...sa-rang-i dur-yo-wo-yo I-ron ne-ge mi-du-mul job-wa-yo [CL] I said ooh, jil-tu-ha-ge ha-ji ma-yo Ooh, jip-chak-ha-ge ha-ji ma-yo, oh, oh, oh, oh, oh [Bom] I love you ([Dara] I love you, Uuh, Uuh, Uuh, Uuh) [Bom] I love you ([Dara] I love you, Uuh, Uuh, Uuh, Uuh) [Dara] Ha-ru jong-il gu-de mo-sup jak-ku to-o-la On-jong-il u-li-ji a-nun jon-wa-gi-man to cho-dab-wa [Minzy] Wae i-ron ne ma-mul a-jik mo-la Nan no-ye ma-u-mul a-jik jal mo-la ([Dara]Hey! ) [Dara] No-ye seng-ga-ge ba-men jam-do mot i-ru-da Dal-bi-che gu-de-rul to-o-lim-yo ne mam go-bek-heb-wa [CL] Wae i-ron ne ma-mul a-jik mo-la Nan no-ye ma-u-mul a-jik jal mo-la (Look at me now) [Bom] Ne ma-mul ba-rab-wa-yo I-ro-ke ([Dara] Like this) e-ta-nun-de ([Dara] A-ha) eh eh Ji-gum nal ja-ba-jo-yo Nut-gi jo-ne, eh, eh eh, eh eh, eh [Dara] I love you ([CL]I love you, Uuh, Uuh, Uuh, Uuh) [Dara]I love you ([Minzy]I love you, Uuh, Uuh, Uuh, Uuh) [CL] Mom-chu-ji ma-yo sa-rang no-re Mot-jin nol wi-he bulo-jul-ge Everyday I say yeah yeah yeah yeah yeah yeah I say yeah yeah yeah yeah yeah yeah [Minzy] Mom-chu-ji ma-yo sa-rang-i dance I ba-mul gu-de-wa bo-ne-go si-pun-de I say yeah yeah yeah yeah yeah yeah I say yeah yeah yeah yeah yeah yeah [Bom] Hmm, ne ma-mul ba-rab-wa-yo I-ro-ke ([Dara] Like this) e-ta-nun-de ([Dara] A-ha) eh eh [CL] Ji-gum nal ja-ba-jo-yo Nut-gi jo-ne, eh, eh, eh, eh~~ We can't go wrong (Bring it back) [Bom] Mil-go dang-gi-ji-nun ma-ra-jo-yo U-ri jo-gum-man...
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...是從何時開始的呢?遇見你之後的每分每秒 1분1초마다 니가 자꾸 생각나 ir bun ir cho ma da ni ga ja ggu saeng gak na 總是會無意地想起你 너는 무얼하는지? neo reul mu eol ha neon ji? 你在做什麼呢? 지금 어디있는지? ji geum eo di yitt neon ji? 現在在哪裡呢? Oh Baby 이리저리 보아도 이것저것 다져 yi ri jeo ri bo a do yi geot jeo heot da jyeo do 就算是東張西望 就算是如何的下定決心 니가 자꾸 맘에 들어 미칠거 같애 ni ga ja ggu ma me deu leo mi chil geo ga tae 而你總是出現在我心裡,簡直快瘋了 이런 내맘을 아는지? yi reon nae ma meul a neun ji? 知道這種心情嗎? 이런 내 감정은 아는지? yi reon nae gam jeong eun a neun ji? 知道我是第一次有這種心情嗎? ※ 하루하루 너만 바라보며 항상 기다려 볼래 ha ru ha ru neo man pa ra bo myeo hang sang ki da ryeo bol rae 每天每天都只注視著你,總是等待著 오직 너 하나만 알고 사랑해 줄게 o jik neo ha na man al go sa rang hae jul ge 只愛著你一人 사랑하기에도 아까운 시간인데 sa rang ha ki e do a gga u si gan yin de 因為愛你而讓人更珍惜這段時間 너 없인 아무것도 하기 싫은데 neo eob sin a mu geot do ha ki si reun de 沒有了你,什麼事都不想做 매일매일 아침마다 눈만 뜨면 보고 싶은데 me yil me yil a chi ma da nun man ddeu myeo bo go si peun 每天早上當我睜開眼就開始想念你 이제 너 없이는 하루라도 살수 없는데 yi je meo eob si neun ha ru ra do sal su eob neun de 現在沒有了你,哪怕是一天我也無法活下去 사랑한다 그 한마디 듣고 싶은데 sa rang han da geu han ma di deud go si peun de 多想聽到你說『我愛你』句話 매일 사랑해 me yil sa rang hae 每天都愛你 너만 사랑해 우리둘 neo man sa rang hae u ri dul ri 只愛你一個,只有我們兩人 ※ Oh Baby… 혹시 니가 내꺼란 그런 상상만으로 hok si ni ga nae ggeo ran geu reon sang sang man eu ro 總是想像著你是我的 하루종일 두근거려 미칠거 같애 ha ru jong yil du geun geo ryeo mi chil geo ga tae 一天到晚心臟總是撲通撲通地跳,簡直快瘋了 너에게로 달려가 neo e ge ro dal ryeo ga 我要飛奔到你身旁 솔직하게 고백할거야 sol jik ha ge go baek hal geo...
