...Humanities 135/Theater 102 FILM NOIR VIEWING ASSIGNMENT A. The film title is Pulp Fiction, the release year is 1994, the director is Quentin Tarantino, and the production company is Miramax Films. B. The stories of two mob hit men, a boxer and a pair of dinner bandits intertwine in four tales of violence. C. Some of the Mise-en-scene that I noticed in the film was many street lights including neon lights indoor and outdoor, lots of 50's and 60's memorabilia, I also noticed the music use was from that era. Costumes in the film such as Marilyn Monroe, Elvis Presley, example of this is when the taxi driver is driving the boxer to his hotel, also when Vince is driving Mia to the restaurant, and inside the cafe that they went to eat. D. One evidence of Schrader noir characteristic is the use of reflective surfaces, windows, tables, mirrors, and blinds. Example inside cafe with Mia and Vince. And in the beginning with the couple robbers. E. One evidence of Matthews noir characteristic is the use of Neon lights, example inside cafe with Mia and Vince. G. One Schrader characteristic which don't occur is that not the majority scenes are lit for night. One Matthews characteristic that doesn't occur is rain. H. No there is not a hardboiled detective. I. No the film did not begin at the beginning. J. I like the film very much, the fact that the gangster characters are living in the edge, the irrationality...
Words: 259 - Pages: 2
...Pulp Fiction is like boot camp for the Marines. You come into it from your civilized life, they subject you to violent language until you're numb, they abuse you verbally and physically until all of your normal feelings and values are reduced to dust. Leaving you aware that you have changed, and able to describe the change, you find yourself questioning the person you were previously. First thing you know you're saluting. This story is a cleverly disorienting journey through a landscape of danger, shock, hilarity, and vibrant local color. Nothing is predictable or familiar within this irresistibly bizarre world. You do not merely enter a theater to see Pulp Fiction: you go down a rabbit hole. Theater is an actor moving through time and space, telling a story. In Quentin Terintenio¹s, Pulp Fiction, the actors portray savvy modern-day gangsters and the story is three stories told in backwards order. To say the least this not your average story. The theme of the story is redemption, and the journey to achieve that redemption. The characters are colorfully multidimensional and most importantly they are believable. The language of the story is street-smart and confident, like the characters. There is no main plot, only mirror plots that are reflections of each other. The theme of redemption is portrayed by two of the main characters of the story. These characters seek redemption and a new way of life, they each desire a more virtuous life. Butch (Bruce Willis) wants to pull...
Words: 1236 - Pages: 5
...Reservoir Dogs, directed by Quentin Tarantino, is one of the renowned film noirs in Hollywood cinema culture. The film noir is a French meaning a genre about time (Miyao Lecture 3). There are several characteristics that feature film noir: for example, almost all noir films are crime and action films and revolve around two overarching themes - the irretrievable-ness of time and the emphasis on trust and betrayal (Miyao Lecture 3). Moreover, film noir has its own cinematic techniques to distinguish itself from other genre films, such as flashbacks to manipulate the time to alter the story order. The film Reservoir Dogs does a great work in manipulating time and space as Tarantino even stated in his interview that he wanted to introduce each character in "a series of chapters" and when one chapter ends the story goes "back in the main thrust of action again" (Peary 38). Even with the constant use of flashbacks, the story line still flows fluidly avoiding any complication in understanding the plot. In this paper, the one scene that I choose is at the end when Mr. Orange reveals his true identity as a cop to Mr. White, who risked his own life to save him from the Joe and “Nice Guy” Eddie. There are multiple cinematic techniques displayed in this particular scene – the medium and close-up shots of Mr. White and Mr. Orange, the 180 degree rule editing, the cool lighting, and diegetic sound of Mr. White's whimpering – all which help analyze the two characters in depth and emphasize the...
