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Pop Culture

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Pop Culture

Eric Richardson

English Composition
Ashley Inguanta
August 27, 2012

My absolute favorite musical album is D’Angelo’s album entitled Voodoo, released in 2000. As a musician and vocalist myself, I’d say that I’m usually a bit more critical of music projects than I would be of any other form of art. It’s usually an easy task for me to appreciate the creativity of other art forms because I don’t have any type of bias. With music, however, it has been my lifelong passion. Since I was a child, I’ve been a student and a fan. As a fan, I’ve always looked for an album that could hold my interest throughout the entire list of tracks. I think even the most casual listener wants the best album possible. I can’t imagine anyone would want to spend their hard earned money on a mediocre album, with only a few songs standing out as favorites. Unfortunately, this has likely been the case since the Eight Track Tape was phased out. There was no rewind or fast forward option, so the albums simply had to be good. It’s a lot harder found what I’d consider a good album, present day. In my opinion, a good album evokes just as much emotion as it does provoke those and give the desire to dance, particularly when speaking of R&B and Soul genres. By these standards, most albums fail. Most albums have one ore the other, but very seldom have all of these characteristics.

D’Angelo’s Voodoo was a progressive work that had a retro feel. I think what made this album so strong was the fact that it was able to transcend time. Fans of funk music enjoyed this album just as much as fans of modern day R&B. D’Angelo calls on the inspiration of lots of older artists to ensure he has the right feel, and conveys the message he is looking for. The album seems to reach out to fans of Old School Soul music exclusively. With the combination of live drums, live brass, live strings and organic vocals, it’s clear that D’Angelo was looking the rebel against the flavor of the month. Much like music has progressed today, most production was beginning to rely heavily on electronic and synthetic sounds. The fact that the artist chooses to say the course and not abandon his creativity is a real strength of the album. It gives the album a comfortable feeling that is easy to get in to. Now as much as I enjoy a natural sound, I also enjoy hearing an artist being free, and uninhibited. There is nothing wrong with venturing outside of your own comfort zone, in order to make something new. While I appreciated D’Angelo sticking to his guns, I would’ve liked to see a little more crossover appeal. I appreciate albums that aren’t designed for one market, and this one definitely does not do that. Nonetheless, it was a great album and still received rave reviews.

This album became extremely popular. Many appreciated the fact that it was different from what was being played at the time of its release. It was refreshing. It also seemed to remind artists of what music meant to them at some point. It took them back to before the fame. Voodoo broke all of the rules and became a mainstay in pop culture. Joshua Klein of the A.V. Club writes, “Yet D'Angelo's mellow strategy frequently pays off: Where so many artists obnoxiously clamor for the listener's attention, D'Angelo keeps his cool, ironically making the ultra-relaxed (79 minutes!) disc a brave antidote to current pop and hip-hop trends.” This, to me is the perfect album.

My absolute favorite musical album is D’Angelo’s album entitled Voodoo, released in 2000. As a musician and vocalist myself, I’d say that I’m usually a bit more critical of music projects than I would be of any other form of art. It’s usually an easy task for me to appreciate the creativity of other art forms because I don’t have any type of bias. With music, however, it has been my lifelong passion. Since I was a child, I’ve been a student and a fan, so I tend to be much more critical. As much as I appreciate today’s music, I’d have to say that I prefer music that was made between 1950 and 1980. The music seemed much more passionate and I can usually listen to an album from beginning to end. As a fan, I’ve always looked for an album that could hold my interest throughout the entire list of tracks. However, it seems that it’s becoming increasingly harder to find an album that can do just that. In my opinion, a good album evokes just as much emotion as it does provoke those and give the desire to dance, particularly when speaking of R&B and Soul genres. By these standards, most albums today fail. Most albums have one ore the other, but very seldom have all of these characteristics.
D’Angelo’s Voodoo was a progressive work that had a retro feel. I really appreciate the fact that the album did not conform to what R&B was thought to be at that time. R&B from the late 1990s and into the early 2000s seemed to be more focused on the Artist’s image, than the music itself. The organic sounds of Voodoo made the album that could be enjoyed by many different types of fans from different generations. Fans of funk music enjoyed this album just as much as fans of modern day R&B. D’Angelo pulls inspiration from the likes of Prince, The Ohio Players and Al Green, amongst others. The album seems to beckon those with a bold taste in music. With the combination of live drums, live brass, live strings and organic vocals, it’s clear that D’Angelo was looking to rebel against the trends of that time. Much like music has progressed today, most production was beginning to rely heavily on electronic and synthetic sounds. A real strength of the album is that D’Angelo choses not to abandon his creativity and perform the music as he felt it. It gives the album a comfortable feeling that is easy to enjoy. Now as much as I enjoy a natural sound, I also enjoy hearing an artist being free, and uninhibited. There is nothing wrong with venturing outside of your comfort zone, in order to make something new. While I appreciated D’Angelo sticking to his guns, I also would’ve liked to see a little more crossover appeal. I appreciate albums that appeal to more than one market, and this one definitely does not do that. I believe that there were many more fans that could’ve benefited from his display of creativity. Nonetheless, it was a great album and was still received well.
This album became extremely popular. Many appreciated the fact that it was different from what was being played at the time of its release. It was refreshing. It also seemed to remind artists of what music meant to them at some point. It took them back to before the fame. Voodoo broke all of the rules and became a mainstay in pop culture. Joshua Klein of the A.V. Club writes, “Yet D'Angelo's mellow strategy frequently pays off: Where so many artists obnoxiously clamor for the listener's attention, D'Angelo keeps his cool, ironically making the ultra-relaxed (79 minutes!) disc a brave antidote to current pop and hip-hop trends.” This, to me is the perfect album.

References

Joshua Klein (2000, January 11) Retrieved 15 August 2012
http://www.avclub.com/articles/dangelo-voodoo,18009/

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