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...[Intro] Unfaithful Story of my life Searching for the right But it keeps avoiding me Sorrow in my soul Cause it seems that wrong Really loves my company [Verse 1] Hes more than a man And this is more than love The reason that the sky is blue But clouds are rolling in Because I'm gone again And to him I just can't be true [Hook] And I know that he knows I'm unfaithful And it kills him inside To know that I am happy with some other guy I can see him dying [Chorus] I don't wanna do this anymore I don't wanna be the reason why Everytime I walk out the door I see him die a little more inside I don't wanna hurt him anymore I don't wanna take away his life I don't wanna be... A murderer [Verse 2] I feel it in the air As I'm doing my hair Preparing for another date A kiss up on my cheek He's here reluctantly As if I'm gonna be out late I say I won't be long Just hanging with the girls A lie I didn't have to tell Because we both know Where I'm about to go And we know it very well [Hook] Cause I know that he knows I'm unfaithful And it kills him inside To know that I am happy with some other guy I can see him dying [Chorus] [Outro] Our Love, his trust I might as well take a gun and put it to his head Get it over with I don't wanna do this Anymore (anymore) [Hook] Eminem and Rihanna-Love the way you lie Chorus – Rihanna: Just gonna stand there and watch me burn That's alright because I like the way...
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...Eppure ha prodotto, specialmente nel corso del secolo XIX, una fioritura di capolavori che difficilmente trova uguali. L’idea di letteratura russa evoca nella mente delle persone il nome di una dozzina di grandi romanzieri degli ultimi due secoli, oltre che a un più limitato numero di poeti. In altre parole “la letteratura russa” è un evento recente. La grande letteratura nazionale russa coincide grosso modo con il secolo XIX e nasce quindi molto tempo dopo la letterature dell’Europa occidentale. E’ così costretta in tempi assai stretti a forgiare un lingua letteraria e una propria tradizione, sviluppantesi altrove in secoli. Puškin nasce nel 1799 e Tolstoj muore nel 1910, un secolo che è bastato ad una nazioni a emergere praticamente dal nulla e a creare tesori difficilmente eguagliabili. “ Un solo secolo, il XIX, è stato sufficiente ad un paese che non aveva in pratica una propria tradizione letteraria, per creare una letteratura che, per valore artistico, per influenza esercitata, per tutto insomma tranne che per la mole, eguagliala produzione di grandi nazioni europee, come Francia e Inghilterra.” (Vladimir Nabokov, Lezioni di letteratura russa, 1987, Garzanti Editore, trad. di Ettore Capriolo). Ma prima vorrei come prima cosa volgere lo sguardo alla Russia che rese possibile il germogliare di questa nuova corrente letteraria che...
