...One of Shakespeare's longest, most perplexing, and, for a lot of people, most frustrating play, Hamlet stays one of his most convincing and the most read play and it lives up to expectations, too. Hamlet can be better seen by analyzing Hamlet's soliloquies. The majority of Hamlet's monologues demonstrate Hamlet's self-loathing and even a readiness to bite the dust. The soliloquy "To be, or not to be: that is the question" shows up in Act 3 Scene 1. It is, maybe, one of the best-known soliloquies by Hamlet in the play, which produces significant scholarly investment even today. Hamlet is feeling profound agony and distress in light of his father's passing. It appears that he is not able to acknowledge this partition. He would like to live. Considering suicide, he doubts himself rationally in the event that it is legitimized to live with so much agony and anguish or if finishing his own particular life is the best conceivable choice. "To be, or not to be: that is the question" Hamlet makes this a stride further and works on the supposition that everybody would rather be dead than living, and is alive simply because he has a trepidation of slaughtering himself. Hamlet is no more addressing whether he needs to die, yet just whether or he finds himself able to slaughter himself, on the grounds that murdering himself clashes with his religion. Hamlet’s sadness over his father's demise and his mother's snappy marriage made him wish for death even before he discovered that his uncle...
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...Character Monologue It destroys me that they all come running up to me when they need someone to listen to them whine. They just carelessly suspect that I'm immune to sadness and depression. What they don't know is that I'm just like them. To them, I'm this person filled with joy and God knows nothing can drag me down. They assume I don’t have any troubles in my daily life, nope, all just rainbows and sunshine. They don't stop to consider that maybe all this depression surrounding me gets me down once in a while. No, how selfish of me, they've got their own problems to deal with first. They want to hear me say that everything will be okay, and that things really aren't as bad as they seem to be. You know, generic bullshit that’s on every page of social media. I’m having to listen to them ramble on about their crushes not liking them and their boyfriends not spending every minute of every hour of every fucking day with them. Maybe, it's my fault. I put on this front like I'm always so happy and cheery, so they naturally gravitate to the happiest person they can find within a mile radius. Maybe they're hoping a little bit of what’s left of my happiness will be passed onto them. Maybe they think that they'll be happier if they're like me. Oh, God. Stop me. I'm going on an ego trip again. But they wouldn't want this happiness spared onto them, it’s not happiness, quite the opposite. I can barely handle it anymore. People say that I'd make a good psychologist, and maybe they're right...
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...Monologue 7/19.15 Monologue He was a man, cold like his steal knife. I could still feel it on the tip of my skin…so sharp…so lifeless. The blood dripping down my flesh, tears streaming down my face. He could have got me? Oh no…he could have. But did he? She was the first one to go. Who’s she you ask? Hmph…That does not matter anymore. I could hear her screaming as she called for help she grew limp, her voice cracking as he dragged her away. Do you think I am crazy? Doctor. Do you? The blood, the lives. Oh no but she came back, she came back but I knew it wasn’t her. The skin was there, but it was being worn by someone else, someone whom wanted to be her. I knew he wanted to smile, but her skin wouldn’t let him. He wore it, he wore what was hers. I stayed silent as he played dress up. The mirror he stared at was covered in dust, and each day I stared with him. He must have forgot about me? Though he enjoyed her skin a lot more than the others. He continued to wear it as if he knew I was watching, dolling her up as if she was his own. As he was her. This man wasn’t the prettiest, the lights dimming down on his harsh features, even with someone else’s face he couldn’t achieve beauty for he was a monster. How long did it take me to leave you ask? You tell me Doc am I really here or are you the one who’s...
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...MONOLOGUE Ten seconds left. I can barely hear anything. I feel the vomit creeping up in my throat as the milliseconds go by. Everything is getting very blurry. Tension is rising. Who would have thought that we would be down by one point and I would be the one trusted to hold this basketball? Why did my coach want me to shoot the last shot in the first place? What do I bring on this court that is any different from what my teammates would bring? Every face on my bench is almost frozen, their eyes locked on to me and the ball. There are hundreds of people in the stands watching my every move. Deep breath. Every little thing has to be on point. Nine seconds. I just want to pass the ball away over to my teammate, get rid of it. Why not? Who cares what my coach says? He’s the one who put me in this situation anyways. Eight seconds left. Its just too embarrassing to miss THE final shot in THE final game of the season. I have earned every second I stepped foot on this court and worked too hard for this shot to be a miss. All the time spent practicing and all the injuries, I just cant let myself and everyone down. Seven seconds. I see everyone in the stands jumping up and down but can barely hear them. What do they want from me? i’m 18 years old for crying out loud! It’s not like I’m in the NBA here! I want to see them try and step foot in my shoes right now... Nonsense, focus. My defender looks really intimidating. His muscles contract as his thumbs rub against his fingertips...
