...times, the priests blew their trumpets, and the walls fell down. * Joshua – * Main character of the book of Joshua * About 60 years old * Loyal, obedient, committed/courageous * Amphictyony – a league of states or tribes that took part in a cult (Delphic League) * Othniel – First judge, model leader * Deborah – female judge, prophetess, settled disputes * Gideon – succeeds despite being fearful * Jephthah – made a foolish vow to the Lord before going to battle, had to sacrifice his daughter to God because of his victory * Samson – arrogant/self-centered * Samuel – * Early Life * Birth – Divine intervention: mother was barren, made a promise to God that if she had a son she would dedicate him to God * Raised as a priest (not a Levite) * Called by God to be a priest/prophet * Adult Life * Judge: successful military leader * Priest: offers sacrifices, knows laws...
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...Conversion narratives are crucial to World War II films. They were a regular part of Hollywood movies featuring cynical, self-centered antiheros who only cared about themselves. The selfish hero in the face of absolute need converts to a selfless wartime activist dedicating time and resources to the cause and war effort. Casablanca, released in 1942, is a film that portrayed the consequences of having to convert to war. The movie can be seen as giving purpose to war and encouraging the American people to support the mobilization of their troops. The need to convert to war was imperative at this moment in time. Casablanca brilliantly explained to Americans the reason for the fight through the fictional conversion of Rick Blaine and corrupt Vichy police Captain Louis Renault to self-sacrifice and war. The opening scene for the movie sets up establishing shots of imprisoned Europe. A roundabout refugee trail sprung up in order to get to Lisbon, which was the disembarkation point to the new world. The narrator, in a newsreel format, says people looked for freedom in the Americas. The Moroccan city of Casablanca attracted people from all over as many refugees were trying to get out of Europe. They wait in Casablanca. The first scene shows Casablanca as a very police state with a great military presence. The busyness of the exotic open market the camera frame shows the city as being very walled in. People are trapped and they can’t move or go anywhere. The murder of two German...
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...probably look like the governments around them. Despite Samuel’s grief over the situation, in 1Samuel Chapter Eight, God gives permission for them to have a king. Saul was not the right man for the job, he was a popular choice. As Saul was a poor choice by the people he was a man who also made poor choices2. Although chosen by the people and permitted by God, Saul is ultimately rejected by the Lord. Saul allows being king go to his head and in Gilgal offers sacrifices in “usurpation of priestly functions while awaiting Samuel”. 3 More than just illegally performing a priestly duty not permitted under the law, Saul’s sacrifice demonstrates a lack of faith, he was unwilling to wait on God’s timing, and his egotistic view that he deserved what God had given him by grace. Succeeding Saul, David was far from perfect either as a man or as a king. What he did have was humility and faith. This is seen in several instances in his life, certainly his faith is his armor when he faces Goliath (1Samuel 17:26), and refuses the king’s personal armor for the upcoming contest (1 Samuel...
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...The Gift of the Magi Themes Love "Gift of the Magi" is the story of a poor, young couple whose love for each other is the most important thing in their lives. Such is their love that they're led to sacrifice their most valuable possessions to find Christmas gifts for each other. The warm home they make together contrasts with the drabness of their poverty and the dreary world outside. Their love seems to know no bounds, though Della (the wife) worries about how her sacrifice will affect her husband because of how it affects her looks. If ever there were a story with the message that all you need to be happy is love, this is it. Sacrifice The two main characters in "Gift of the Magi" are a husband and wife who give up their most precious possessions to be able to afford gifts for each other on Christmas Eve. The story seems to be all about sacrifice. We watch Della go through the process of deciding to make the sacrifice and going through with it, only to discover that her husband has made the same sacrifice. The story's narrator assures us that in their willingness to give up all they have, they have proven themselves the wisest of all gift-givers. It might remain unclear, though, exactly what their sacrifice has accomplished, or how it has affected them. Wealth In many ways, "Gift of the Magi" is a story about what it means for something to be valuable. Does something's value lie in how much money it is worth? Or are other things more valuable than money? The main characters...
