...Montel Branch English 4 Argumentative essay What makes someone a tragic hero? A tragic hero is someone who makes judgement error that inevitably lead to their own destruction. A hero’s downfall comes from specific traits that cause their destruction. Between the two major characters Antigone and Othello, Othello exemplifies a tragic hero the most from the following reasons error of judgment, reversal of fortune and recognition of change in fate. The tragic hero trait that Othello displays is recognition of reversal was brought by his own actions. The general of the Venetian army, Othello married to wife Desdemona was friends with a trustable man named Iago. Othello made the decision to make Cassio his lieutenant instead of Iago....
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...Othello: An Aristotelian Tragic Hero or Not? Thesis Statement Othello: An Aristotelian Tragic Hero or Not? By reviewing the definition of tragedy and tragic play, we could agree that the play Othello fits the mold of a tragic play. The question that remains unanswered is does Othello fit the definition of a tragic hero? Aristotle, a Greek philosopher, developed the definition of the Aristotelian tragedy/ tragic hero. The play Othello does not fit all of the criteria to be considered an Aristotelian tragedy; however it is more of a tragic play. Outline 1. Overview of tragedy and tragic play Provide overview of Othello 2. Is Othello a tragic hero? 3. Aristotle’s definition of a tragic hero Person of high estate, royalty 4. Aristotle’s second criteria Protagonist must fall from power 5. Weakness of character 6. Misfortune is not warranted 7. Tragic hero learns of his misstates before his downfall While researching the definition of the word “tragedy,” I learned that it is a very heartbreaking or catastrophic event. To further my research, I looked up the definition of a tragic play, and learned that it is a serious play with a tragic theme that often involves a heroic struggle which leads to the downfall of the main character. William Shakespeare’s play, Othello certainly fits the definition of a tragic play. The protagonist in the play, Othello, is a high ranked general in the Venetian army who is held in very high esteem...
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...Othello the Shakespearean Tragic Hero The Tragedy of Othello is considered to be William Shakespeare’s most popular tragic plays but there are distinct differences in Shakespeare’s tragic heroes, and other tragic heroes. A Tragic hero is usually a character that makes a mistake that leads to his failure, but a Shakespearean tragic hero is initially one, who is born noble, but not necessarily virtuous; there are some great aspects of personality that he has in excess which would often also be his weakness which creates a conflict for the character. His own destruction brings out the principle or moral of the play. Scholars argues that Othello is not a hero but a murder that commits a crime of passion, but just as every Shakespearean tragic characters, Othello is a person that has made an error of judgment, had a fatal flaw and was destined for defeat; which when combined with external forces, will bring on a tragedies like Julius Caesar, Hamlet, and Macbeth. Like many other characters in Shakespearean tragic plays, Othello is not a weak character nor is he a person of failure, but he is the captain of the Venice army, he is married to one of the most beautiful woman of Venice named Desdemona, and he is very well known even though he was of a different ethnicity. When Brabantio accuses him of putting a spell on his daughter Desdemona; in front of the Venetian senate, no one believes the charges because of his outstanding reputation "Here comes Brabantio and the valiant Moor...
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...When ever watching superhero movie It always seems that the main character is always a tragic hero.A tragic hero is someone who has high status a tragic flaw and a downfall. As with superman everything seems to go well for him but because of kryptonite (supermans weakness) things seem to go down hill. In the book othello the main character, othello, is the perfect example of a tragic hero he has a very high status and well respected man. Othello was the general of the army and iago stated that othello is the best for cyprus and no one could take his place.”Another of his fathom they have none to lead their business.” Another example of othello having a high status is that he also married the senator's daughter. He married a high status woman...
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...ENG 2043 W1 Professor Sharon Wang Final Paper The Tragic Hero Othello “Othello” is one of the four Shakespeare’s famous tragedies. It is also the name of the leading character. Shakespeare makes this character vivid through depicting what he says and does, and impresses audiences with his extremely tragic ending. There is no doubt that Othello is a tragic hero. At the beginning of the play, he was a brilliant military commander who beat a large number of enemies. He even married Desdemona, a beautiful white woman. He was a respected war hero and a loving husband. He was so successful. However, at the end of the play, due to his tragic flaws, he became an irrational murderer full of jealousy and killed his wife and himself. In the paper, I mainly analyze how Othello became a tragic hero thanks to his internal imperfections and how he conformed to Aristotle’s definition of a tragic hero. According to Aristotle’s definition, a tragic hero must occupy a high position and a noble stature. Othello met this part well. At the beginning of the play, Othello was a military general, a high status in the Venetian society. What’s more, many details of the play indicate that Othello was respected by most characters. For example, the Duke of Venice referred Othello as “Valiant Othello”. Montano called Othello as “brave Othello”. Even a herald praiseed Othello and said “our noble and valiant general”. Venetians relied on Othello because of his excellent military capabilities. In...