Words: 1315 - Pages: 6
...Pulp Fiction In summary, I tend to strongly agree with John Haynes that the film’s crossover success as sort of an “Indiewood” (pg. 712) genre contains immense irony, as the film definitely encompasses such a star-studded cast, particularly through Travolta’s renowned casting (pg. 711), which reflect typical Hollywood and also the movie’s loyalty to some facets of mainstream films with its cultural allusions; however, the author also specifies clearly that the film adamantly projects elements of its own distinctive style and also infuses aspects that deeply strays from mainstream films, which I totally agree with without any qualm. Hayes also seems to further imply that we can “expect the unexpected” from this disorienting film as a whole, a statement that characterizes the essence of this movie for me as well. In particular, the Haynes also cites numerous examples of how the film is anything “but a conventional film” (pg. 696) in terms of its contents, style, symbolisms, etc. Examples such as the “you play with matches” shots (pg. 696), its use of 1950s iconic allusions, along with it’s playful tone (pg. 697), as well as its postmodern emphasis on surfaces and reflections (pg....
Words: 718 - Pages: 3
...The American culture in PULP FICTION “The path of the righteous man is beset on all sides by the inequities of the tyranny of evil man. blessed is he who, in the name of charity and good will, shepherds the weak through the valley of darkness, for he is truly his brother's keeper and the finder of lost children. And i will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know my name is the lord when i lay my vengeance upon thee. ” This is the famous lines of pulp fiction, which also comes from The Bible. I have seen a lot of American’s movies, but this one, pulp fiction, made me confused and thought a lot until now. You may think what kinds of deep and profound things you can figure out from a film which is fulled of violence, sex, and drugs. But on the country, through the classic “black humor”, it exactly reflect the reality life of American lower class in 19 century. Pulp Fiction is structured around three distinct but interrelated storylines—in Tarantino's conception, mob hitman Vincent Vega is the lead of the first story, prizefighter Butch Coolidge is the lead of the second, and Vincent's fellow contract killer, Jules Winnfield, is the lead of the third. Although each storyline focuses on a different series of incidents, they connect and intersect in various ways. The film starts out with a diner hold-up staged by "Pumpkin" and...
Words: 1283 - Pages: 6
...Intro to Film Study Film Analysis of Pulp Fiction Pulp Fiction is a movie that seems to have multiple stories being told almost simultaneously. Some will say it is about two hit men or a boxer, but the truth is there is no story behind the film. The whole purpose of the film is to parody every type of film movement created. This film leaves no movement out. The director, Quentin Tarantino, uses the film’s formal properties to express larger themes. First of all, Quentin Tarantino somewhat sticks to the classic Hollywood System for editing. Tarantino does not seem to cross the axis of action. However, there are times when the director breaks with the classic Hollywood System for editing and one way he does this is by having a discontinuous editing system. One example is the end of the movie. Under the rule of continuity editing, it should have been following the beginning of the film. The director, however, did not seem to use crosscutting, which could have worked in his film and makes him adhere to the continuity editing system. Among all the other styles present in the film, film noir and surrealism seem to be the most obvious. Throughout the movie, Tarantino parodies these films styles along with many others. Film noir is one of the most noticeable styles in the movie. First of all, one important aspect of film noir is the fact that each character has no clear moral base. This is very true in Pulp Fiction, especially with Samuel L. Jackson’s character, Jules. In the beginning...
Words: 1503 - Pages: 7
...Thurman) confronts an enemy on Kill Bill: Vol 1, anytime Django is perceived as valiant an up-tempo western beat plays. For example, "The Braying Mule" by Ennio Morricone with its typical guitar, wood wind instrument, and drums played in this film. Though these two movies have a difference, they also have songs produced by the same artist Luis Bacalov, "Django" and "The Grand Duel". The similarity shows the consistency Tarantino has in his movies. Often called a Horse Opera, this western's soundtrack talks to reach the audience to emphasize a scene. Like, "I've Got a Name" by Jim Croce that can be heard once Django regards himself as more than a slave. It is not said, but through the use of music the moment is captured. In addition, in contrast to Pulp Fiction's rock and fun "You Can Never Tell" by Chuck Berry and "Jungle Boogie" by Kool And The Gang, Django Unchained's "Freedom produced by Anthony Hamilton and Elayna Boynton is more meaningful and slow. While these features successfully portray a Spaghetti Western with the twist of Comedy , some may discourage viewers because of the extent of them. The content includes too much violence and inappropriate language for young crowds. Confusion about what one should feel in certain situations could distract from the overall opinion of the film. Even Tarantino commented about the spectators and their understating of the dark humor by stating, "When I'm writing a movie, I hear the laughter. People talk about the violence. What about the comedy...
