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Poetic Appreciation and Analysis

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CHAPTER 1
INTRODUCTION

Background of the Study

Poetry is perpetually re-creating language. It helps understand the world by sharpening our own senses, by making us more sensitive to life. Poetry is thought that is felt. Aristotle says, “There is nothing in the intellect that is not first in the senses”. The poet uses figures of speech and creates images-imitations of life, words that evoke mental pictures and appeal to our senses. The essence of poetry is, according to the different types of minds, either quite worthless or of infinite importance (Herbert, 2000). Poetry may be described as rhythmic imaginative language expressing the invention, thought, imagination, taste, passion and insight of the human soul. Its purpose is “enthrallment”. William Wordsworth describes it as “the spontaneous overflow of powerful feelings” taking its origin from “emotion recollected in tranquility”. For Edgar Allan Poe, poetry is “the rhythmical creation of beauty”. Poets, from their own store of felt, observed or imagined experiences, select, combine, and recognize. They create significant new experiences for the readers-significant because the focused and formed in which they may gain a greater awareness and understanding of the world. Poetry can be recognized only by the response made to it by a good reader, someone who has acquired some sensitivity to poetry. There is indeed an ideal reader or listener as well as an ideal poem; and it is useful to think about them all and to consider the qualities and virtues of each. The reader has responsibilities just as the poet has. The first rule of what might be called “good readership”-at least with respect to poetry-is to approach the poem with an open mind. A poem is defined as a highly organized, complex, and unified recreation of an experience. It aims to communicate to the receptive reader a new experience, analogous to

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