...Misty Derringer (Instructor Name) (Class Name) 18 September 2014 I find Edgar Allan Poe as one of the most innovative authors of all time. His work while dark and shrouded in mystery left the capabilities for readers of all ages of time to relate to his writings. He was considered part of the American Romantic Movement. He is also best known for his tales of mystery and macabre. His short stories were impeccably written and still remain to be taught in class rooms today. Edgar Poe was born in Boston Massachusetts, on 19 January 1809. He was the middle child of Elizabeth Arnold Hopkins Poe and David Poe. When Edgar was only 2 years of age he had already lost both his mother and his father. His father abandoned the family a year after his birth, while his mother died shortly after from consumption. Although Edgar was never formally adopted he was taken into the home of John Allan. John Allan was a merchant in Richmond, Virginia, who sold tobacco, clothes, tombstones, and even slaves. Despite the fact that Edgar was never adopted he did take their name leading him to become Edgar Allan Poe. Edgar failed in his attempt at attending the University of Virginia due to not properly budgeting his money and...
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...Katie Valdesuso November 30, 2010 ENGL 439 Prof. Allan R. Life The Evocation of Terror in Edgar Allan Poe’s The Fall of the House of Usher In his Philosophy of Composition, Edgar Allan Poe informs us that he begins writing with “the consideration of an effect” (430). Most of Poe’s poetry and fiction exemplifies his assertion that a preconceived effect upon a reader is undoubtedly fundamental to his creative work. Poe’s tales of terror in particular epitomize the supremacy of his craft in that each component of his narrative strategy functions to achieve the final effect of generating unmitigated terror in his readers. Focusing primarily on The Fall of the House of Usher, I argue that Poe employs a preconceived narrative strategy that ultimately functions to evoke terror; I assert that Poe elicits fear to challenge us to reexamine out perceptions of ostensibly impossible circumstances and recognize the limits of our intellect. I will first examine the aspects of Poe’s narrative style that culminate to achieve his desired effect of the evocation of terror. I will then analyze the narrator’s response to this evocation of terror and how this emergent response elicits fear in the reader. Last, I will illustrate how the narrator’s evolving response is emulated in the style through which the tale is narrated. In The Fall of the House of Usher, Poe tactically exploits a first person narrator, setting, imagery, and tone to achieve a “unity of effect,” the aforethought effect...
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...THE PIT AND THE PENDULUM BY EDGAR ALLAN POE 7^WYS`f7Taa]e f7 COPYRIGHT INFORMATION Short Story: “The Pit and the Pendulum” Author: Edgar Allan Poe, 1809–49 First published: 1843 The original short story is in the public domain in the United States and in most, if not all, other countries as well. Readers outside the United States should check their own countries’ copyright laws to be certain they can legally download this e-story. The Online Books Page has an FAQ which gives a summary of copyright durations for many other countries, as well as links to more official sources. This PDF ebook was created by José Menéndez. Impia tortorum longas hic turba furores Sanguinis innocui, non satiata, aluit. Sospite nunc patria, fracto nunc funeris antro, Mors ubi dira fuit vita salusque patent. [Quatrain composed for the gates of a market to be erected upon the site of the Jacobin Club House at Paris.] I WAS sick—sick unto death with that long agony; and when they at length unbound me, and I was permitted to sit, I felt that my senses were leaving me. The sentence—the dread sentence of death—was the last of distinct accentuation which reached my ears. After that, the sound of the inquisitorial voices seemed merged in one dreamy indeterminate hum. It conveyed to my soul the idea of revolution—perhaps from its association in fancy with the burr of a mill-wheel. This only for a brief period, for presently I heard no more. Yet, for a while, I saw—but with how terrible...
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...Codie O’Neil Ms. Sampson English 11 December 4th 2015 The Guilty Conscience of Lady Macbeth vs. the Narrator of “The Tell-Tale Heart” One in five people have mental health issues, but five in five people have mental health. William Shakespeare’s character Lady Macbeth from the play Macbeth and the narrator of Edgar Allan Poe’s “The Tell-Tale Heart.” both are examples of mental health issues. Lady Macbeth’s mental illness was brought on by the guilt she felt after committing a murder, but for the narrator of “The Tell-Tale Heart.” the mental illness was present before the murder. This showing that it was not a result of guilt. Before the murder of Duncan in the play Macbeth, Lady Macbeth seemed happy and showed little to no signs of mental health issues. After the death of the king and guards, you can see the change in Lady Macbeth. She starts to sleep walk, she mumbles about feeling guilt and she no longer wants to be in the dark. In the play when murders happen it is always a dark stormy night, this is to set the mood of it being dark and scary. (Enter Lady Macbeth with a taper) DOCTOR. How came she by that light? GENTLEWOMEN. Why, it stood by her. She has light by her con- / tinually, tis’ her command. (5.1.133). Lady Macbeth doesn’t want to be in the dark anymore so she carries a candle with her everywhere she goes, even sleep walking. Another sign that the guilt of the murder sent Lady Macbeth into a mentally ill state...
