...September 2013 Oedipus Tragic Hero Webster’s dictionary defines a hero as a person, who is admired or idealized for courage, outstanding achievements, or noble qualities. Although this definition accurately describes Oedipus’ character, tragic hero is more of an apt description. A tragic hero is defined usually by the following: One, A man of noble stature. Two, A selfless man who is not afraid to come under scrutiny. Three, The hero honorably receives the punishment given to him. From the beginning to end of the play Oedipus The King, by Sophocles, Oedipus truly defines himself as a hero, a tragic hero. Oedipus is first introduced as the sole ruler of Thebes. Kings/Dictators are usually looked down upon due to their brash and selfish behavior, but Oedipus is the opposite. A priest say, “Therefore, O mighty power, we turn to you: find us our safety, find us a remedy, whether by counsel of the gods or of men. A king of wisdom tested in the past can act in a time of troubles, and act well. Noblest of men, restore life to your city! “(Sophocles 2) when Oedipus makes a declaration to save the city of Thebes from the ongoing plague. The priest calls him the “Noblest of men” in marvel, at the fact, a man of such high stature and importance takes the time to address the concerns of his people. The words used to describe Oedipus such as liberator, noblest of men, boldness, and mighty power show that the people of Thebes rely on and look to Oedipus for safety and guidance...
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...A tragic hero, without an audiences' sympathy, is nothing more than a wasted character. The hero must have nobility, enough to reward him credibility with their audience. From there, he must reach a turning point from his former fortune to utter misery by the hands of his own landmark flaw. With these three combinations, he must, without exception, achieve audience sympathy; without it his lesson becomes useless, just he himself does. Though she may not fit the mold of the tragic Aristotle defined, Nora surpasses the title entirely. While still holding the three key features of nobility, harmartia, and peripetia, Nora claims victory over Oedipus as audiences willing give her their sympathy, making her the more affective tragic hero. Despite...
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...Running head: Oedipus-A Tragic Hero Research Paper ENGL 102: Literature and Composition) Fall 2015 Melinda Meeds L26683811 APA Outline Thesis: In Sophocles’ “Oedipus”, Oedipus is exemplified as a tragic hero according to Aristotle’s definition because his story appeals to the reader’s humanity in the way he maintains his strengths after inadvertently causing his own downfall. I. Oedipus A. The noble birth. B. Describe Oedipus’ character. II. Tragedy A. Describe what a tragedy is. B. Describe the tragedies Oedipus has faced. III. A tragic hero A. Describe what makes Oedipus a tragic hero. B. Describe how Oedipus handles life after the pitfalls he has faced. Oedipus-A Tragic Hero Sophocles’ Oedipus is a very well-known tragic hero in dramatic literature. Oedipus, in the story, is a king with a great personality however his morality is what leads him to his demise. This mish mash of Oedipus’ disposition is what leads a reader to feeling sympathetic. In Sophocles’ “Oedipus”, Oedipus is exemplified as a tragic hero according to Aristotle’s definition because his story appeals to the reader’s humanity in the way he maintains his strengths after inadvertently causing his own downfall. According to Aristotle, "a man doesn't become a hero until he can see the root of his own downfall” (Hume, n.d.). In Sophocles’ Oedipus, Oedipus possesses specific qualities that allow him to be considered a tragic hero. These qualities include...
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...Helmer in this patriarchal society. Not only does this play focus on the status of women at this time, but how they fall victim to the role of a “doll wife”. In a separate work, Aristotle’s Poetics, an image of the ideal tragic hero is outlined and analyzed. This same idea was used by Sophocles’ creation of Oedipus the King. Nora and Oedipus can be compared as tragic heroes as they both meet the requirements of this status according to the qualities outlined by Aristotle. There are multiple essential characteristics Aristotle claims create a tragic hero. The first is that the character must be good, but flawed in some way; displayed through Oedipus’ actions as he wants to seek truth and be a savior to the people. When Creon tells him of Apollo’s commands to “drive the corruption from the land”, Oedipus replies, “I am the land’s avenger by all rights and Apollo’s champion too” (Sophocles, 1431). However, he continues with “but not to assist some distant kinsman, no, for my own sake I’ll rid us of this corruption” (Sophocles,...