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...Jorge Prieto Personal Narrative Essay Assignment People may think that talking about the situation Venezuela is passing through these days is a topic everyone is using so its not unique at all or is to cliché but for those who have been leaving for more than half of there life as unstable as it can go, running from city to city and leaving their families and love ones behind in the search of a better life and future this topic is actually very relevant and important. The political, economical and security problems Venezuela is facing nowadays has forced me, and a million of other Venezuelan citizens, to look for a future outside of our country of origin. I have to admit, even though a lot of people that remain in Venezuela believe that those who left took the easy way out of the problem, I believe is the complete opposite. I left the country where I was born but my heart and soul are still there. Even though more than 4 years have past I will always have the hope on going back to implement in my country all the amazing things I have had the opportunity to learn in Boston and Miami to make Venezuela the country it was 20 years ago, a country worth leaving in. When I first left Venezuela I had a mix of feelings I had never felt before. I had the sense as if I had a knot in my throat that didn’t let me breath properly and an emptiness in my chest as if my heart was not there anyone. I was afraid of leaving and been alone in a place I had never lived before and not be sure...
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...Lexington Bennett Haile 11:00 T/TH Exegesis Paper Exegetical Analysis of Mark 10:17-31 17 As he was setting out on a journey, a man ran up and knelt before him, and asked him, ‘Good Teacher, what must I do to inherit eternal life?’ 18Jesus said to him, ‘Why do you call me good? No one is good but God alone. 19You know the commandments: “You shall not murder; You shall not commit adultery; You shall not steal; You shall not bear false witness; You shall not defraud; Honour your father and mother.” ’ 20He said to him, ‘Teacher, I have kept all these since my youth.’ 21Jesus, looking at him, loved him and said, ‘You lack one thing; go, sell what you own, and give the money to the poor, and you will have treasure in heaven; then come, follow me.’ 22When he heard this, he was shocked and went away grieving, for he had many possessions. 23 Then Jesus looked around and said to his disciples, ‘How hard it will be for those who have wealth to enter the kingdom of God!’ 24And the disciples were perplexed at these words. But Jesus said to them again, ‘Children, how hard it is to enter the kingdom of God! 25It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.’ 26They were greatly astounded and said to one another, ‘Then who can be saved?’ 27Jesus looked at them and said, ‘For mortals it is impossible, but not for God; for God all things are possible.’ 28 Peter began to say to him, ‘Look, we have left everything and...
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...“We were the people who were not in the papers. We lived in the blank white spaces at the edges of print…We lived in the gaps between the stories.” Discuss the writers’ exploration of female passivity. William Shakespeare, Margaret Atwood and Alfred Tennyson all present female passivity as a deep-rooted, normalised concept that is engrained into the framework of relationships, society and government. Whilst this is seen to remain from the 1600s all the way to the 1980s, there are subtle differences in the portrayal of, attempted reasoning behind and methods used to enforce this passivity, highlighted through analysis of language, structure and context. The writers symbolically use setting to explore links between different aspects of female passivity. Tennyson links public and private spaces and their promotion of female passivity to illustrate societal as well as psychological and domestic examples of passivity. In Mariana, the “rusted” and “crusted” atmosphere of decay is representative of Mariana’s psychological deterioration and the stagnant “blacken’d waters” and “moated grange” act as an obstruction to her integration with the outside patriarchal world. This reflects the wider Victorian attitude regarding the home as “the centre of virtue and the proper life for women” and brings to light the impact that passivity in the greater context of society has on the role she plays in her private relationship. This idea of external influences is echoed much less figuratively...