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...finding time to write fiction as a fun project. In this example of his writing, we see his critique on the moral insanity of the narrator in Edgar Allen Poe’s “ A Tale of Two Cities” as he helps us understand and at the same time question Poe’s intentions behind the circumstances. There is no doubt that the narrator in the story killed the man, of that he is guilty, but was Poe’s narrator sane when he committed the act? Poe constructs his plot structure of the story to follow the exact steps needed to ensure that the narrator is indeed guilty of first degree murder, which is punishable by death. These steps include the “willful, deliberate, and premeditated” (O.E.D.) murder of someone. The narrator recounts the events that lead up to his eventual murder of the old man by starting with the week prior. He states, “You should have seen how wisely I proceeded – with what caution- with what foresight—with what dissimulation I went to work…during the whole week before I killed him” (303). This shows that the narrator’s murder was indeed premeditated as he spent a week prior practicing opening the door to look in on the old man in preparation every night to ensure that he would be able to enter his room unnoticed. Also, the night of the murder the narrator had many opportunities to back out of the room without committing the crime. Poe sets up a tense scene when the old man wakes when the narrator fumbles with his lantern. The narrator stands motionless and silent and “had...
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...Fahrenheit 451 A Cautionary Tale (there may be grammar and or spelling mistakes.) By: Class: English 3 Honors Teacher: Fahrenheit 451 is a novel set in a futuristic America focused on a “fireman” named Montag Montag. In this world firemen like Montag set the blazes rather than extinguish them. Books are banned and if they were found in your house your home was burned with the books in it. As a result of owning a book you would languish for the rest of your days in a government facility. Montag had no problems with his job after all who wouldn’t love getting paid to burn things? Then one day they got a call about a woman who had a whole library of books in her house. When they arrived to do their job only one thing was wrong. The police hadn’t taken the woman away yet. It is here the story begins, with a woman who refuses to leave even as they are dousing her home with kerosene. When they try to remove her she reveals a kitchen match in her hand scaring them out of the house, she then lights the match committing suicide. Shaken by this incident no one talks on the ride back to the station. On his way home Montag runs into his new neighbor, seventeen year old Clarisse McClellan. A chatty, young girl who opens his eyes to the world of nature and not being one of societies stooges. After this meeting Montag returns home to find his wife overdosed on sleeping pills and promptly calls for help. Instead of paramedics he gets two technicians who are nothing more than plumbers...
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...CHAPTER I INTRODUCTION 1.1 The Background of the Study In our daily lives, we actually have gone through a lot of incident whether it is good or bad. However, we hardly draw the conclusion of the incident we have been through. We might fail to reach something we have been wanting so long, though the thing we desire is well-planned, yet the result is not like what we expect before. The point is that every time we are facing a problem, we should really pay attention and take the message of it. There will always be sort of a lesson in every single difficulty. Not only shall we find in our daily lives, but we could also find it while reading literary works, watching movies and suchlike. Reading literary works has interesting adventure in which an extra attention is needed to figure it out. For some people, reading novel or short story is more than just about looking for the beautiful story or the greatnesses of the story. Yet, there are some people who only read novel without a deep understanding. Usually the readers will be facing some questions which have something to do with the author’s intention making story. Common question coming out automatically after reading novel or short story is such what is the author trying to tell us in the story or what the moral lessons of the story is. According to Nurgiyantoro (1995:66) to know of what the author feels like to convey in the story is the main task of reading fiction work, it is either Novel or Short story. As a matter...
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...The Most Dangerous Game Connell, Richard Published: 1924 Categorie(s): Fiction, Action & Adventure, Mystery & Detective, Short Stories, Thrillers Source: Feedbooks 1 About Connell: Richard Edward Connell, Jr. (October 28, 1893 – November 23, 1949) was an American author and journalist, best known for his short story "The Most Dangerous Game." Connell was one of the best-known American short story writers of his time and his stories appeared in the Saturday Evening Post and Collier's Weekly. Connell had equal success as a journalist and screenwriter. He was nominated for an Academy Award for best original story for 1941's Meet John Doe. He died of a heart attack in Beverly Hills, California on November 22, 1949 at the age of fifty-six. Copyright: This work is available for countries where copyright is Life+50. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 "Off there to the right—somewhere—is a large island," said Whitney." It's rather a mystery—" "What island is it?" Rainsford asked. "The old charts call it `Ship-Trap Island,"' Whitney replied." A suggestive name, isn't it? Sailors have a curious dread of the place. I don't know why. Some superstition—" "Can't see it," remarked Rainsford, trying to peer through the dank tropical night that was palpable as it pressed its thick warm blackness in upon the yacht. "You've good eyes," said Whitney, with a laugh," and...
