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My Last Duchess Robert Browning

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My Last Duchess
Robert Browning was in his 50s before he achieved universal popularity but the lean years prior to his recognition allowed the poet to experiment with genre, form and language. As well as poetry, Browning had a great love of theatre and one of his early ambitions was as a playwright but after failing to find success on the stage, he accepted that he lacked the skill to engage audiences for several hours. However, his apprenticeship was not wasted for Browning, honing his skills by endlessly editing scripts, took the dramatic monologue (a new genre of poetry invented by Tennyson) and perfected it. His preoccupation with individual introspection that was a disaster in theatre, once transferred to poetry, added richness and depth. And by employing dramatic techniques learned in the theatre, he created complete poems that could be viewed as vignettes of a larger text. In other words, he was able to successfully write shorter pieces but in a new dramatic fashion.
My Last Duchess is not only an example of a dramatic monologue, it is also one of Browning’s most famous and, generally regarded as, his best work. Published in 1842, the poem is the influence of a month-long trip to Italy, a country where he ultimately spent a large part of his life, and can be considered one of his ‘Italian’ poems. The back story is usually considered to be that of the last of the Este line, the fifth Duke of Ferrara, Alfonso II, a Renaissance aristocrat who is famous for imprisoning the poet Torquato Tasso. The historical duke’s first bride was Lucrezia a young member of the de Medici family, still merchants and in the early stages of their ascent to power and wealth. The young bride died three years after her wedding perhaps from tuberculosis, or as some then suspected, from poisoning. Browning, while in Italy, wrote a review of Tasso’s work and during his

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