...Landfall Essay Competition In 1997, Landfall celebrated its 50th anniversary. To mark the occasion, then editor Chris Price launched the Landfall essay competition, sponsored by Otago University Press. From 2009, the competition has been an annual award. Winning and short-listed essays from past competitions can be read in Landfall 194, 198, 203, 212, 216, 218, 220 and 222. The winner is announced and published in each November issue. About the Competition The purpose of the competition remains as it was at the outset: to encourage New Zealand writers to think aloud about New Zealand culture, and to revive and sustain the tradition of vivid, contentious and creative essay writing in this country – as embodied in the non-fiction of early Landfall contributors such as Bill Pearson, in the essays of past winners of this competition, and in the essays the journal continues to publish. Entries for the next Landfall Essay Competition (2012) will be accepted from 1 May 2012. The closing date for receipt of entries is 5 pm 31 July 2012. The winning entry/ies will be published in the November 2012 issue of Landfall. The winner will receive $3000 and a year’s subscription to Landfall. Landfall Essay Competition Winners 2011 Philip Armstrong was the winner for his essay 'On Tenuous Ground', published in Landfall 222: Christchurch and Beyond. Siobhan Harvey, Ruth Nichol, Raewyn Alexander and Natalie Kershaw were shortlisted. 2010 Ian...
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...Museum Paper Art 101 Starting my visit to the Smithsonian’s Natural History Museum I was unsure of the artifact that I would choose to write this paper about. I have been to the Smithsonian museums countless times in my life strolling about taking the exhibits for granted like the many other people raised in the Washington metropolitan area having virtiously unlimited access to them. I was prepared for another mundane visit to the museums, however this visit was different I saw many exhibits that I have studied recently in this class such as the Lascaux caves and other prehistoric art. I found myself engaged as never before as I searched the old halls for what would be subject of this paper an ancient artifact of my very own choosing. I decided on the Cypruss crossroads of civilizations exhibit located on the museums second floor. I was drawn to this exhibit mainly due to the two large stone statues at opposing ends of it’s narrow entrance doors. Upon entry I was amazed at all of the ancient original pieces most of which I can recall learning about in this class. I decided that I would pick a piece and snap a quick picture of myself proudly standing next to it, get the dimensions and backround and be on my way to an A paper in no time. I pulled out my digital camera and began to power it up when I was immediately advised by the museum security guard that I was not authorized to take pictures inside the exhibit due to the delicate nature of the artifacts. I...
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...The Museum of Fine Art I went to Boston in this spring break and I visited one of the largest museums in the United States, the Museum of Fine Arts in Boston, Massachusetts. The Museum of Fine Art attracting over one million visitors a year. It contains over 450,000 works of art, making it one of the most comprehensive collections in the Americas. It is also the 54th most visited art museum in the world, and the twelfth most-visited in the United States, as of 2010. The Museum was founded in 1870 and opened in 1876, with a large portion of its collection taken from the Boston Athenaeum Art Gallery. There are tons of different exhibits; some temporary and some more permanent. I went to see some of the temporary exhibits- Degas and the Nude and Aphrodite and the Gods of Love. The permanent exhibits include items of Paul Revere, silversmith, which are really cool. Their early American collection represents a wide variety of art and arts, craft and crafts. I tend to love their artifacts collections. Their permanent modern art gallery is cool but for me, is not as strong as some of their other offerings, like their collection of priceless musical instruments from around the world, throughout history. Their permanent pan-Asian art gallery is strong for its location. I'm not a big fan of their restaurant, but their cafe is open, airy, and pleasant. The museum hosts art from all over the world and from all different eras like Asia, Oceania, Greece and Egypt, the Americas, and more...
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...Analysis of Springs Flowers Painting The piece, Spring Flowers was painted by Julius LeBlanc Stewart, who was an American artist, in 1890. The pieces he created during his life are exhibited in different museums and private exhibitions. The subjects of his pieces are very attractive to the eyes and many tastes, because they depict the images of a lighthearted daily life of society. The piece that I am analyzing is currently on exhibit at the Phoenix Art Museum in, Phoenix, Arizona. Who was Julius LeBlanc Stewart? He was an American painter born in 1855, in Philadelphia, Pa. When he was ten, his family settled in Paris, France where he spent most of his life as a “figure” and “genre” painter. His style and choice of subject matter were greatly influenced by the collection tastes of his father, who particularly patronized the contemporary Spanish-Roman school, the artists Eduardo Zamacois, Federico Madrazo, and Mariano Fortuny (Dictionary of American Art, Icon Editions, p.341). He died on January 5th, 1919 in Paris, France. After his death, several friends, consisting on the painters Beraud, Walter MacEwen, and Gari Melchers, were appointed to a committee to advise on proportioning many his works of art to various American museums. It was Melchers that personally arranged the gift of At Home to the Telfair Academy in Georgia, while other beneficiaries were the Detroit Institute of Art, and the Art Institute of Chicago; the Corcoran Gallery and the Pennsylvania Academy...
