...In Plato's Cave each allegorical figure represents many different things. The cave represents shelter. The cave is a sense of confinement everything about the cave simply becomes like home. The cave is where the prisoners felt safe even though it was like jail. The sun, well the sun in my opinion is hope to a new life. The sun was a new world nothing like the darkness of the cave. The sun provided hope and new light to a world that didn’t only consist of walls. Shadows now became the physical people, place and things you can touch. The prisoners are life like people who easily are influenced. Influenced to believe nothing else exist but shadow figures. The prisoners are just people; people who have no choice but to deal with the environment they are in. As for the shadows, they were simply meant to represent what only exist other than the wall and the rest of the people held captive with you. Even though the shadows all were different but consist of reality it made gave the mind of the prisoner’s false truth. In Plato's Cave allegory means the fact of having people know the difference between what is truth and what is false perception. It relates to Plato's theory because the prisoners were chained down and could only see the shadows day in and out. Never knowing that they were living in darkness and a full world waited for them on the outside. Plato theory is very well thought out making it easy to understand how people are easily...
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...Forms are the general realities or ideals versions of something. Forms in Plato’s eyes where perfect versions of something, and in the world of the appearances they are many particulars which have copies or impact versions which imitate the perfect version of the form. The world of the forms is an epistemology which can only be used by tapping into the intelligible world without using your senses. For example in the world appearances they are many types of cats but in the world of the forms there is only one perfect version of that cat. Plato’s analogy of the cave is a way to interpret Plato theory of the forms and his idea about the universe. Plato’s analogy begins with the prisoners sat in the cave, chained together, and facing a wall preventing them to see or to gain any movement: a fire blazes behind them and on the other side of a passage way. Along the pass way men carrying statues and talking casting shadows on the wall which the prisoners face which made the prisoners it is a puppet because that is all they have seen all their life. When a prisoner escapes the cave, he realises that the shadows casted are real people and that they is another world with a sun outside which at first he is blinded by. When he returns to tell the others prisoners what he had seen they do not want to leave the cave and say they will kill anyone who leaves the cave again. There are symbols in Plato’s analogy of the cave that could link to his theory of forms or his view on the universes. The...
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...Running head: PLATO’S INFINATE Plato’s Infinite Wisdom Student Paper February 23rd, 2008 The University of Montana-Western Plato’s Infinite Wisdom Plato was, and remains a very influential and relevant Greek philosopher that lived between (427 and 347 B.C.E) (Stevenson and Haberman, 2004). Plato was extremely diverse and accomplished in his lifetime achievements. His rise to fame began as a student of the great philosopher Socrates, but progressed into many other dignified positions. He is accredited with teaching another great philosopher and scientist named Aristotle, who later taught Alexander the Great. Plato also founded the worlds’ first formal university in Athens called The Academy (Brickhouse, 2006). Plato’s philosophical research was far deeper than anything previously explored and transcends 2500 years without losing modern applicability. His vast writings began with the study of human nature, ethics, morals, knowledge, and progressed into complex theories on reality, dualism, government and the human soul. The most famous of these dialogues, The Republic, but later works like The Laws and The Statesman are equally impressive. Plato believed education, knowledge, and truth were essential for society to become moral and just. The outcome of successful societies was stability and peace. Personally, Plato believed in a spiritual gain given to those who succeed, but his theories were not based on personal beliefs like the widely disputed and...
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...The Matrix, Plato, and Descartes For centuries, man has embarked on a relentless, philosophical journey to unearth a necessary answer to the question—what is real? The megahit film, The Matrix, ingeniously created by the Wachowski brothers, brings the world’s most celebrated, philosophical theories to light as they attempt to postulate a binding remedy. The first of these theories dates past 380 BC, when Plato crafted his allegorical masterpiece, “The Cave,” which denotes a metaphor contrasting the manner in which man perceives reality. The second involves French philosopher Rene Descartes and his recognized dissertation, “Meditation,” which also proposes a distinctive perspective on the issue. A comprehensive study of the philosophical concepts of “The Cave” and “Meditations” and their manner of manifestation in The Matrix allows one to broaden and enhance his understanding of reality. First of all, one can find several analogous elements when comparing the three works. Each of these revolves around the concept that the illusions man accepts as truth drastically differ from reality. This reality is then unveiled in distinct, but related journeys, which involve a source of deception and a series of logical, enlightening experiences and steps. These steps include a progressive doubt, a means of escape to find truth, a common agony in facing truth, and a growing acceptance of reality and the altered life it comes with. In The Matrix, an average computer programmer, Neo, is led...