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...Law and the Humanities Online Dr. Hugo Walter Spring 2014 Email: HGW@BerkeleyCollege.edu HUM360 Online 4 Credit Hours Office Hours: Online every day, seven days a week (Sunday through Saturday). Please always feel free to email me with any questions. I will also designate an hour each week when I will be available on Blackboard IM to answer your questions. COURSE DESCRIPTION This course examines the treatment of legal themes in literature, music, film and other visual arts as part of a broader consideration of the relationship between the humanities and the law. Students will explore the ways that the humanities utilize different perspectives and aesthetic styles in the discussion of such legal themes as morality, justice, equality and authority. COURSE GOALS At the conclusion of the course, students will be able to: Articulate the contribution made by law and the humanities as a field of study. Articulate the ways that imaginative portrayals of law often convey concerns about the process and practice of law with greater persuasive force than factual texts. Identify recurring themes that are investigated in law and the humanities, such as the difference between legal and moral codes, the role of custom in establishing legal norms, the role of punishment, the imperfect functioning of the legal process, unfairness in the criminal justice system, bias against minorities and the poor. Understand the...
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...this from a different perspective." They remember details including colours and spatial arrangements. VISUAL LEARNER CHARACTERISTICS Visual learners are those who learn through seeing things. Look over the characteristics below to see if they sound familiar. A visual learner: • Is good at spelling but forgets names. • Needs quiet study time. • Has to think awhile before understanding lecture. • Is good at spelling. • Likes colours & fashion. • Dreams in colour. • Understands/likes charts. • Is good with sign language. LEARNING SUGGESTION FOR VISUAL LEARNER • Draw a map of events in history or draw scientific process. • Make outlines of everything! • Copy what's on the board. • Ask the teacher to diagram. • Diagram sentences! • Take notes, make lists. • Watch videos. • Colour code words, research notes. • Outline reading. • Use flashcards. • Use highlighters, circle words,...
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...The Black Cat by: Edgar Allan Poe (Published 1845) FOR the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief. Mad indeed would I be to expect it, in a case where my very senses reject their own evidence. Yet, mad am I not -- and very surely do I not dream. But to-morrow I die, and to-day I would unburthen my soul. My immediate purpose is to place before the world, plainly, succinctly, and without comment, a series of mere household events. In their consequences, these events have terrified -- have tortured -- have destroyed me. Yet I will not attempt to expound them. To me, they have presented little but Horror -- to many they will seem less terrible than barroques. Hereafter, perhaps, some intellect may be found which will reduce my phantasm to the common-place -- some intellect more calm, more logical, and far less excitable than my own, which will perceive, in the circumstances I detail with awe, nothing more than an ordinary succession of very natural causes and effects. From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions. I was especially fond of animals, and was indulged by my parents with a great variety of pets. With these I spent most of my time, and never was so happy as when feeding and caressing them. This peculiarity of character grew with my growth, and, in my manhood, I derived from it one of...
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...1 The Pit and the Pendulum By Edgar Allan Poe I WAS sick—sick unto death with that long agony; and when they at length unbound me, and I was permitted to sit, I felt that my senses were leaving me. The sentence—the dread sentence of death—was the last of distinct accentuation which reached my ears. After that, the sound of the inquisitorial voices seemed merged in one dreamy indeterminate hum. It conveyed to my soul the idea of revolution—perhaps from its association in fancy with the burr of a mill-wheel. This only for a brief period, for presently I heard no more. Yet, for a while, I saw—but with how terrible an exaggeration! I saw the lips of the black- robed judges. They appeared to me white—whiter than the sheet upon which I trace these words—and thin even to grotesqueness; thin with the intensity of their expression of firmness—of immovable resolution—of stern contempt of human torture. I saw that the decrees of what to me was Fate were still issuing from those lips. I saw them writhe with a deadly locution. I saw them fashion the syllables of my name; and I shuddered because no sound succeeded. I saw, too, for a few moments of delirious horror, the soft and nearly imperceptible waving of the sable draperies which enwrapped the walls of the apartment. And then my vision fell upon the seven tall candles upon the table. At first they wore the aspect of charity, and seemed white slender angels who would save me; but then, all at once, there came a most deadly nausea over...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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