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...APA Thesis Statement / Outline Shirley Jackson’s ‘The Lottery’ and D.H. Lawrence‘s ‘The Rocking Horse Winner’ use personification, characterization, and symbolism, to develop the different themes contained in their short stories. I. Introduction a. A brief summary of the “The Lottery”, by Shirley Jackson b. A brief summary of the “The Rocking Horse Winner”, by D.H. Lawrence II. Overview of the use of, Personification, Characterization and Symbolism a. “The Rocking Horse Winner”, by D.H. Lawrence i. The personification employed in ‘The Rocking Horse Winner’ has a profound effect on the readers 1. The whispering house is the focus of the theme and plot i. Characterization of Paul and his obsession to gain his Mother’s love and fulfill her wish for more money that eventually leads to his death 1. The money hungry character traits that is passed down from Mother to child 2. Paul’s obsession has sexual overtones between him and his Mother i. Symbolism in developing the plot in “The Rocking-Horse Winner’ 1. The Mother’s insatiable need for wealth symbolizes superiority 2. Materialism replaces Love a. “The Lottery”, by Shirley Jackson i. Personification is omitted from this story ii. The Characters in “The Lottery” is developed through description 1. Every day people conducting life...
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...time passes, different generations look at the significant ideas in Shakespeare with new eyes, redefining and reinterpreting as influenced by the political, social and cultural conditions of each era. These significant ideas that are raised in Shakespeare’s play Macbeth (1606) include supernatural, ambition and temptation, and violence. Macbeth introduces an element of fantasy into the normal tragedy narrative through the characters of the witches. The witches are important figures in the play, as their function is both to predict Macbeth’s fate and to signal to the reader what is to come. Far from serving as a distracting element, the witches help focus the audience on some of the darker and more sinister aspects of the play. Shakespeare’s use of this supernatural idea is raised throughout the entire play. If the witches’ prophecy is understood to be imposing a supernatural order on the natural order of things, the natural order can also be understood as responding with tempestuous signs. Following Duncan’s death, Lennox describes the “unruly” night in detail and his personal emotions. Similarly, Ross notes that “the heavens, as troubled with man’s act, / Threatens his bloody stage”. In the same scene, the Old Man and Ross both agree that they saw horses eat each other. Even the events leading to the conclusion of the play can be understood as a negotiation of the natural and supernatural. Whereas Macbeth believes that he will live the “lease of nature”— since Birnam Wood cannot...
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...The White Tiger Summary The entire novel is narrated through letters by Balram Halwai to the Premier of China, who will soon be visiting India. Balram is an Indian man from an impoverished background, born in the village of Laxmangarh. Early on, he describes his basic story: he transcended his humble beginnings to become a successful entrepreneur in Bangalore, largely through the murder Mr. Ashok, who had been his employer. Balram also makes clear that because of the murder, it is likely that his own family has been massacred in retribution. In Laxmangarh, Balram was raised in a large, poor family from the Halwai caste, a caste that indicates sweet-makers. The village is dominated and oppressed by the “Four Animals,” four landlords known as the Wild Boar, the Stork, the Buffalo, and the Raven. Balram's father is a struggling rickshaw driver, and his mother died when he is young. The alpha figure of his family was his pushy grandmother, Kusum. Balram was initially referred to simply as “Munna,” meaning “boy," since his family had not bothered to name him. He did not have another name until his schoolteacher dubbed him Balram. The boy proved himself intelligent and talented, and was praised one day as a rare “White Tiger” by a visiting school inspector. Unfortunately, Balram was removed from school after only a few years, to work in a tea shop with his brother, Kishan. There, he furthered his education by eavesdropping on the conversations of shop customers. Balram feels that...
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...Question: Explain the development and the nature of the Byzantine institutions (church and state), social and urban life, and cultural achievements? Answer: Byzantine art is the term commonly used to describe the artistic products of the Eastern Roman Empire from about the 5th century until the fall of Constantinople in 1453. (The Roman Empire during this period is conventionally known as the Byzantine Empire.) The term can also be used for the art of states which were contemporary with the Byzantine Empire and shared a common culture with it, without actually being part of it, such as Bulgaria, Serbia or Russia, and also Venice, which had close ties to the Byzantine Empire despite being in other respects part of western European culture. It can also be used for the art of peoples of the former Byzantine Empire under the rule of the Ottoman Empire after 1453. In some respects the Byzantine artistic tradition has continued in Greece, Russia and other Eastern Orthodox countries to the present day. The finest work, the most elegant, and the most accomplished technically, was, naturally enough, associated with the Byzantine capital, Constantinople, which was the very hub of the civilized world from the foundation of the city as capital around 330 till its conquest by the Turks in 1453. But there were other great centers too. In Rome, Milan, Ravenna, and elsewhere in the West works of the greatest importance that were in no way provincial were executed in the early years of Christendom...