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...FINANCE AND FINANCIAL MARKETS 3,6 Types of financial intermediaries Financial institutions are like most other businesses in that they exist to make a profit and this is maximized by minimizing their costs and maximizing their revenue. Like most firms they can only survive if they design and sell products and services that can meet demand at a reasonable profit level. We now proceed to look at some of the key types of financial institutions that are involved in the process of financial intermediation; that is, the transfer of funds between surplus and deficit agents. We distinguish between deposit-accepting institutions, such as banks and savings institutions, and other types of financial intermediaries, such as insurance companies, mutual funds/unit trusts, pension funds, hedge funds and private equity and the like. 3.7 deposit institution an institution such as a bank or savings institution that accepts cash deposits Deposit institutions Deposit institutions accept deposits from economic agents. These funds become their liabilities which they then on-lend to make direct loans or investments, which become their assets. Deposit-taking institutions aim to make a profit in the way of 'spread income' between the cost of the deposits that they accept and other sources of funding, and the return that they receive on their investment portfolio in the way of loans, equity stakes and other investments. Examples of deposit institutions include commercial banks,...
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...your books and more. CafePress Self Publishing House *** Personalized Merchandise You create it, they sell & ship it! Zazzle *** Many resources for writers The Writers Store *** Search hundreds of Literary Agents in seconds! FirstWriter English Korean Phonetic Dictionary ROMANIZED Travel Companion Edition A beginner’s guide to the Korean language By D.L. Bangerter Emergency Word List ambulance bleeding breathless (not breathing) choking doctor food poisoning headache heart heart failure help hospital injured medicine pain painful painkiller pharmacy poison sick unconscious urgent g(k)oo-guuhp-chah pee-nah-yoh soom-ah-moht-sae-oh soom-mahk-hee-dah uuhee-sah s(sh)eek-joong-d(t)ohk d(t)oo-tohng sheem-jahng sheem-jahng-mah-bee d(t)oh-ah-choo-sae-oh b(p)yuhng-wuhn d(t)ah-chee-dah yahk g(k)oh-tohng ah-puuhn j(ch)een-tohng-jeh yahk-gook d(t)ohk-yahk mah-nee-ah-puuh-yoh moo-uuhee-sheek g(k)een-guuhp-hahn 구급차 피나요 숨 못쉬어요 숨막히다 의사 식중독 두통 심장 심장마비 도와주세요 병원 다치다 약 고통 아품 진통제 약국 독약 많이아프다 무의식 긴급한 Public Places airport bank downtown hotel immigration office market (small store) money changer police station post office restaurant subway taxi stop train station travel agency gong-hang eun-haeng beon-hwa-ga hotel cheul-ip-guk-gwalri-so sik-pum-jeom hwan-jeon-sang gyeong-chal-seo u-che-guk eum-sik-jeom ji-ha-cheol taek-si stap gi-cha-yeok-jeon yo-haeng-sa g(k)ohng-hahng uuhn-haeng b(p)uhn-hwah-gah hoh-tehl chuul-eep-gook-gwahl-ree-soh s(sh)eek-poom-juhm hwahn-juhn-sahng...