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...states of mind in two or three works of fiction you have studied. Introduction: Throughout both novels, The God Small Things by Arundhati Roy and As I Lay Dying by William Faulkner, characters often lack rational thought and, speak in Most authors have distinct styles, and in both novels, Roy and Faulkner embed a deeper meaning within them with the use of a subtle and discreet narrative manner, such as stream of consciousness and interior monologues. This is particularly true in As I Lay Dying, a novel of a dysfunctional and unstable family told through fragmented chapters. Each character reveals their perspective in different chapters, but the perspectives are true to life in that they all reveal information about the Bundren family and their struggles to exist. Although stream of consciousness proves to be prevalent in the progression of the plots, a series of flashbacks and flashforwards unfold the secrets of these characters' unhappiness. Through the use of literary devices such as stream of consciousness, interior monologue and analepsis and prolepsis, Roy and Faulkner allow for the flow of impressions coming through a character’s mind to be represented on the surface. Outline: I. Stream of Consciousness A. As I Lay Dying 1. Faulkner imitates the way the human brain works; the progression of thoughts passing through the mind as they occur represents a selective omniscience a. I am I and you are you and I know it and you dont know it and you could...
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...due to the fact that Amanda of an affluent decent and so such things as table manners when she was growing up, would have been of more importance than perhaps to Tom and his current financial situation. Tom does not appear in the second scene and so this could elude to the idea that Tom is trapped by financial burden. As we have discovered from Toms opening monologue, his father disappeared leaving Tom to be the sole provider for the family. This could perhaps suggest, through the theme of being male, that Tom is perhaps trapped by his gender, as in 1937 it was the role of the man in of the house to provide for the women. As a result of this societal norm, tom had to take work wherever he could find it, and so works in a low paid, low skilled job in a shoe factory. Perhaps the shoes are a metaphor to the running he is so longing to do away from his family, but more specifically, Amanda due to the burden of expectations she places on his shoulders to be the perfect gentlemen in a social class where, perhaps such thing does not exist. It could be argued that in scene three, the pivotal moment is not in the monologue when Tom breaks Laura’s glass menagerie, but the prior conversation he has with Amanda. Tom confirms the...
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...Nellie Bly Report Nellie Bly was an American journalist who was known for her investigative reporting. She is vastly famous for her 1887 work when she wrote about the conditions of asylum patients at Blackwell's Island in New York City, by going undercover as a patient herself. But Nellie Bly is most well-known for her famous trip around the world in 1889, where many told her she couldn’t do it, she proved them wrong. Nellie was born in the suburb of Armstrong County, Pennsylvania under the name Elizabeth Jane Cochran. Her father, Michael Cochran, a hard working mill employee, eventually bought the mill and the surrounding land, showing his children that hard work pays off and that nothing is impossible. As a young girl, Nellie attended boarding school for only one term, because she unfortunately was forced to drop out due to lack of funds. In 1880, Nellie and her family moved to Pittsburgh. During her stay here, Nellie read an editorial in The Pittsburgh Dispatch entitled "What Girls Are Good For." The article was about how women should not have an education or career, suggesting they should stray no further than the home and motherly duties. This, of course infuriated Nellie, as it did many women. She wrote a reply to the editor, George Madden signed "Little Orphan Girl." Madden was so impressed by the reply, he offered her a full-time job writing under the name Nellie Bly. Which is where the name came from, and stuck. Nellie Bly avoided the normal topics women normally...