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...that continues to captivate audiences of Othello. Explore this statement with reference to one intense human relationship in the play In Shakespeare’s, Othello, it is the tragic downfall of the protagonist which intrigues audiences, exploring elements of the human condition through intricate human interactions. Utilizing the emotional depth of complex human relationships, Shakespeare discusses fundamental human characteristics in passion, desire and revenge, creating the primary drama of the play as audiences consider the relevant nature of Othello’s tragic downfall, as orchestrated by the duplicitous Iago. Othello’s tragic downfall captivates audiences through the intensity of his relationships with other characters. Within Othello, Shakespeare is able to involve the audience in the emotional conflict of the play, as the titular hero is manipulated by his symbiotic relationship with iago, leading to his self-destruction. Throughout the play, Iago relentlessly exploits Othello’s tragic flaw of absolutism through his devilish intellectual superiority, evoking a sense of sympathy as Iago is resolute in turning Othello’s power, reputation and relationships into chaos via human nature. Iago’s contempt for the “thick lips” subsequently leads to the revelation of his expedient and duplicitous character, as he feigns loyalty to the Moor only to, “serve his turn upon him” by “pouring pestilence into his hear”. Iago’s manipulation of Othello becomes a focal point of the play, as his...
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...often associated with virtue, courage and valour. Within Othello, Shakespeare questions the meaning behind heroism and admirability in the context of a Venetian society, in which the play is set. Through the tragic descent of Othello’s composure and his actions, the audience is left to wonder whether or not his virtue and presentation as an admirable general and hero, actually exists. Act 1 of the play presents Othello's decisions and behaviour as the epitome of virtue and valour, showing him as a high statured character - the definition of a tragic hero in Aristotelian methods, as it demands a character of greatness to suffer the greatest downfall. Although not necessarily presented as high born, he is deemed to be virtuous through his military prowess and well articulated speech; this however may be argued by the drastic change of fate within act 3 where Othello’s so called ‘valiant’ image is challenged by Iago’s ‘pestilence’ whispered with his own mind which can be seen through his brash actions and broken language, additionally it can be argued that Othello can be deemed dishonourable in his own actions in the first act of the play by his unblessed marriage to Desdemona; therefore the overall presentation and view over Othello is left to debate. Through Shakespeare’s use of dramatic methods, we as the audience are thrown straight into the action of scene 1,in the form of in media res; it is Iago that announces Othello to the audience as a ‘black ram’ and a ‘devil’, casting...
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...Compare and Contrast Willy Loman and Othello If there was a completely perfect, virtuous hero with no flaws, there would be no sense of enjoyment at watching horrible events afflicts this perfect person? Conversely, if the individual had too many flaws, vices, and moral depravity, it would not be a tragedy; it would simply have been seen as his getting what was coming to him, karma, if you will. Although Othello and Willie Loman can be said to fall within the definition of a tragic hero, each represents a very different interpretation of the concept. Othello, the tragic hero of Shakespeare’s play by that name, is an even more sympathetic character. Othello’s tragedy is orchestrated entirely by the scheming, malevolent Iago. Iago, having very little motive, creates a web of deceit by convincing Othello that his new bride, Desdemona, is unfaithful. “Receive it from me. I speak not yet of proof. Look at your wife; observe her well with Cassio, Wear your eyes thus, not jealous nor secure” (Act III, Scene III, Lines 196-198, Othello). Othello’s jealously eventually causes him to murder Desdemona by smothering her. One could argue that Othello isn’t truly a tragic hero. After all, what fatal flaw does Othello have? Aren’t all of his actions simply the result of the malicious intent of another? This cannot be true, for, if so, Othello would not be the classic it is today. An audience does not want to watch a totally innocent person randomly punished. Rather, an audience...
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...January 2015 Aristotle’s concept of a tragic hero “William Shakespeare’s “Othello” the Moore of Venice Tragedies frequently focus on a tragic hero that has a flaw that ultimately leads to his downfall. According to Aristotle, the tragic flaw is the most important part of the hero and the events that occur in the work is a reflection of that flaw. A tragic flaw is essential in a true tragedy. In William Shakespeare’s Othello, Othello is a prime example of an Aristotelian tragic hero. His gullibility and jealousy are the main reason of his downfall. Othello deals with love lost because of gullibility and jealousy. According to Aristotle, the life and soul of tragedy is the plot; Incidents in the plot have the best effect if they occur unexpectedly, and in consequence of one another. A great tragedy grips the audience with the plot; Aristotle also states that the sense of the inevitable must be present in tragedy. The central character must be noble and have a higher stature than most men. The tragic hero must also have better qualities than secondary characters but must also exhibit flaws. Another part of the central character is that he is destroyed by himself, not by others, bad luck, or depravity. These are the criteria necessary to be classified as an ideal tragedy. The main character of Othello is an example of a tragic hero, his basic elements matches him up to a true hero as defined by Aristotle. Othello was a soldier all his life, due to his Moorish...