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...Literature I 1. In your opinion, is Oedipus a hero? Think about what you found heroic in previous characters we encountered: Gilgamesh, Enkidu, Roland. How does Oedipus compare? Also, does Oedipus have a character flaw that affects his fate? There are many types of heroes, but Oedipus happens to be a tragic hero. Throughout the story, it is pretty safe to say that Oedipus is a tragic hero. In Aristotle’s work, he has made this point very apparent. There are three main reasons why I think Oedipus is a tragic hero. First, by his own actions, he ascertains his own fate. Secondly, he falls from great esteem. Lastly, Oedipus’ story ascends fear and sympathy. The way Oedipus discovers his fate is by his own actions. If he did not inquire about the murder of Laois, he probably would have never discovered that he in fact was the murderer. The saying “curiosity killed the cat”, is a perfect example of how Oedipus’ story dwindled and unwounded. If Oedipus did not seek Teresias he would have still been in the unknown of the murder. When he asked Teresias, the answers that were given were nonetheless the answers that Oedipus was seeking. For example, Teresias replied to him and said, “You are the murderer of the king whose murderer you seek.” After hearing this information, he still does not believe it or understand, so he seeks Jocasta. He has hopes of her telling him that there is no truth to what Teresias is saying. When he arrives, the news that Oedipus hears is the complete opposite...
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...Sophocles' Oedipus is a perfect fit to Aristotle's Ideal Tragic Hero. Oedipus follows all of the rules, with a hamartia, an anagnorisis, and a peripeteia. The audience is introduced to the hamartia, or tragic flaw, of Oedipus early in the play. Oedipus believes he can dodge the oracle given to him at Delphi that he will kill his father and marry his mother. By leaving the city of Corinth and heading to Thebes, Oedipus thinks that he can outsmart the will that the gods have for him. However, the audience knows that one cannot run away from an oracle. The oracle will come true no matter what is done. Therefore, the hamartia of Oedipus is his belief that he can evade his oracle. Oedipus' anagnorisis, recognition, later comes when he is told that it was he who killed the former King Lauis and that he is, in fact, now married to his own mother. The city of Thebes had been searching for King Lauis' murderer in order to drive him out of Thebes to save the city from the plague. With this anagnorisis Oedipus is finally led to his peripeteia, or downfall. First of all, Oedipus is put to shame in front of his entire city because of his incestuous act of marrying his mother. But, more importantly, he realizes that he had not successfully avoided the oracle. In order to try to save himself he blinds himself. If he is not able to see the truth with his own eyes, he should not be able to enjoy the gift of sight. http://personal.monm.edu/ysample/aristotle.htm Oedipus follows ten of the points...
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...familiarity with Greek tragedies. Most people do not take the time to think about the elements that make them tragedies or make the characters in them tragic heroes. In one of the “earliest surviving works of dramatic theory” of the ancient Greek philosopher Aristotle, he laid out his rules for what is the foundation of a tragedy and a tragic hero. In the play by Sophocles, Oedipus stands out as a classic representation of what a tragedy hero is. Oedipus the book has key aspects that Aristotle said to make a tragedy and a tragic hero. One of the requirements for being a tragic hero according to Aristotle is "a [great] man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake." There must be some mistake made by the character flaw that causes the great man’s fortunes to turn for the worst. Aristotle felt that there were certain plot devices that needed to take place in order for it to qualify as a tragedy and for the character to really be a tragic hero. Without a tragic hero there cannot be a tragedy happening, plot is a very important point. The plot of a true tragedy should be complex and consist of reversal and recognition. Both of these plot elements are contained within the play Oedipus the King. The play starts out highlighting Oedipus’ character by showing him talking to the grieving citizens in front of his palace. They are praying to the gods to stop the plague that is destroying...