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...Summary: Born Elizabeth Cochran on May 5, 1864, in Cochran's Mills, Pennsylvania, journalist Nellie Bly began writing for The Pittsburgh Dispatch in 1885. Two years later, Bly moved to New York City and began working for the New York World. In conjunction with one of her first assignments for the World, she spent several days on Blackwell's Island, posing as a mental patient for an exposé. In 1889, the paper sent her on a trip around the world in a record-setting 72 days. Bly died on January 27, 1922, at age 57, in New York City. ESSAY: Famed investigative journalist Nellie Bly was born Elizabeth Jane Cochran (she later added an "e" to the end of her name) on May 5, 1864, in Cochran's Mills, Pennsylvania. The town was founded by her father, Michael Cochran, who amply provided for his family by working as a judge and landowner. Her grandfather had immigrated to America from Ireland in the 1790s. Bly's mother was Michael Cochran's second wife, Mary Jane Cochran; their marriage produced five children, the third of which was Bly. (Prior to their union, Michael and Mary Jane were both widowed. Michael had 10 children by his first wife; Mary Jane had no children from her first marriage.) Bly suffered a tragic loss in 1870, at the age of 6, when her father died suddenly. Amidst their grief, Michael Cochran's death presented a grave financial detriment to his family, as he left them without a will, and, thusly, no legal claim to his estate. In an effort to support her now-single...
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...Nellie McClung Mooney was born on October 20, 1873 at Chatsworth, Ontario. Her father, John Mooney owned a farm for 7 years but unfortunately it failed in 1880 so her family moved to Manitoba. She got married in 1904 to a man named Wesley and had 5 children and in between 1911 and 1915 they would fight for woman's suffrage. She decided to campaign for the liberal party in 1915 so she can make a change for woman so that they can vote. She also decided to become a public speaker and everyone remembered her for her sense of humor and because of McClung and her colleges Manitoba was the first province in Canada to allow women to vote. In 1921 she was elected to the Alberta Legislative Assembly as a liberal so she moved Calgary, Alberta and wrote her first book called "Sowing Seeds In Danny". It was a national bestseller and after that she wrote for multiple magazines....
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...Nellie Bly Nellie Bly was a famous American journalist known for her pioneering reporting, including her 1887 expose on the conditions of asylum patients and her record breaking trip around the world in seventy-two days in 1889. Nellie Bly was born May 5, 1864, in Cochran’s Mills, Pennsylvania. Nellie Bly’s birth name was Elizabeth Jane Cochran (she later added an e at the end). The name Nellie Bly was her pen name. Nellie Bly’s parents were Michael Cochran and Mary Jane Cochran. Mary Jane was Michael’s second wife, he had ten children with his first wife and had five more with Mary Jane. To support her single mother, Nellie Bly enrolled at the Indiana Normal School, a small college in Indiana, Pennsylvania.In the early 1880s, at the age of eighteen, Nellie wrote a response to an editorial piece published by The Pittsburgh Dispatch. The writer of the...
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...Comparative essay on ‘My last Duchess’ and ‘Porphyria’s lover’ Robert Browning was born in May 1812 and died at the age of seventy. Browning was an English poet who has become known as the person to invent and popularise the dramatic monologue. This made him the foremost Victorian poet; two of his most successful dramatic monologues are those of ‘My last Duchess’ and ‘Porphyria’s Lover’. The reoccurring theme within the two monologues is murder as they show the idea of men killing a lover Dramatic monologues are significant in that there is only one point of view expressed throughout. In Victorian times dramatic monologues were very popular; Browning was seen as the innovator of this style of writing along with other eminent Victorian poets such as Rossetti and Tennyson. The dramatic monologue takes its style from Shakespeare’s soliloquies were a character speaks their thoughts and feelings aloud. This idea and style has been extended to the preset day, with Alan Bennett’s ‘Talking Heads.’ The speaker in ‘Porphyria’s Lover’ is the lover himself, residing in a cottage in the countryside at the beginning of the poem. The mood of the narrator is established right at the start as he talks about “the sullen wind’ ‘tore,’ ‘vex’ and ‘spite.’ He is clearly angry and unhappy. However as soon as Porphyria ‘glided’ in, the mood changes and she ‘ shut the cold out and the storm.’ The narrator feels warmed by her presence. At once the reader sees that Porphyria has taken control...
