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"My Fair Lady" Analysis

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My Fair Lady
Film Analysis

CHARACTERS: * Eliza Doolittle: A cockney flower girl from Lisson Grove working outside Covent Garden. Her potential to become “a lady” becomes the object of bet between Higgins and Pickering. * Henry Higgins: British, Upper Class professional bachelor who is a famous phonetics expert, teacher and author of “Higgins’ Universal Alphabet.” * Colonel Pickering, Higgins's friend and fellow phoneticist who is a retired Brisiths officer with colonial experience and the author of “Spoken Sanskrit”. * Alfred P. Doolittle: Eliza's father, an elderly but vigorous dustman. * Freddy Eynsford-Hill: Upper Class young man who becomes completely smitten with Eliza. * Mrs. Higgins: Higgins's socialite mother * Mrs. Pearce: Higgins's housekeeper * Zoltan Karpathy: Higgins's former student and rival

SETTING:
"My Fair Lady" is set in Edwardian London, sometime between 1901 and 1910, which is the period covering the reign of King Edward VII. The costumes in the 1964 movie version of "My Fair Lady," such as the peach colored outfit Eliza wears after the ball, when she meets her father on the way to his wedding, and the type of automobiles seen indicate the year 1912. This would be the time just before the start of World War I, during the reign of King George V - just after the end of the Edwardian era.

PLOT: * Introduction: Higgins hears Eliza shouting in her harsh ‘Cockney’ accent in Covent Garden. He says to his new acquaintance, Colonel Pickering, that after six months of lessons with him, he could teach Eliza to speak with such a pure upper-class accent that no one would be able to tell where she came from. * Rising Action: Eliza finds her way to the professor’s house and offers him money to give her lessons. Pickering is intrigued and offers to pay for the cost if Higgins can really back up his claim. Higgins is interested in the experiment, and agrees. An intensive makeover of Eliza’s speech, manners, and dress begins in preparation for her appearance at the Embassy Ball. : Eliza’s father comes to Higgins to extract some money from him. Higgins is impressed by the way he speaks. Meanwhile, Eliza goes through many forms of speech training. Just as things seem hopeless, Higgins softens his harsh attitude and she suddenly ‘gets it’. * Climax: Higgins takes her on her first public appearance to Ascot Racecourse. She makes a good impression, but shocks everyone by her Cockney accent and slang when she gets excited. She captures the heart of a young man named Freddy Eynsford-Hill. Finally, Higgins takes Eliza out to the Embassy Ball, where she stuns everyone. After the ball, Higgins is so excited about his triumph and his pleasure that the experiment is now over. * Falling Action: Eliza feels used and abandoned. She walks out on Higgins and goes back to Covent Garden, but nobody recognizes her now. She sees her father there and finds out that he’s getting married. After Eliza is gone, Higgins soon realizes that he has ‘grown accustomed to her face’. Higgins finds Eliza at his mother’s house, and he attempts to talk her into coming back to him. Eliza rejects him and leave. * Conclusion: Higgins makes his way home, missing Eliza very much. He plays his recordings to listen to Eliza’s voice. To Higgins’s great delight, Eliza returns to him.

CONFLICT AND POINT OF VIEW: The conflict of the film is an example of an internal conflict since Eliza Doolittle struggles to improve herself to finally achieve her dream to work in a flower shop. She has to face speech trainings, such as speaking with marbles in her mouth and enduring Higgins' harsh approach to teaching and his treatment of her personally so as to help her improve herself and to speak so "properly" that he could pass her off as a duchess at an embassy ball. The point of view of the film is Omniscient objective where in a camera is following the characters, going anywhere and recording only what is seen and heard. There is no comment on the characters or their thoughts. No interpretations are offered. The viewers are placed in the position of spectator without the author there to explain. The viewer has to interpret events on their own.

THEME: * Transformation: It truly occurs during and after the ball. The transformation of Eliza into a lady is finalized at the Embassy Ball when she passes as a duchess and Professor Higgins officially wins his bet. * Accent: At the time of this story, speaking with a proper accent meant a higher social status. If Eliza can speak with an ‘upper-class’ accent, she would be able to leave the street and find a respectable job. * Relationship between Eliza and Higgins: Speaking without a very strong London accent is not the only goal Eliza is after. She has another battle on her hands: to make Higgins see her as a person, not just as an interesting experiment. * Men vs. women: The story shows the caring attitude of women, such as Mrs. Pearce and Mrs. Higgins. Higgins, however, doesn’t appreciate it and says, ‘Why can’t women be more like men?’

LANGUAGE AND STYLE OF THE AUTHOR:
My Fair Lady was a throwback to happier times in the world of movie musicals. Although this musical is based on the stage play Pygmalion, much of the movie's power relies on the musical numbers. Expressions and emotions are portrayed through music, lyrics, and dancing.

10 DIALOGUES FROM MY FAIR LADY: 1. Professor Henry Higgins: She's so deliciously low. So horribly dirty. 2. Col. Pickering: Have you no morals, man?
Alfred P. Doolittle: Nah, can't afford 'em. Neither could you, if you were as poor as me. 3. Professor Henry Higgins: Why can't a woman be more like a man? 4. Eliza Doolittle: I ain't dirty! I washed my face and hands before I come, I did. 5. Eliza Doolittle: I sold flowers; I didn't sell myself. Now you've made a lady of me, I'm not fit to sell anything else. 6. Colonel Hugh Pickering: Are you a man of good character where women are concerned?
Professor Henry Higgins: Have you ever met a man of good character where women are concerned?
Colonel Hugh Pickering: Yes, very frequently.
Professor Henry Higgins: Well, I haven't. I find that the moment a woman makes friends with me she becomes jealous, exacting, suspicious, and a damn nuisance. And I find that the moment I make friends with a woman I become selfish and tyrannical. So here I am, a confirmed old bachelor and likely to remain so. 7. Eliza Doolittle: The difference between a lady and a flower girl is not how she behaves, but how she is treated. 8. Professor Henry Higgins: The question is not whether I've treated you rudely but whether you've ever heard me treat anyone else better. 9. Professor Henry Higgins: It's about filling up the deepest cut that separates class from class and soul from soul. 10. Professor Henry Higgins: You might marry, you know. You see, Eliza, all men are not confirmed old bachelors like myself and the Colonel. Most men are the marrying sort, poor devils. And you're not bad-looking; you're really quite a pleasure to look at sometimes. Not now, of course, when you've been crying, you look like the very devil; but when you're all right, and quite yourself, you're what I would call... attractive.

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