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...particular reference to Act one, scene III, discuss how Othello’s tragic and heroic status are established in the first act of the play.’ To be a tragic hero, a character must be someone who is initially well respected and someone who holds a high esteem within society. They must have high moral worth and tend to be highly ambitious, it is a single mistake or character flaw which brings them to ruin and they lose all that they possess. The character must always contribute to their own disaster, however, they must also fully realise the extent of their own contribution to the disaster. In ‘Othello’, there are many examples of his heroic status, for instance, the many compliments he receives from various characters show that he himself is an admirable character and shows his great personality not only as a person, but as an officer too, and shows that he is possible of heroic status. Othello tells us that Brabantio; ‘…loved [Othello], oft invited [him], Still questioned [him] the story of [his] life From year to year – the battles, sieges, fortunes That [he had] passed.’ This shows that even someone who now dislikes Othello due to Othello’s affair with his daughter, in the past, respected Othello greatly. The Duke also tells Brabantio that ‘[Brabantio’s] son-in-law...
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...Tragic heroes are characters who have flaws that lead to their downfall. These two things make up tragic heroes but the discovery is the last final factor. The discovery is when the character becomes aware of how their flaw led to their downfall. Both Chinua Achebe and William Shakespeare wrote about tragic heroes. In Achebe’s Things Fall Apart and Shakespeare’s Othello both Okonkwo and Othello are tragic heroes; however, Othello better exhibits the qualities of a tragic hero. Because they are both tragic heroes, they have a flaw. In Things Fall Apart, Okonkwo is seen to be aggressive and prideful. His aggressiveness drives away his family for, some of his family converted to Christianity due to his flaw. His pride makes him kill Ikemefuna;...
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...Othello Coursework Question 1: 'I took you for that cunning whore of Venice/ that married with Othello'. Looking again at Act 4 Scene 2 and Act 5 Scene 2 consider to what extent the presentation of Desdemona is that of a sufficiently convincing tragic heroine? William Shakespeare's ''Othello'' is a complex tragedy, with many conflicting desires, jealousy and memorable characters. As the audience, we are able to see the changes the characters face throughout the play. These differences can turn the entire play from romantic to a disastrous ending. The main female protagonist Desdemona lives through these changes in Shakespeare's ''Othello'', we as the audience are able to acknowledge her feelings and how she goes from a confident, brave young woman who doesn't think twice on what other's think about her and has the audacity to go against her father's wishes and marries the husband of her choice, Othello, to a broken betrayed and murdered girl. Throughout the play we are able to notice that Desdemona's character slowly breaks, her confidence begins to shatter as her husband begins to lose his trust towards her and slowly the audience is able to see their relationship disintegrate. Furthermore, the confidence she had from the beginning of the play is gone and replaced by the feelings of betrayal and lose of trust. Throughout the play she has been targeted by jealousy and tragic forces. I think Desdemona in some sense is a tragic heroine, looking at Shakespeare’s and Aristotle's...
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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...Aristotle's Ideal Tragic Hero. Oedipus follows all of the rules, with a hamartia, an anagnorisis, and a peripeteia. The audience is introduced to the hamartia, or tragic flaw, of Oedipus early in the play. Oedipus believes he can dodge the oracle given to him at Delphi that he will kill his father and marry his mother. By leaving the city of Corinth and heading to Thebes, Oedipus thinks that he can outsmart the will that the gods have for him. However, the audience knows that one cannot run away from an oracle. The oracle will come true no matter what is done. Therefore, the hamartia of Oedipus is his belief that he can evade his oracle. Oedipus' anagnorisis, recognition, later comes when he is told that it was he who killed the former King Lauis and that he is, in fact, now married to his own mother. The city of Thebes had been searching for King Lauis' murderer in order to drive him out of Thebes to save the city from the plague. With this anagnorisis Oedipus is finally led to his peripeteia, or downfall. First of all, Oedipus is put to shame in front of his entire city because of his incestuous act of marrying his mother. But, more importantly, he realizes that he had not successfully avoided the oracle. In order to try to save himself he blinds himself. If he is not able to see the truth with his own eyes, he should not be able to enjoy the gift of sight. http://personal.monm.edu/ysample/aristotle.htm Oedipus follows ten of the points of Lord Raglan's Hero Pattern: Sophocles'...
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...Oedipus and Othello For Oedipus and Othello “duty” should have their first priority. Othello’s duty was supposed to be the importance of his marriage, but he listened to Iago, ignored Desdemona, didn’t believe his own conscience, and his own heart. Oedipus’ duty was to defeat the Sphinx(which he does) free Thebes from heavy taxes(which he does) be a great king of Thebes and be a good husband, but instead he offends Creon, his brother-in-law and uncle; insults his friend, Tiresias the blind prophet; kills his father; and destroys Jocasta, his mother and his queen. Fatal flaws demolished the lives of both Oedipus and Othello. Othello was so proud of his honor and bravery that he didn’t recognize his violent temper and Iago’s mind tricks. Oedipus was so proud of his cleverness that he tried so hard to escape his own fate. With all that said, these were honestly just a couple of comparable traits between Oedipus and Othello. When looking for a great leader that would lead your city through anything and everything it is not hard to tell that both Oedipus and Othello could be those leaders. Both had great gifts in leadership. They stood up in what they believed in. Each held exceptional accomplishments and both possessed the ability to be an all-around leader. Othello was a respectable citizen who was usually known for his fighting or war success. He knew how and what the goal was to succeed. Not all leaders knew that. Oedipus was also somewhat the same. He, like Othello, was known...
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