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Painting

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Submitted By charlajane
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Laroa, Charla Jane H. BSCE-III MWF 9:30-10:30

BAL DU MOULIN DE LA GALETTE
Pierre-Auguste Renoir
1876

* Subject – Scenery, focus on people in intimate and candid compositions * Function – to depict a typical Sunday afternoon at Moulin de la Galette * Medium (Material) – Oil * Style - vibrant light and has saturated color * Judgment – a typical scene from Paris

1. What is it about?
The painting depicts a typical Sunday afternoon at Moulin de la Galette in the district of Montmartre in Paris. It was an open-air dancehall and café that was frequented by many artists living there. In the late 19th century, working class Parisians would dress up and spend time there dancing, drinking, and eating galettes into the evening. Renoir attended Sunday afternoon dances and enjoyed watching the happy couples. For him, it provided the perfect setting for a painting. This canvas shows Renoir's friends, Frank Lamy, Norbert Goeneutte, and Georges Rivière gathered around the central table.

2. What is it for? And who is the intended bodies / audiences?
Especially for working girls and their young men together with a sprinkling of artists who enjoyed the spectacle and also found unprofessional models. The dapple of light is an Impressionist feature but Renoir seems especially to have welcomed the opportunity to make human beings, and especially women, the main components of picture.

3. What are its materials? Or what are the materials used?
Renoir used oil on his canvas painting. It is vibrant light and has saturated color. He uses brightly colored brush strokes and opts to blend colors that suit him best. He uses patches of soft color and combines this with vibrantly colored figures, to give the impression of speckled light beaming through the trees. He creates the patches of light with soft pinks and purples, while for the figures he uses bolder shades of blue, red, and green for the clothing.

4. What is its process? How are the lines shape organized?
Renoir was an artist famed for creating joyful paintings that were essentially snapshots of real life, and captured the true spirit of particular scenes. It was during this time that they developed the technique that became central to Impressionism. They discovered that shadows are not brown or black but are colored by the objects around them, and that the 'local color' of objects is modified by the light and reflections of surrounding objects. At this time, the styles of Renoir and Monet were almost identical but in the 1870s they explored their own methods and worked alone more frequently.

5. What is its personality? Painting techniques that has to do with style?
It is vibrant light and has saturated color. It has a warm sensuality. Renoir uses brightly colored brush strokes and opts to blend colors that suit him best. His refusal to use black together with the absence of outlines are traditional Impressionist techniques. Renoir uses patches of soft color and combines this with vibrantly colored figures, to give the impression of speckled light beaming through the trees. He creates the patches of light with soft pinks and purples, while for the figures he uses bolder shades of blue, red, and green for the clothing.

6. Given all the things from subject to style, what is now your judgment of the painting?
Dance at le Moulin de la Galette is a picture of real life and it captures true Parisian culture. Renoir captured an aspect of daily life in a small canvass. It was clear that Renoir took great pleasure in painting dance halls, concerts and cafes.

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