...I believe Odysseus was justified in all his actions after he returned to Ithaca. Odysseus had left home to go fight the Trojan War, but when he tried to return home, he was thrown out to sea to endure a journey controlled by gods. When he finally returns home from his journey, the wooers and his own handmaids had ransacked his manor and were drinking his wine and using his property. They were also trying to take over Odysseus’ royalty by convincing his wife, Penelope, to marry them. They did all this without even thinking that Odysseus could somehow be alive somewhere and should respect him and his things. Odysseus had the right to take back his manor from the wooers and take revenge on them, so he did. However, the handmaids involved were his, and it took a lot of guts to hang them after the battle was through. It seemed like the handmaids were doing wrong, but they also could have been keeping the wooers happy so they wouldn’t marry Penelope and take Odysseus’ place. Odysseus did not think that was what was happening, so he did hang them. In the end, the handmaids deserved it because they should have been loyal enough to Odysseus to not be on the side of the wooers....
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...Odysseus of Ithaca: Famed or Fraud? Homer’s Odyssey tells the tale of the Trojan War hero Odysseus’s return home to his land of origin, Ithaca. Homer describes Odysseus as being one of, or possibly the greatest hero in all of Greece’s history. He is characterized as being a fearless, heroic man, who, with divine assistance, bests even the greatest monsters, and overcomes the most troublesome and life-threatening situations that he encounters, or the gods throw at him. However, if not for the assistance given to him by Athena, or any other divine figure, Odysseus’s journey would most likely have not worked out in his favor as it did, and he most likely would have perished within the very first books of The Odyssey. If divine assistance is what gave Odysseus his spark, courage and abilities, then are his abilities really justified? Who is the real Odysseus of Ithaca? Throughout many instances of The Odyssey, Odysseus is seen as this “almighty figure of excellence,” that can “never be beat or conquered.” However, despite the recognition that Odysseus deserves for accomplishing most of his feats, most of the work and assistance given to him was crafted by the goddess Athena; who constantly monitors Odysseus’s every move and protects him throughout the course of the tale. For example, on page 175 of the text, when Odysseus confronts the Phaecian princess Nausicaa, Athena personally makes him appear less menacing and worn. By doing this, Athena guaranteed that Odysseus would...
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...Consequently, it seems that Strepsiades holds logic and rhetoric to a higher power because of this. He does not necessarily need the gods on his side to solve his problems; he can use his knowledge and skills. Likewise, this idea is prevalent in Homer’s Odyssey. Despite the paramount role of the gods, Odysseus is able to use his rhetoric to get him in and out of multiple situations. This talent of language is what defines Odysseus and his strengths. Without this, he would not have accomplished half of what he was able to do throughout his...
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...As humans or more importantly, mortals, even justified intentions can result in the deadliest of consequences. In addition, society often aims to choose the most viable of opportunities, however a compromise is usually forced and as a result, progress is made in irrelevant fields. In Homer’s epic poem The Odyssey, many conflicts occur between Odysseus and his enemies, however the entirety of them have legitimate reasons. Odysseus injures Polyphemus out of necessity for the survival of his crew. Also, he kills the suitors as compensation for tarnishing his home. Similarly, the servants and other such characters are killed for betraying Odysseus’s household and supporting the suitors. To begin, Odysseus drugs and blinds Polyphemus, not...
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...Principles of Measurement Mosso member of the FASB FASB’s Conceptual Framework project over the period 1973-1985 Define measurement Measurement is the assignment of numerals and other symbols to represent the magnitude of an attribute of a phenomenon Phenomenon A thing or event of interest E.g. a table, a performance, an exam Attribute A characteristic or quality of the phenomenon to be measured Magnitude The extent to which the phenomenon has the attribute Often we can’t directly observe a phenomenon of interest We need to find a substitute Direct observation- the only time we can accurately observe the attribute and phenomenon How happy is the baby? Phenomenon-baby Attribute-happiness Can you measure this attribute directly? NO Smiles per hour Laughter per day Financial Statements: When investors focus on a company’s net income, is net income necessarily the investors’ attribute of interest Firm performance Firm future performance What two things do accounting measures often represent Performance- what have we done? Position- what do we have? Business Strategy and Accounting USSBA Too many teams to manage What is strategy according to Porter? Strategy is creating a fit among an organization’s activities (to enable it to realize its goal or mission). The success of a strategy depends on doing many things well and integrating among them Operational Effectiveness versus Strategic Positioning Operational effectiveness Performing similar activities...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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...Proceeding for the School of Visual Arts Eighteenth Annual National Conference on Liberal Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media ……………………………………………………. June Bisantz Evans Visual Literacy: The Language of Cultural Signifiers…………………………………. Tammy Knipp SECTION THREE: Narrative and Fine Art Beyond Illustration: Visual Narrative Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch...
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...500 extraordinary islands G R E E N L A N D Beaufort Sea Baffin Bay vi Da i tra sS t a nm De it Stra rk Hudson Bay Gulf of Alaska Vancouver Portland C A N A D A Calgary Winnipeg Newfoundland Quebec Minneapolis UNITED STATES San Francisco Los Angeles San Diego Phoenix Dallas Ottawa Montreal ChicagoDetroitToronto Boston New York OF AMERICA Philadelphia Washington DC St. Louis Atlanta New Orleans Houston Monterrey NORTH AT L A N T I C OCEAN MEXICO Guadalajara Mexico City Gulf of Mexico Miami Havana CUBA GUATEMALA HONDURAS b e a n Sea EL SALVADOR NICARAGUA Managua BAHAMAS DOMINICAN REPUBLIC JAMAICA San Juan HAITI BELIZE C a r PUERTO RICO ib TRINIDAD & Caracas N TOBAGO A COSTA RICA IA M PANAMA VENEZUELA UYANRINA H GU C U G Medellín A PAC I F I C OCEAN Galapagos Islands COLOMBIA ECUADOR Bogotá Cali S FR EN Belém Recife Lima BR A Z I L PERU La Paz Brasélia Salvador Belo Horizonte Rio de Janeiro ~ Sao Paulo BOLIVIA PARAGUAY CHILE Cordoba Santiago Pôrto Alegre URUGUAY Montevideo Buenos Aires ARGENTINA FALKLAND/MALVINAS ISLANDS South Georgia extraordinary islands 1st Edition 500 By Julie Duchaine, Holly Hughes, Alexis Lipsitz Flippin, and Sylvie Murphy Contents Chapter 1 Beachcomber Islands . . . . . . . . . . . . . . . 1 Aquatic Playgrounds 2 Island Hopping the Turks & Caicos: Barefoot Luxury 12 Life’s a Beach 14 Unvarnished & Unspoiled 21 Sailing...
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