelled the group "Rocky Fellers" which reached number sixteen on the American radio charts. Up until the 1970s, popular rock musicians began writing and producing in English. In the early 1970s, rock music began to be written using local languages, with bands like the Juan Dela Cruz Band being among the first popular bands to do so. Mixing tagalog, and English lyrics. Background of the Study Joseph William Feliciano Smith born on December 25, 1947 is a Filipino singer-songwriter, drummer, and guitarist. More commonly known alternately as Joey Smith or Pepe Smith, he is an icon of original Filipino rock music or "Pinoy Rock". His father, Edgar William Smith, was a United States Airforce, and his mother, Conchita Feliciano, was from Angeles, Pampanga, where the huge Clark Air Force base was located. Joey spent his first years in Angeles, often visiting...
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...Popular Music —Lots of definitions —Mainstream music: “the majority of music that appears in national charts and appeals to a broad cross-section of the public” (Fonarow 2006:63) —“Commercial music”: “Any music that is created or produced with commercial purposes (i.e. financial gain) in mind” (Pruett 2011:1) —These definitions exclude many forms of music that might be considered ‘popular’ to the people that listen to them or refuse to listen to them —Tied to mediated listening and technology —Music could be popular for the masses when recorded music allowed masses of people to access the same music —Tied to commercialism – embedded within the commercial music industry —Certain styles of music appeal widely —These styles are industrialized, part of the music industry, large scale —Popular music is constantly changing – reflection of cultural attitudes about popular culture, culture as a national/international project —In ethnomusicology fieldwork focuses include: —Fan-based communities —Technoculture —Local or indie music scenes (Ex: Berger 1999; Fox 2004; Samuels 2004; Fonarow 2006) —Actual artists in popular music often remain elusive —Inaccessible to an ethnomusicologist —Little motivation to participate —Something to consider before picking a topic of study —As a result, very few studies of popular music focus on popular artists today —Different genres (country, rock, heavy metal, pop, rap) have different modes of access between fans and artists —Can...
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