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...SL 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Song Name Amanush Theme Amanush Duchokher Oi Jhiley Hai Rama Jiboner Jalchabi Monta Kore Uru Uru O My Love Aamake Aamar Moto Thaakte Dao Bhaage Jaana Hai Kahan Bneche Thakar Gaan (Rupam) Bneche Thakar Gaan (Saptarshi) Chawl Raastaye (Shreya) Chawl Raastaye (Priyam) Phnaade Poriya Bawga Knaade Re Uthche Jege Shawkalgulo Bol Na Aar Dui Prithibi It's Only Pyaar O Yara Vey Pyarelal Keno Aaj Kal Keu Mone Mone Khujechi Toke Raat Berate Pirit Koro Na Sexy Maye Aas Paas Hai Khuda (Unplugged) Aas Pass Hai Khuda Ale Ab Jo Bhi Ho Anjaana Anjaani Hai Magar Anjaana Anjaani Ki Kahani Apna Har Din Jiyo (Remix) Apna Har Din Jiyo Baki Main Bhool Gayi Chhan Ke Mohalla Sara (Remix) Chhan Ke Mohalla Sara Chori Kiya Re Jiya (Female) Chori Kiya Re Jiya (Male) Dabangg Theme Desi Kali Your A Desi Kali (Bawara Sa) (Remix) Desi Kali Your A Desi Kali (Bawara Sa) Desi Kali Your A Desi Kali (Remix) Song Code 5551 5552 5553 5554 5555 5556 5557 5558 5559 55510 55511 55525 55512 55513 55514 55515 55516 55517 55518 55519 55520 55521 55522 55523 55524 55526 55527 55528 55529 55530 55531 55532 55533 55534 55535 55536 55537 55538 55539 55540 55541 Artist/Movie/Album Amanush Amanush Amanush Amanush Amanush Amanush Amanush Autograph Autograph Autograph Autograph Autograph Autograph Autograph Autograph Dui Prithibi Dui Prithibi Dui Prithibi Dui Prithibi Dui Prithibi Josh Josh Josh Josh Josh...
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...MIDNIGHT SUN Edward's Story Stephenie Meyer 2 Daftar Isi 1. Pandangan Pertama 2. Buku yang Terbuka 3. Fenomena 4. Penglihatan 5. Undangan 6. Golongan Darah 7. Melody 8. Hantu 9. Port Angeles 10. Teori 11. Interogasi 12. Kesulitan 3 1. P a n d a n g a n P e r t a m a Inilah saat dimana aku berharap bisa tidur. Sekolah. Atau, penyiksaan lebih tepatnya? Seandainya ada jal an lain menebus dosa-dosaku. Kejenuhan ini selalu sulit diatasi; setiap hari terasa lebih monoton dari sebelumny a. M u n g k i n b a g i k u i n i l a h ‘t i d u r ‘ j i k a d i d e f i n i s i k a n s e b a gai bentuk berdiam diri disela aktivitas harian. Aku menatap rekahan di pojok kafetaria, membayang kan bentuk-bentuk abstrak. Itu salah satu cara memelank an suara-suara riuh di kepalaku. Beratus suara ini membuatku mati kebosanan. Jika menyangut pikiran manusia, aku telah mendeng ar segalanya, dan lagi, hingga ratusan kali. Hari ini, se mua tercurah pada sebuah peristiwa sepele, kedatangan s eorang murid pindahan. Tidak terlalu sulit menyimpulka n pikiran-pikiran itu sekaligus. Aku telah melihat sosok nya berulang-ulang, dari pikiran ke pikiran, dari segala sudut. Cuma perempuan biasa. Kegemparan akibat kedata ngannya mudah ditebakµsama seperti menunjukan benda berkilau pada anak kecil. Setengah laki-laki hidung bela ng bahkan sudah ingin bermeseraan dengannya, hanya kar ena ia anak baru. Aku mesti lebih keras mengacuhkan me reka. Hanya empat suara yang coba kuredam demi kesopan an dan...