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...By making the audience feel pity and sympathy for noble characters who meet their downfall, the term “tragic heroes” can come to light. Within the play King Lear by Shakespeare, King Lear himself is regarded as the one that fits the description of tragic hero. Likewise, Oedipus, from Oedipus the King written by Sophocles, is another character that can be given the title of tragic hero. Through the naïve nature of King Lear, the arrogance and pride of Oedipus, and the ignorance of both these kings, readers are overwhelmed with pity for these two characters as they descend from greatness. Both King Lear and Oedipus display similar and different characteristics, which evokes feelings of pity in the audience, as well as being regarded as tragic heroes. The naïve nature of King Lear has led to his demise and downfall. Unwanted to govern his land anymore, King Lear decides to retire, split up his kingdom into three pieces and distribute them among his three daughters. His flaw is revealed, when King Lear says “which of you shall we say doth love us most?” This naïve, old man decides that appearance is more important than reality, in which the size of the land he gives is proportional to the amount of flattery the daughter shows him. Despite Cordelia being his favourite daughter, and probably knowing just how much she loves him, he still decides to favour Regan and Goneril’s flattery. Due to this naïve quality, King Lear loses sight of what is important to him, and evokes...
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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...Poetics A tragic hero according Aristotle’s Poetics, is an ideal noble man with a flaw. Oedipus fits into the context of a flawed man, a man with given stature, and catharsis that propel him into a tragic hero. Oedipus as a tragic hero is caring concerned king whom the people trusted and loved. However, his impulsive temper caused him to make mistakes. On, the other, hand, Willie Lowman was a tragic hero as he was ready to lay down his love for the love of his family. Miller gives the flawed sense of a tragic hero in the sense of personal dignity that Lowman is willing to fulfill even in his death. The characteristics that Miller offers in terms catharsis and stature fits Lowman, he involved himself in a car accident so that his son Biff could use the insurance money to start a business and become a successful person in the society. This paper will discuss Willie Lowman, and Oedipus, as tragic heroes based on the stature, tragic flaw, and catharsis in their respective stories. A tragic hero according to Miller is a common person as opposed to the belief that a tragic hero must be a form of a king. He says, “we are often held to be below tragedy or tragedy below us……… that tragedy fits only for the highly placed… where this admission is not made in so many words it is often implied.” A tragic hero, therefore, is a common and both a highly placed person in the society. The belief that tragedy does not affect a common forces Miller to use a common, in his, novel as the tragic hero. Willie...
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...Death of a Salesman and A Streetcar named Desire how far they tragic in a classical sense? Both “Death of a Salesman” and “A Streetcar named Desire” have tragic elements to them. Yet many critics say that both plays deviate too far from Aristotle’s foundations of what a tragedy should be. For example neither character is in an “elevated position”, which Aristotle says is vital for a tragic hero as it gives the character a “height” to fall from. Willy and Blanche aren’t royal or particularly high class, although Blanche believes herself to be a Southern Belle and portrays that image publically there is evidence that she isn’t a Southern Belle, Willy is a working class salesman who would be consider a “common man”. Both characters are relativity common people, however in Miller’s “Tragedy and a Common man” he says that he believes “a common man is as apt a subject for tragedy in its highest sense as kings were.” Miller goes on to say that the “tragic feeling is evoke in us when we are in the presence of a character who is ready to lay down their life… to secure… their sense of personal dignity”. For Willy this is to be known as a salesman, He bases his goals for the American Dream, which is flawed as it forever leaves him wanting more as a person. He bases his end goal on Dave Singleman who has people from all America come to his funeral; Willy believes that he is the embodiment of the American dream. Aristotle says in his Poetics, that tragedy represents men as better...
