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Non Traditional Art

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Submitted By belleanna22
Words 789
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Janet Cardiff
Forty part Moet, 2001

Janet Cardiff, like other artists in her generation, has chosen to work in a variety of media, including video, installation and recorded sound. Janet Cardiff and her husband George Bures Miller currently live and work in Berlin, Germany and often do art works together.
Cardiff's "Forty Part Motet" won the National Gallery of Canada's Millennium Prize in 2001. This installation was a reworking of the renaissance choral music "Spem in Alium" by the English composer Thomas Tallis (1514 - 1585) the 40-part choir was designed to mark the 40th birthday of Queen Elizabeth I. The forty voices are grouped into eight choirs of five voices. Each voice was recorded separately and is played back through 40 separate single loudspeakers. This brilliant sound sculpture was positioned specifically throughout the space. . Janet Cardiff is one of Canada's most important artists. Her sound installations have been shown across Canadian places such as in the NGC’s Rideau Chapel, it’s originally showing at Newcastle and also in a large gymnasium at the Trinity-St. Paul’s Centre and around the world.
Janet Cardiff said "Most people experience this piece now in their living rooms in front of only two speakers, even in a live concert the audience is separated from the individual voices. Only the performers are able to hear the person standing next to them singing a different harmony. I wanted to be able to climb inside the music."
The work allows the audience to get inside the music and experience it almost tangibly as the voices weave in and out of each other. The visitors could listen to each of the voices one by one walking closer to the individual ‘people’- the speakers or to all of them together from the middle of the room. The 14 minutes piece was said to be very deeply moving to visitors, which earned a popularity that usually isn’t associated by contemporary art. Rebecca Travis (artist and writer) described the work as “a piece with huge presence that truly has to be experienced to be understood. What’s more, in a world of non-stop visual bombardment and worship of objects, it is incredible to see people stopped in their tracks simply by the power of sound.”

Forty-Part Motet features the voices of the Salisbury Cathedral Choir. It was recorded and postproduced by SoundMoves, edited by George Bures Miller, and produced by Field Art Projects.

Comments by the artist:
"While listening to a concert you are normally seated in front of the choir, in traditional audience position. With this piece I want the audience to be able to experience a piece of music from the viewpoint of the singers. Every performer hears a unique mix of the piece of music. Enabling the audience to move throughout the space allows them to be intimately connected with the voices. It also reveals the piece of music as a changing construct. As well I am interested in how sound may physically construct a space in a sculptural way and how a viewer may choose a path through this physical yet virtual space.

I placed the speakers around the room in an oval so that the listener would be able to really feel the sculptural construction of the piece by Tallis. You can hear the sound move from one choir to another, jumping back and forth, echoing each other and then experience the overwhelming feeling as the sound waves hit you when all of the singers are singing.”

http://wag.ca/art/exhibitions/upcoming-exhibitions/display,exhibition/125/janet-cardiff-forty-part-motet http://www.thecanadianencyclopedia.com/articles/janet-cardiff http://www.gallery.ca/en/see/collections/artwork.php?mkey=97229 http://www.cardiffmiller.com/artworks/inst/motet.html http://www.gallery.ca/en/see/exhibitions/past/details/janet-cardiff-forty-part-motet-3132

Upon listening to the piece it sounds quite beautiful, and feels as though I would really be watching a choir. I do not believe that I get the full experience of the installation sound piece as I am unable to work my way around each ‘person’ the speakers and cannot possibly feel surrounded by it as I am listening to it from my computer desktop. If I were to really be in the installation and experiencing I feel as though it would be a unique and very interesting experience. There is no other way to listen to a choir this way other than being in one yourself, being in the middle of it and hearing the singer next to you. I believe to fully understand this piece you really need to be in that room and experience it yourself. But from the looks of it, it looks quite powerful and amazing.

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