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Plains Indian Ledger Book Art Summary

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Words 1142
Pages 5
Joshua Shelley
Professor Stuckart
Anthropology 105
25 November 2014
Plains Indian Ledger Book Art Ledger books began to see widespread use as a medium for recording the military record, history, literature, art, and spirituality of Plains Indians in the 1860s (Low 2006:86). As the buffalo hides that were traditionally used to record personal and cultural achievements became increasingly rare, Plains Indians found the ledger books used by traders and military officers to be a convenient and portable reincarnation (Berlo 1990:133). This is also a period of cultural upheaval, in which Native Americans begin to be forcibly removed from their ancestral lands and relocated onto reservations. Therefore, ledger art from this timeframe is important …show more content…
In addition to colored pencils, Plains Indians also valued lead pencils, crayons, ink, and watercolor paint to create their ledger art. The predominant colors employed were blue, red, yellow, green, black, pink, and brown. Prior to the Fort Marion drawings, most illustrations were done horizontally across the length of the page, also known as ‘bilateral pairings’. These sketches would often depict the main figure on the right side, which was believed to be more dominant than the left. A study of 1,300 Cheyenne ledger drawings found that the action was depicted as moving towards the center in 45 percent, the action flowed from right to left in 40 percent, while just four percent portrayed the action as moving from left to right (Low …show more content…
Harjo carried on the family tradition of creating ledger art, and began recording Kiowa women’s historical events (Pearce 2013:13). Linda Haukaas began her ledger art work for public viewing in the early 1990s. Haukaas felt a need to tell stories and depict women warriors, and she believed ledger art to be the best way to achieve this (Pearce 2013:29-32). Dolores Purdy Corcoran is a Caddo artist who began drawing ledger art in 2005. Corcoran’s drawings are also deeply rooted in tradition, while recreating depictions of modern Caddo life (Pearce 2013:53). The fourth female artist is Colleen Cutschall, who began creating ledger art in the early 1980s. She was inspired to enter the male dominated ledger art after she saw a male’s production of a woman’s style box and border robe (Pearce

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