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...Coleman Art Museum - College Essays - Liliansteve www.studymode.com/essays/Coleman-Art-Museum-1878651.html 網頁紀錄 - 更多此站結果 Read this college essay and over 1,500,000 others like it now. Don't miss your chance to earn better grades and be a better writer! ... COLEMAN ART MUSEUM The problem: The problem with Coleman Art Museum is the inability to produce any revenue from the ... Coleman Art Museum by Logan Wright on Prezi prezi.com/jze-y9jl7kki/coleman-art-museum 網頁紀錄 - 更多此站結果 Coleman Art Museum Coleman Art Museum Max Gearin Ryan Lackey Aimee Noles Cody Wood Logan Wright Situation Alternatives Decision Analysis Recommendation Our recommendation at this point, is to implement Alternative #3. Remove 15 percent discount ... Coleman Art Museum - 圖片搜尋結果 Constance E. Coleman » Bahia del Espiritu Santo beached near Puerto ... ... Museum of American Art, New York; gift of Gertrude Vanderbilt Whitney coleman center accessibility the coleman center located in the kahn ... ColeMan Art Museum Artwork: Rocky Mountain Goats—B.C. by Michael Coleman Using the Balanced Scorecard to link short-term activities with long ... ColeMan Art Museum 更多 Coleman Art Museum 圖片 Coleman Art Museum - Essays - Caucella - Free College Essays, Term Paper Help, and Essay Advice - TermPaperWarehouse.com www.termpaperwarehouse.com › Business and Management Read this essay on Coleman Art Museum . Come browse our large digital warehouse of free sample essays. Get the knowledge you need in order to pass...
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...Preserving and Revitalizing Filipino Architecture Thru Museum Chapter 1 INTRODUCTION A. The Problem and Its Setting a. Background of the Study Various cultural influences are here in our country, there’s the Chinese, Indian, Islamic, Spanish and even American traditions left their trademarks on the Filipino culture that plays a part on country’s architecture. Different traditions, motifs and even culture are merged with our identity. Identity that had struggled for centuries by Filipino especially in designing and architecture. Many of us are wondering with these questions: Does Philippine Architecture really exist? Is there Filipino architecture?People said that our architecture is an adaptation of Asian architecture. Our very own bahay -kubo, our mountain region dwellings are said to be similar with the other countries. Architecture, as an art, It is “subject to social, political or cultural influences”. It reflects the values of the society. we should provide an opportunity of more accommodating for the presentation, promotion and development of this art. The aim of this study is to give us the information about the architectural background of our country, not to prove that, but to give the facts and knowledge of our architecture. b. Statement of the Problem Major problem: Filipino architecture is not that recognized. Sub-problems: Non existence of architectural museum in our country. Several people are asking about the country’s architecture...
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...Museum of Coastal Carolina 2 out of 5 URL (Web address); http://museumplanetarium.org/museum-of-coastal-carolina/ Museum description; This museum is dedicated to providing the public information about the understanding of natural science, environment, and cultural history of the coastal region of the Carolinas. It provides an understanding of the earth, solar system, and universe. Subject matter; Natural science, environment, and cultural history of the coastal region of the Carolinas. Target audience (Is it clearly identified? Describe the targeted age groups.); The website seems to advertise programs for every age group. Their target audience does not seem to be very apparent on their website. The museum does seem to provide more programs...
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...Royal Taste: The Art of Princely Courts in Fifteenth-Century China During the Ming dynasty, the arts flourished greatly in china. With that being said, it is with great pleasure to say in the JOHN AND MARBLE MUSEUM OF ART located in Sarasota Florida a new exhibit has been open. The exhibit is called Royal Taste: The Art of Princely Courts in Fifteenth-Century China .The exhibit focuses on the Ming dynasty art pieces that can help us get a glimpse of the ancient past. The exhibit is split into three areas. Each sub-section of the exhibit areas focus on a specific area during the Ming era. The exhibit also includes a learning area in the back. The main focus the exhibit of royal taste are the luxuries, daily common objects, and the religion....
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...by visiting a museum of choice and picking a non-western culture to learn about.. For the assignment, the Bowers Museum is chosen for the essay due to its vast quantity of unique artifacts as well as its close proximity compared to other museums with Orange County.. A bit of background, the Bowers Museum was opened to the public in 1936 in Santa Ana by Charles Bowers and Ada Bowers. The missions and goals of the museum are to display the cultures around the world through their arts and artifacts as well as educate the general public about the diverse cultures that can be found throughout the world. The Bowers Museum is open to the public on Tuesday to Sunday from 10 A.M. to 4 P.M. and closes on Monday. The Bowers Museum has an extensive collection of...