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...THE STUDENT'S PRACTICAL DICTIONARY ; fNdkoq ; CONTAINING English words with English and Hindi Meanings and Pronunciation in Deva Nagri Character with an Appendix containing Familiar Foreign Words and Phrases and Abbreviations in Common use. FIFTEENTH EDITION Thoroughly Revised,Improved,Enlarged and Illustrated PRICE 3 RUPESS ALLAHABAD RAM NARAIN LAL PUBLISHER AND BOOKSELLER 1936 ISCII text of dictionary taken from from TDIL's ftp: anu.tdil.gov.in pub dict site I N 1.m I Pron 1.m a Det 1.ek, abatement N abbey N 1.kmF, GVtF, GVAv, mdApn, b A, 2.yAg, smAE ag jF vZmAlA kA Tm a"r tTA -vr, 2.tk mphlA kESpt pzq vA -tAv , aback Adv 1.acAnk, ekAek, 2.pFC abandon VT 1.CoX nA, yAg nA, yAgnA, tjnA, d d 2.EbnA aAj^ nA nOkrF CoXnA, apn kodrAcAr aAEd mCoX nA, d , nA d d abandoned A 1.CoXA h,aA, Enjn-TAn, 2.EbgXA h,aA, iEdy lolp, lMpV, drAcArF, aAvArA , , abandonment N 1.pZ yAg, sMpZ aAmosg, EbSkl CoX nA d , abate VI 1.km honA, GVnA, DFmA honA abate VT 1.km krnA, GVAnA, DFmA krnA, m@ym krnA, rok nA, smA krnA d 1 1.IsAiyo kA mW, gz\ArA, kVF, mW, , , 2.mht aADFn sADao kF mXlF k , abbot N 1.mht, mWDArF, mWAEDkArF abbreviate VT 1.km krnA, s" krnA, CoVA krnA, p sAr EnkAlnA abbreviation N 1.s" , GVAv, sAr, lG,!p, skt, p 2.sE" pd yAf, fNd yA pd kA lG!p ^ , abdicate VTI 1.-vQCA s CoXnA, yAg krnA, tjnA, pd yAg krnA abdication N 1.pd yAg abdomen N 1.X, V, k"F, udr p p , abdominal A 1.udr sMbDF, V kA p abduct VI 1.BgA l jAnA, EnkAl l...
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...Hundreds(of(real(personal(accounts(of Group'Discussions'&'Personal'Interviews during(MBA(admissions(to(India’s(best(B9schools Written'by Compiled'by Loads'of'MBA'Aspirants The'PaGaLGuY'MadCapz'Group PaGaLGuY.com Antholo gy Hundreds of real personal accounts of Group Discussions and Personal Interviews during MBA admissions to India’s best business schools. In this edition: The IIMs at Ahmedabad, Bangalore, Calcutta, Lucknow, Indore & Kozhikode. Written by Loads of MBA aspirants Compiled by The PaGaLGuY MadCapz Team PaGaLGuY GD-PI Anthology Copyright © 2011, PaGaLGuY.com All text and content in this document is solely owned by PaGaLGuY.com. Reproduction without permission in any form or means is illegal. Special copy prepared exclusively for mustafa rokerya Get your own Free personalized copy (with your name on it) of this book from http://www.pagalguy.com/books/ What this book is about What is a real IIM interview like? What kind of questions do they ask and what judgments do applicants have to make while answering them? Since 2003, those with real Group Discussion and Personal Interview calls from India’s top bschools have been posting entire and detailed transcripts of their admission interviews immediately after they happen, so that others slotted for later interviews can learn what GDPI is going to be like this year. This book is a collection of dozens of handpicked GDPI experiences from the country’s top bschools during the admission...