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...mTELECOURSE STUDY GUIDE FOR The Examined Life FOURTH EDITION author J. P. White Chair, Department of Philosophy Santa Barbara City College contributing author Manuel Velasquez Professor of Philosophy Santa Clara University This Telecourse Study Guide for The Examined Life is part of a collegelevel introduction to philosophy telecourse developed in conjunction with the video series The Examined Life, and the text Philosophy: A Text with Readings, tenth edition, by Manuel Velasquez, The Charles Dirksen Professor, Santa Clara University. The television series The Examined Life was designed and produced by INTELECOM Intelligent Telecommunications, Netherlands Educational Broadcasting Corporation (TELEAC/NOT), and Swedish Educational Broadcasting Company (UR) Copyright © 2007, 2005, 2002, 1999 by INTELECOM Intelligent Telecommunications All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of INTELECOM Intelligent Telecommunications, 150 E. Colorado Blvd., Suite 300, Pasadena, California 91105-1937. ISBN: 0-495-10302-0 Contents Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . v Lesson One — What is Philosophy? . . . . . . . . . . . . . . . . . . . . ....
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...RESEARCH and WRITING CUSTOM EDITION Taken from: Writing Research Papers: A Complete Guide, Eleventh Edition by James D. Lester and James D. Lester, Jr. To the Point: Reading and Writing Short Arguments by Gilbert H. Muller and Harvey S. Wiener ISBN 0-558-55519-5 Research and Writing, Custom Edition. Published by Pearson Custom Publishing. Copyright © 2006 by Pearson Custom Publishing. Taken from: Writing Research Papers: A Complete Guide, Eleventh Edition by James D. Lester and James D. Lester, Jr. Copyright © 2005 by Pearson Education, Inc. Published by Pearson Longman, Inc. New York, New York 10036 To the Point: Reading and Writing Short Arguments by Gilbert H. Muller and Harvey S. Wiener Copyright © 2005 by Pearson Education, Inc. Published by Pearson Longman, Inc. Copyright © 2006 by Pearson Custom Publishing All rights reserved. Permission in writing must be obtained from the publisher before any part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system. All trademarks, service marks, registered trademarks, and registered service marks are the property of their respective owners and are used herein for identification purposes only. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 ISBN 0-536-97722-4 2005240359 AP Please visit our web site at www.pearsoncustom.com ISBN 0-558-55519-5 PEARSON CUSTOM PUBLISHING ...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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...Bloodlines of Illuminati by: Fritz Springmeier, 1995 Introduction: I am pleased & honored to present this book to those in the world who love the truth. This is a book for lovers of the Truth. This is a book for those who are already familiar with my past writings. An Illuminati Grand Master once said that the world is a stage and we are all actors. Of course this was not an original thought, but it certainly is a way of describing the Illuminati view of how the world works. The people of the world are an audience to which the Illuminati entertain with propaganda. Just one of the thousands of recent examples of this type of acting done for the public was President Bill Clinton’s 1995 State of the Union address. The speech was designed to push all of the warm fuzzy buttons of his listening audience that he could. All the green lights for acceptance were systematically pushed by the President’s speech with the help of a controlled congressional audience. The truth on the other hand doesn’t always tickle the ear and warm the ego of its listeners. The light of truth in this book will be too bright for some people who will want to return to the safe comfort of their darkness. I am not a conspiracy theorist. I deal with real facts, not theory. Some of the people I write about, I have met. Some of the people I expose are alive and very dangerous. The darkness has never liked the light. Yet, many of the secrets of the Illuminati are locked up tightly simply because secrecy is a way...
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...FOR BLYTHE Acknowledgments My profound thanks to three dear friends with whom I have the great luxury of working: my editor, Jason Kaufman; my agent, Heide Lange; and my counselor, Michael Rudell. In addition, I would like to express my immense gratitude to Doubleday, to my publishers around the world, and, of course, to my readers. This novel could not have been written without the generous assistance of countless individuals who shared their knowledge and expertise. To all of you, I extend my deep appreciation. To live in the world without becoming aware of the meaning of the world is like wandering about in a great library without touching the books. The Secret Teachings of All Ages ———————————— FACT: In 1991, a document was locked in the safe of the director of the CIA. The document is still there today. Its cryptic text includes references to an ancient portal and an unknown location underground. The document also contains the phrase “It’s buried out there somewhere.” All organizations in this novel exist, including the Freemasons, the Invisible College, the Office of Security, the SMSC, and the Institute of Noetic Sciences. All rituals, science, artwork, and monuments in this novel are real. ———————————— Prologue House of the Temple 8:33 P.M. The secret is how to die. Since the beginning of time, the secret had always been how to die. The thirty-four-year-old initiate gazed down at the human skull cradled in his palms. The skull was hollow, like...
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