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...White Man’s Burden (Handout) Summary & Annotation: A straightforward analysis of the poem may conclude that Kipling presents a"Euro-centric" view of the world, in which people view society from only a European cultures point of view. This view proposes that white people consequently have an obligation to rule over, and encourage the cultural development of people from other ethnic and cultural backgrounds until they can take their place in the world by fully adopting Western ways. The term "the white man's burden" can be interpreted simply as racist, or taken as a metaphor for a condescending view of non-Western national culture and economic traditions, identified as a sense of European ascendancy which has been called "cultural imperialism". A parallel can also be drawn with the charitable view, common in Kipling's formative years, that the rich have a moral duty and obligation to help the poor "better" themselves whether the poor want the help or not until according to Europeans, "they can take their place in the world socially and economically." The term "white man's burden" is a phrase that became current in the controversy about the United States acquisition of the Philippines after the Spanish-American war of 1898. It was a concept that was the responsibility of white Europeans to bring "proper" European civilization to the nations (mostly brown, black, red or yellow) that did not have it. The underlying thought was that Europeans were correct in their beliefs and...
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...“Porphyria’s Lover” by Robert Browning contains perturbing imagery throughout the poem that leads to the main focus of control. Primarily, the controlling aspects that will be focused on are the murder of Porphyria, the lies that the narrator/ speaker tells, and possession. Describing these aspects will furthermore aid in distinguishing the control in the poem. The speaker in “Porphyria’s Lover” had thoroughly controlled Porphyria in many ways. First, the speaker takes control of Porphyria through murder. He wanted her for himself. In lines 21 to 25, “Murmuring how she loved me-she/ Too weak, for all her heart’s endeavor, / To set its struggling passion free/ From pride, and vainer ties dissever, / And give herself to me for ever”, the speaker told of how Porphyria was full of too much pride to love him. He felt that she wasn’t all the way his; that she didn’t only love him. But, the speaker loved Porphyria, he wanted her forever, so he killed her. In lines 27 to 28, “A sudden thought of one so pale/ For love of her, and all in vain”, he felt that Porphyria loved him in vain. In other words, the speaker felt used for her affections, and that she didn’t really felt the way she stated. In lines 33 to 34, “Porphyria worshipped me; surprise/ Made my heart swell, and still it grew” he contradicts himself. He stated before that she may not love him like she says she does, but then he makes this statement as if she really is in love with him and he feels guilty for thinking she didn’t...
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...cues. In Robert Browning’s My Last Duchess, the author employs interesting line breaks and enjambment to help the reader get a true sense of the Duke, despite the way the he portrays himself as an honorable, kind man who had no choice but to kill his young wife. The poem takes place in the sixteenth century and is loosely based on Alfonso, the Duke of Ferrara, whose wife met an untimely death. In this dramatic monologue the Duke is speaking to an emissary negotiating another marriage. Portraying himself as a good man, and a worthy candidate for a new young bride the Duke takes the emissary on a tour of his house. He shows himself to be a man of good taste by “modestly” showing his collection of art work. When arriving upon a painting obscured by a curtain the Duke begins to reminisce about his late wife; as he describes her he tells of her disrespect. She constantly disobeyed him and even went so far as to flirt with other men by smiling at them and accepting their gift. The Duke is a wronged man whose wife took advantage of his position and generosity. As the monologue progressed however, the Duke begins to show his true colors. When one digs a bit deeper and reads between the lines it becomes obvious that the duke is a very controlling individual; all of his actions give away his true nature. The first instance in which the Duke’s selfish nature is reveal is in the fact that he has the picture of the duchess hidden behind a curtain. He exerts control by being the sole individual...
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...The story focuses on the key events of the painting, the marriage between the Duke and the past Duchess, the possible murder of the Duchess and the yet to be new wife. The story being told is of the relationship between the Duke and former Duchess. Browning adopts numerous narrative techniques. Browning uses the form of a dramatic monologue to help the story progress. For instance 'That's my Last Duchess' shows that there is one speculator although there is an implied audience. The effect of this is that it shows that the poem tells a story that consists of much more than the words spoken by the one giving the monologue. To evaluate, the dramatic monologue makes it engaging with the reader. Additionally, Browning uses rhetorical questions as part of form to help tell the story. For example, 'Who'd stoop to blame..' is a clear example of the Duke trying to persuade his audience. The effect is that it reveals more about the Duke's character as the rhetorical question reinforces the impression that the Duke is haughty and self-important. To evaluate, Browning uses rhetorical questions effectively, revealing more about his character. Browning uses a lexical field of jealousy, ownership, artistry and love in order to aid the progression of the story. For instance, 'my Last Duchess painted on the wall' shows that the Duchess is objectified. The effect of this is that it allows the reader to sympathise with the Duchess and forces the reader to think of the Duke in a negative manner...
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