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...THIRD EDITI ----- --·-- --·-- - - -- - O N -- SU PP LY CH AI N MA NA GE ME NT Stra tegy , Plan ning , and Ope ratio n Sunil Chopra Kellogg Schoo l of Manag ement Northwestern University Peter Meindl Stanfo rd University --------Prentice I-I all Uppe r Saddl e River , New Jersey ·--· PEAR SON -- · - · - - - "ibrary of Congress Cataloging-in-Publication Data :::hopra, Sunil Supply chain management: strategy, planning, and operation I Sunil Chopra, >eter Meind!.-3rd ed. p. em. Includes bibliographical references and index. ISBN: 0-13-208608-5 1. Marketing channels-Managemen t. 2. Delivery of goods-Management. i. Physical distribution of goods-Management. 4. Customer servicesvfanagement. 5. Industrial procurement. 6. Materials management. I. vfeindl, Peter II. Title. HF5415.13.C533 2007 658.7-dc22 2006004948 \VP/Executive Editor: Mark Pfaltzgraff ii:ditorial Director: Jeff Shelstad ;enior Project Manager: Alana Bradley E:ditorial Assistant: Barbara Witmer Vledia Product Development Manager: Nancy Welcher \VP/Executive Marketing Manager: Debbie Clare Vlarketing Assistant: Joanna Sabella ;enior Managing Editor (Production): Cynthia Regan flroduction Editor: Melissa Feimer flermissions Supervisor: Charles Morris Vlanufacturing Buyer: Michelle Klein Vlanager, Print Production: Christy Mahon Composition/Full-Service Project Management: Karen Ettinger, TechBooks, Inc. flrinter/Binder: Hamilton Printing Company Inc. fypeface: 10/12 Times Ten Roman :::redits...
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...THIRD EDITI ----- --·-- --·-- - - -- - O N -- SU PP LY CH AI N MA NA GE ME NT Stra tegy , Plan ning , and Ope ratio n Sunil Chopra Kellogg Schoo l of Manag ement Northwestern University Peter Meindl Stanfo rd University PEAR SON --------Prentice I-I all Uppe r Saddl e River , New Jersey ·--· -- · - · - - - "ibrary of Congress Cataloging-in-Publication Data :::hopra, Sunil Supply chain management: strategy, planning, and operation I Sunil Chopra, >eter Meind!.-3rd ed. p. em. Includes bibliographical references and index. ISBN: 0-13-208608-5 1. Marketing channels-Managemen t. 2. Delivery of goods-Management. i. Physical distribution of goods-Management. 4. Customer servicesvfanagement. 5. Industrial procurement. 6. Materials management. I. vfeindl, Peter II. Title. HF5415.13.C533 2007 658.7-dc22 2006004948 \VP/Executive Editor: Mark Pfaltzgraff ii:ditorial Director: Jeff Shelstad ;enior Project Manager: Alana Bradley E:ditorial Assistant: Barbara Witmer Vledia Product Development Manager: Nancy Welcher \VP/Executive Marketing Manager: Debbie Clare Vlarketing Assistant: Joanna Sabella ;enior Managing Editor (Production): Cynthia Regan flroduction Editor: Melissa Feimer flermissions Supervisor: Charles Morris Vlanufacturing Buyer: Michelle Klein Vlanager, Print Production: Christy Mahon Composition/Full-Service Project Management: Karen Ettinger, TechBooks, Inc. flrinter/Binder: Hamilton Printing Company Inc. fypeface:...
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...Web Video Texts Audio Projects About Account TVNews OpenLibrary | | | | Home | American Libraries | Canadian Libraries | Universal Library | Community Texts | Project Gutenberg | Children's Library | Biodiversity Heritage Library | Additional Collections | Search: Advanced Search | Anonymous User (login or join us) | Upload | Full text of "Natya Shastra of Bharata Muni Volume 1"THE NATYASASTRA A Treatise on Hindu Dramaturgy and Histrionics Ascribed to B ii A R A T A - M r X I Vol. I. ( Chapters I-XXVII ) Completely translated jor the jirst tune from the original Sanskrit tuttri «u Introduction and Various Notes M .U'OMOH A N liHOS H M.A., Pn. I). <OaU 2 Viu i95y CALCUTTA THE RoyiL ISIAJtC SOCIETY OF BENGAL Dedicated to the memory of thom great scholars of India. and the West mho by their indefatigable study and. ingenious interpretation of her Religion, Philosophy, Literature and Arts, have demon- strated the high ealiie of India- s culture to the World at large and ham helped her towa.nls a reawakening and political alteration., and who by their discovery of the Universal aspect of this culture have made patent India's spiritual kinship with the other ancient nations of the World and ham paved the way for an ultimate triumph of Internationalism. PREFACE The preparation 'of an annotated English translation of the Natya&stra entrusted...
