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Music in Capitalism Era

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THE CASE OF MUSIC IN THE CAPITALIST ERA

For more than a decade, the music industry and Music generally have been the core of many debates and controversies. Some are complaining about the mediocrity of today’s musical production or the power of Majors, or even the part of new technologies into the current recording crisis. But all these complains can probably be summarised in Brian Longhurst’s claim (1995), saying that the music industry has corrupted music by transforming it into a commodity, in the pursuit of profit.
Indeed it seems impossible to deny the industrialisation of music nowadays. Culture in general didn’t avoid the transition of the world into the capitalism era. A music market appeared, ruled by the same rules than any other commodity market and with the same goal: to maximize profit. According to Timothy Taylor (2007, p 282) music today is made for the purpose of making money, not individual self expression anymore.
First seen as an art that involves feelings and creativity, the transformation of music into a product of consumption is not insignificant. Therefore the main question should be: Did the transition of music into a commercial object change the essence of what it was originally?
Thus in this essay, I’m going to treat the topic of music in the current capitalist context and the changes that this evolution involved.

First of all we can consider that people started to sell music when they’ve been able to record and reproduce it, with the invention of the phonograph in the 19th century. Simon Frith (2007, p 231) defined the industrialisation of music as a shift from “active musical production to passive pop consumption.” But he also argued on the fact that industrialisation was not something that happened to music, because music is not the raw material in the process, it is the final product. So the industrialisation

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