...Poem Analysis “We Real Cool” by Gwendolyn Brooks “We Real Cool” by Gwendolyn Brooks portrays a fasting living life and dying young. It talks about rebellious youngsters who are not fond of attending school so skip and find solace and pleasure at a pool. This poem holds the whole lives of a teenage gang, from their coolness to their demise. It could be a motto, it could be a song, a chant, a lyric rage against the powers that be. It has end rhyme and internal rhyme which is technically full – cool and school, sin and gin and the repetitive we; this is rhyme that binds together the brotherhood of the gang. The poem is not too long to induce boredom. The tone is one of defiance and stubborn allegiance to the gang. This is a group...
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...101 Professor Molitoris March 18, 2014 A Breakdown of Two Small But Powerful Poems Robert Frost’s “Fire and Ice” poem and Gwendolyn Brooks’ “We Real Cool” are ten lines or less but are poems that are extremely powerful and influential. Robert Frost talks about death but if the world ended, how would an individual want to die. Would an individual rather die by burning to death or being frozen to death? Gwendolyn Brooks’ poem is about a group of young black men who have no potential or future. All in all these poems have a vivid sense of imagery, an inspirational theme, and an odd rhyme scheme and meter. Although these two poems have two completely different subjects, they make you think and actually begin to questions certain aspects of life. In Brooks’ she sets the scene along with her characters and setting before even starting the poem. She lets know the characters are seven pool players, at the Golden Shovel. The Golden Shovel is a metaphor for these teenagers digging their own grave, when they’re supposed to be having fun, because they’re in their golden years. In lines 2-4 of her poem she talks about how the teenagers dropped out of school, stay out late, and that they commit crimes head on. This is a great example of imagery, because one can easily imagine young African-American kids not having anything to do after they dropped out of school and start to do illegal things. Therefore Brooks’ gave a great name for the setting, the Golden Shovel because these teenagers...
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...Gioia, 2052) or rime, which is when two or more words that contain identical or similar vowel sound (Kennedy and Gioia, 2074). In the two pieces “We Real Cool” by Gwendolyn Brooks and “My Papa’s Waltz” by Theodore Roethke the poets use a combination of rime, rhythm and meter to get the poem’s meaning across. The poem “We Real Cool” uses rhythm, the pattern of stresses and pauses in a poem, to get across the poet Gwendolyn Brooks’ theme. “We Real Cool” is about a group of boys that should be in school but decide to skip to go do something that is considered “cool”. Brooks uses an imitative tone while simultaneously, questioning of a group of the boys in a pool hall’s lives. Questions come up like “What are they doing here?” and “Shouldn’t they be in school?” but the bigger question is how do they feel about their lives. The poem implies the message that the boys in this pool hall are unhappy with their everyday lives, so they feel the need to pretend to be something else, something “cooler”. By using certain elements of sound Brooks shows the readers that she believes that these boys in the pool hall are trying to be something they are not. The poem also gives the reader a feeling of nostalgia. It brings the reader back to a time when they were younger and reminds them of the times that they tried to be something they were not. Brooks uses elements of sound like internal rime and meter to imitate how she believes that the boys would sound while talking about their activities....
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...DEPARTMENT OF ENGLISH AND FOREIGN LANGUAGES AND LITERATURE College of Arts and Sciences San Beda College COURSESYLLABUS First Semester, AY2014-2015 San Beda College, a Catholic educational institution, is committed to the Christian formation of the Bedan Community as its service to the Church, the Philippine society, and the world. Vision : San Beda College envisions a community that is Fully Human, Wholly Christian, Truly Filipino, and Globally Competitive. Mission : San Beda College aims to form its members in Faith, Knowledge, and Virtue Core Values : Inculcate in the students the Benedictine core values of Study, Community, and Pursuit of Peace ____________________________________________________________________________________________________________________________________ ____________________________________________ Course Title Course Code Pre- requisite Credits : : : : World Literature Lit 02 Lit 01 3 Units Vision-Mission Statement : Instructor : Email : Office : Consultation Hours: MWF Venue : Consultation Rm. I. Course Description: Socorro D. De Jesus, Ph.D. Associate Professor 1 socorro_dejesus@hotmail.com General Education Faculty Rm, 2 nd floor, St. Anselm's Building 1 The course will introduce students to the writings of persons from selected countries across the different continents of the world. Students will gain an understanding of literary concepts to be able to interpret, analyze and evaluate various genres. Furthermore, students will have the opportunity...
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... 175-‐02: Introduction to Literary Genres Instructor: Aaron Schab aschab@uidaho.edu 209 Brink Hall Department of English University of Idaho Course Meets: Life Sciences South 163 Monday/Wednesday/Friday 9:30 am – 10:20 am January 9, 2013 – May 10, 2013 Course Description In this class, we will learn about the basic conventions and terms used to understand and discuss the three major genres of literature: fiction, poetry, and drama. This class will help you understand the sometimes baffling world of literature, and is intended to provide the general student with basic experience in literary analysis. Additionally, I hope this class will lead you to a lifelong appreciation for (and engagement with) reading literature. Although this class features extensive reading and writing, it is not necessary for you to be a bookworm or a writing superstar to succeed in this class – if you are willing...
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...C h a p t e r 1 Prewriting GETTING STARTED (OR SOUP-CAN LABELS CAN BE FASCINATING) For many writers, getting started is the hardest part. You may have noticed that when it is time to begin a writing assignment, you suddenly develop an enormous desire to straighten your books, water your plants, or sharpen your pencils for the fifth time. If this situation sounds familiar, you may find it reassuring to know that many professionals undergo these same strange compulsions before they begin writing. Jean Kerr, author of Please Don’t Eat the Daisies, admits that she often finds herself in the kitchen reading soup-can labels—or anything—in order to prolong the moments before taking pen in hand. John C. Calhoun, vice president under Andrew Jackson, insisted he had to plow his fields before he could write, and Joseph Conrad, author of Lord Jim and other novels, is said to have cried on occasion from the sheer dread of sitting down to compose his stories. To spare you as much hand-wringing as possible, this chapter presents some practical suggestions on how to begin writing your short essay. Although all writers must find the methods that work best for them, you may find some of the following ideas helpful. But no matter how you actually begin putting words on paper, it is absolutely essential to maintain two basic ideas concerning your writing task. Before you write a single sentence, you should always remind yourself that 1. You have some valuable ideas to tell your reader,...
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