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...Haia 1 Timken Museum is a museum that holds many pieces of art from various time eras, cultures, and artists such as Guercino, Francisco de Zubaran, Luca Carlevarijs and much more, which is all located in Balboa Park, San Diego. The lighting of Timken Museum is cold, blue toned feel that makes the exhibit seem much smaller and enclosed than it really is, yet the lighting contracts from the exhibit itself. The atmosphere of Timken museum is very spacious and hushed, yet the lighting makes it feel small. There are two main exhibits that feature many types of art, Timken Museums art is mainly based upon art from the 1200-1900 eras. Some cultures held in this museum would be Spanish, Dutch, Italian, American, and so much more. The exhibits holds...
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...This paper builds on Stephen Greenblatt’s work in models of art exhibition by examining the presentation, content, and pedagogical success of comparable exhibits of Pre-Columbian Mesoamerican anthropological artifacts in The Museum of Fine Art, Houston, and the Houston Museum of Natural Science. Both institutions have curative extensive collections of Mesoamerican art with artistic and anthropological value, but differ greatly in the presentation of these artifacts. According to Greenblatt, art exhibitions call fall under two distinct categories. The first is a model that emphasizes wonder, the ability of objects to evoke awe in viewers. Ideally, a successful wonder-driven exhibit ought to be captivating enough to stop visitors in their tracks, popular enough to inspire return trips, and punctuated by visitor “ahhs” and “oohs.” The second model for art exhibition is a resonance-focused model, which Greenblatt describes as, “the power of the displayed object to...
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...Museum: The McNeil Museum of Art (MMA) is a not-for-profit museum founded in the city of Universal, in the western United States. Originally chartered in 1925, under the founding name Fannel County Museum of Fine Arts, the museum went through a name change in 2000 to reflect the museum’s main benefactor, Jonathon A. McNeil. Before the museum went through a name change, however, in 1997 MMA benefited from a $28 million dollar bond election. This election allowed MMA to expand their facilities in a newer building located in the central business district of Universal City. The newer location was made available to MMA through Jonathon A. McNeil. Upon Jonathon A. McNeil’s death in 2000, the museum received a $25 million gift from his will so long as the museum’s charter and name was revised. The updated charter stated that the MMA’s purpose was, “to provide an inviting setting for the appreciation of art in its historical and cultural contexts for the benefit of this and successive generations of Fannel County citizens and visitors (pg. 579, Kerin).” Visitors can visit the MMA seven days a week, with extended hours on Thursday nights and shorten hours on Sundays. While the permanent collection is free of charge to the public, visitors can pay a fee of $5.00-$7.50 to see the MMA special exhibits. The MMA has over 1500 works of art that are rotated in-and-out of exhibits throughout the year, occasionally loaning the works of art to other museums. Within the MMA collections...
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...Running Head Coleman Art Museum 1 Case study, Coleman Art Museum Bellevue University MBA652: Marketing Strategy Dr Doug Davis 11/04/2011 Running Head Coleman Art Museum 2 Case Recap To start off , the museum has shown a loss for the previous three years, so Mercer and Smith were give the monumental task of finding why and turn it in the right direction. The museum has a good location and convenient parking, and even though the new facility was relatively close to its previous location the move may have changed the demographics plus the museum seems to have not changed their marketing approach. The museum is also faced with a hindrance, they can not display all their collections at the same time and they might want to rethink this process based on the demographics of the immediate areas. Giving more time to the certain displays taking in account everything from age to the ethnic background of the populous of the surrounding area. The bottom line in this entire case is that you have to address the important issues and exhibits that are most important to the community. Problem Identification First off that it took three years to identify...
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...P1 Aims and objectives… Beamish offer an immersive museum that’s puts the visitors first, using its collections and sharing stories of everyday life in the North of England between generations. They also however promote the fact that they are a living museum celebrating the heritage of the North of England with people, enabling communities to participate in the making, creating enduring relationships. Furthermore they are an organisation that thrive through self-reliance and entrepreneurial spirt always looking for new opportunities to innovate and grow to reach more people. (Simon Woolley 2015) Marketing objectives… Engagement; a key principle to beamish is building relationships and a dialogue with audiences through transparent...
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...The Cleveland Art Museum and The Rock and Roll Hall of Fame offer two very different experiences to the museum goer. Though they are both types of museums, they have completely different atmospheres and content. My experience cannot offer a true critique to anyone else who might be considering going, because I will have had an infinitely different experience than what anyone else will have. An art critic named John Berger once said, “Every image embodies a way of seeing, our perception or appreciation of an image depends also upon our own way of seeing,” and this is why a critique holds next to no real value from one person to the next. I can share my experience and opinions, but they will be different from anyone else’s, though they will influence...
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