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...revolution. Gao provides an account of his own experience as a Red Guard in the Cultural revolution bringing out the readers as close as they can get to the political vortex that shaped the views of millions of teenagers behind the national movement that brought China to the blink of civil war[1]. Born Red entails more than the recollection of a political nightmare including a concise narrative of an adolescent torn by conflicting loyalties as the author is called upon to participate in the destruction of the world that has nurtured him. The author’s story provides tribute to the durability of cultural traditions at a time when nihilism was at its best. Gao clearly outlines the Cultural Revolution in China in an attempt to create a way for a more egalitarian and participatory society[2]. According to Gao, through the mass political struggle and ideological transformation, bourgeois bureaucracy was to give way to proletarian democracy, self interest to self-sacrifice, and cultural elitism to populism in the arts. Gao explains the events of the cultural revolution through accounting on his own personal experiences with his father coming under brutal...
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...University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2010 Bharati Mukherjee and the American Immigrant: Reimaging the Nation in a Global Context Leah Rang University of Tennessee - Knoxville, lrang@utk.edu Recommended Citation Rang, Leah, "Bharati Mukherjee and the American Immigrant: Reimaging the Nation in a Global Context. " Master's Thesis, University of Tennessee, 2010. http://trace.tennessee.edu/utk_gradthes/655 This Thesis is brought to you for free and open access by the Graduate School at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact trace@utk.edu. To the Graduate Council: I am submitting herewith a thesis written by Leah Rang entitled "Bharati Mukherjee and the American Immigrant: Reimaging the Nation in a Global Context." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Urmila Seshagiri, Major Professor We have read this thesis and recommend its acceptance: Lisi Schoenbach, Bill Hardwig Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official student records.) To the Graduate Council:...
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...TERRORISM IS TERRORISM, BUT WHICH IS WORSE? YOU DECIDE Alexandra Gadi THST 398 – Dr. Soomekh Final Paper Due: April 29, 2011 Terrorism in the Israeli-Palestinian conflict has been an impacting factor on both sides, resulting in numerous and unnecessary casualties. Israel’s terrorism was rooted mainly from Gush Emunim, “Bloc of the Faithful” . On the other hand, Palestinian terrorism has spawned from a wide scope of different beliefs ranging from secular Palestinians through religious Jihadists. Jihad literary means struggle in Arabic . These Jihadists and secular terrorists blow themselves up with the belief that they are furthering their cause and feel as if they are warriors fighting in the battle for a homeland and freedom, one explosion at a time. Gush Emunim started as a Jewish fundamentalist movement in Israel that sought out to reclaim the lands of Abraham through a combination of propaganda, religious justification, and military force . Gush Emunim’s action “shows the growing resentment by Jewish fundamentalism of moves for peace. This, logically, was to lead to the “righteous” killing of [Yitzchak] Rabin” . Gush Emunim has used its religious power as a stepping-stone into Israeli politics in order to gain legal support for its settlement plans. The Gush Emunim movement has been made responsible for evicting Palestinian refugees from their homes in order to build their own settlements . Basing their...
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...London, 1816–1817 date of first publication · January 1, 1818 publisher · Lackington, Hughes, Harding, Mavor, & Jones narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout his narrative, Victor uses words such as “fate” and “omen” to hint at the tragedy that has befallen him; additionally, he occasionally pauses in his recounting to collect himself in the face of frightening memories. tone · Gothic, Romantic, emotional...
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