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...cb cc cd ce cf cg ch ci cj ck cl cm cn co cp cq cr cs ct cu cv cw cx cy cz da db dc dd de df dg dh di dj dk dl dm dn do dp dq dr ds dt du dv dw dx dy dz ea eb ec ed ee ef eg eh ei ej ek el em en eo ep eq er es et eu ev ew ex ey ez fa fb fc fd fe ff fg fh fi fj fk fl fm fn fo fp fq fr fs ft fu fv fw fx fy fz ga gb gc gd ge gf gg gh gi gj gk gl gm gn go gp gq gr gs gt gu gv gw gx gy gz ha hb hc hd he hf hg hh hi hj hk hl hm hn ho hp hq hr hs ht hu hv hw hx hy hz ia ib ic id ie if ig ih ii ij ik il im in io ip iq ir is it iu iv iw ix iy iz ja jb jc jd je jf jg jh ji jj jk jl jm jn jo jp jq jr js jt ju jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk kl km kn ko kp kq kr ks kt ku kv kw kx ky kz la lb lc ld le lf lg lh li lj lk ll lm ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi mj mk ml mm mn mo mp mq mr ms mt mu mv mw mx my mz na nb nc nd ne nf ng nh ni nj nk nl nm nn no np nq nr ns nt nu nv nw nx ny nz oa ob oc od oe of og oh oi oj ok ol om on oo op oq or os ot ou ov ow ox oy oz pa pb pc pd pe pf pg ph pi pj pk pl pm pn po pp pq pr ps pt pu pv pw px py pz qa qb qc qd qe qf qg qh qi qj qk ql qm qn qo qp qq qr qs qt qu qv qw qx qy qz ra rb rc rd re rf rg rh ri rj rk rl rm rn ro rp rq rr rs rt ru rv rw rx ry rz sa sb sc sd se sf sg sh si sj sk sl sm sn so sp sq sr ss st su sv sw sx sy sz ta tb tc td te tf tg th ti tj tk tl tm tn to tp tq tr ts tt tu tv tw tx ty tz ua ub uc ud ue uf ug uh ui uj uk ul um un uo up uq ur us ut uu uv uw ux uy uz va vb vc vd ve vf vg vh...
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...Acknowledgments ix Acknowledgments This book owes a great deal to the mental energy of several generations of scholars. As an undergraduate at the University of Cape Town, Francis Wilson made me aware of the importance of migrant labour and Robin Hallett inspired me, and a generation of students, to study the African past. At the School of Oriental and African Studies in London I was fortunate enough to have David Birmingham as a thesis supervisor. I hope that some of his knowledge and understanding of Lusophone Africa has found its way into this book. I owe an equal debt to Shula Marks who, over the years, has provided me with criticism and inspiration. In the United States I learnt a great deal from ]eanne Penvenne, Marcia Wright and, especially, Leroy Vail. In Switzerland I benefitted from the friendship and assistance of Laurent Monier of the IUED in Geneva, Francois Iecquier of the University of Lausanne and Mariette Ouwerhand of the dépurtement évangélrlyue (the former Swiss Mission). In South Africa, Patricia Davison of the South African Museum introduced me to material culture and made me aware of the richness of difference; the late Monica Wilson taught me the fundamentals of anthropology and Andrew Spiegel and Robert Thornton struggled to keep me abreast of changes in the discipline; Sue Newton-King and Nigel Penn brought shafts of light from the eighteenthcentury to bear on early industrialism. Charles van Onselen laid a major part of the intellectual foundations on...
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