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...A hero is a person, typically a man, who is admired or idealized for courage, outstanding achievements, or noble qualities. In most cases this is associated with literary work to refer to a person or main character of a literary work who in the face of danger, combats adversity through impressive feats of ingenuity, bravery or strength, often sacrificing his or her own personal concerns for some greater good. A tragic hero on the other hand is a protagonist of a play whose story elicits fear and empathy from the audience. A good tragedy will evoke pity and fear in its viewers, causing the viewers to experience a feeling of catharsis. In Oedipus's case, he is superior not only because of social standing, but also because he is smart; he is the...
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...noble hero or heroine, usually through some combination of hubris, fate, and the will of the gods. The tragic hero's powerful wish to achieve some goal inevitably encounters limits, usually those of human frailty (flaws in reason, hubris, society), the gods (through oracles, prophets, fate), or nature” (Reeves 175). Aristotle says that the tragic hero should have a flaw and/or make some mistake (hamartia). The hero does not necessarily have to die at the end, but he/she must undergo a change in fortune. In addition, the tragic hero “may achieve some revelation or recognition (anagnorisis--"knowing again" or "knowing back" or "knowing throughout" ) about human fate, destiny, and the will of the gods” (Reeves 175). Aristotle quite nicely terms this sort of recognition "a change from ignorance to awareness of a bond of love or hate" (Reeves 176). Both Oedipus and Hamlet both have qualities of Aristotle’s tragic hero. Oedipus is the main character in the play Oedipus the King. Oedipus is thought of as a tragic figure because he was doomed from birth. Tiresias, an old blind prophet, told Oedipus' parents about Oedipus' fate. He told them that Oedipus would kill his father and sleep with his mother. So, his parents decided to have him killed; only it did not happen that way. He was passed off by two shepherds and finally to the King and Queen of Corinth, Polybus and Merope to raise him as their own. Oedipus finds his way back to Thebes and on the way kills his father, but Oedipus did...
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...Something tragic happens in everyone’s life. In some cases, it is predetermined what their fate will be, and in others, tragedy ensues as a product of their environment. In the case of Oedipus, his tragedy could not be stopped because it was predetermined what was going to happen to him before his birth. But in the case of Bartleby, his tragedy ensued because he was a mere product of his environment. An oracle told Laios and Iokaste, Oedipus’s parents, that their first born son would kill his father and marry his mother. Terrified that the oracle was right, when Iokaste had Oedipus, she sent him away to be murdered. But fate played a major part in their lives and Oedipus’s life was spared. He ended up killing a man where three roads meet, which later on he found out to be his birth father, Laios. Oedipus also saved Thebes from the wrath of a sphinx, and therefore became king and wed the widow Iokaste, who he later found out is his birth mother. As the result of finding out that the oracle could not be changed and that fate can not be beaten, Iokaste hanged herself, and upon hearing all this horrible news, Oedipus scratched himself blind with broaches and banished himself from Thebes. In the case of Bartleby, time and situations molded him into a very sad and monotonous man. Working as a Scrivener in a Law Copyist office, Bartleby seemed like he was the perfect worker. Even though he kept to himself, there were no major apparent flaws within him. Things started to change...
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...What defines a man as a failure, and what describes a man as a tragic hero on par with the great greek heroes such as Oedipus? The qualities of a tragic hero, that of which people have studied for decades, have such a strict set of rules that define a tragic hero that there doesn’t seem to be any modern or “common” tragic heroes. Although Aristotle dictates that a tragic hero must be of noble birth, John Proctor demonstrates more qualities of a tragic hero than he does not, therefore John Proctor is best understood as a tragic hero. John Proctor, the protagonist in The Crucible, who was seen as a highly renowned man in his society, saw error in his ways despite his affair with Abigail. He knew what he did was far from forgivable and acknowledged himself as a sinner. Even despite the fact that he cheated on his wife, Elizabeth still saw him as a man of justice and honor and pleaded with him to end the trouble that he inadvertently started with Abigail. Elizabeth says, “Then go and tell her she’s a whore. Whatever promise she may sense--break it, John, break it,” (Miller 62). Elizabeth still knows that John is a...
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