Words: 915 - Pages: 4
...Sociology 1 Castelli Due Tuesday, Feb. 9 Overview In addition to entertaining us, movies offer detailed portrayals of human social behavior. Your task in this assignment is to analyze -- from a social-psychological perspective -- the behaviors and events depicted in one of the films listed below. You are not being asked to critique the film in terms of its value as a work of art or as entertainment. Rather, you should think carefully about the human actions and events portrayed in the film. Assignment Choose one of the films listed below. Most should be available at any video rental store. View the film you choose at least once. (Two viewings may offer an advantage). Then, after reviewing your notes and readings, identify 2 different social-psychological principles that appear to be operating in the events or individuals depicted in the film . For each principle that you identify: (a) Provide a clip to show in class. You may assume that we will have internet access, or you can bring in a DVD (or even a VHS tape), or you may create the entire presentation on DVD to show in class. (b) describe in detail the social-psychological principle you believe is relevant. Your job here is to demonstrate that you understand the principle or theory, and that you can describe it in your own words. You don’t need to do library research for this – using your text or your lecture notes as resources is fine. You need you to show us that you have a good understanding of the concept/principle...
Words: 1832 - Pages: 8
...Guide to Referencing and Citations Sheffield Hallam University Learning and Information Services Accurate and consistent referencing is essential in all academic work. Whenever you refer to either the work or ideas of someone or are influenced by another's work, you must acknowledge this. Similarly if you use a direct quotation from someone's work this should be referred to accurately. There are a number of systems of referencing. This guide offers detailed guidance based on a range of British and international standards for producing references and bibliographies according to the Harvard method. You may be asked to use another system, such as a numeric system or to use a different version of the Harvard method. If this is the case, please refer to your course handbook or tutors for guidance. This guide does not cover the use of footnotes as these are not used in the Harvard method. You can search this document or use the contents list below Contents: What is referencing? Why should you reference? When should you reference? What should you reference? Plagiarism How to reference using the Harvard method Principles of citing How to cite Citing sources with one author Citing sources with two or three authors Citing sources with more than three authors Citing edited sources Citing corporate authors: organisations, companies and institutions Citing more than one source by the same author(s) Citing when you cannot identify the author(s) of a source Citing when you cannot identify...
Words: 20746 - Pages: 83
...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
Words: 123617 - Pages: 495
...Copyediting & Proofreading FOR DUMmIES by Suzanne Gilad ‰ Copyediting & Proofreading For Dummies® Published by Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2007 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317-572-3447, fax 317-572-4355, or online at http://www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc., and/or its affiliates in the United States and other countries, and may not be used without written permission. All...
Words: 125743 - Pages: 503
...University of Roehampton Referencing Style Guide Harvard Version 2012 Learning Services Supporting innovation in teaching, learning and learner development The Green Room, Library rm 217 www.roehampton.ac.uk/Learningservices Contents INTRODUCTION ...................................................................................................................................... 1 DISCLAIMER ...................................................................................................................................................... 1 ABOUT THIS GUIDE ........................................................................................................................................... 1 WHAT IS REFERENCING, AND WHY SHOULD I DO IT? .................................................................................... 1 PARAPHRASING ................................................................................................................................................. 2 QUOTING ........................................................................................................................................................... 3 CITATIONS ........................................................................................................................................................ 4 . BIBLIOGRAPHIES OR CITED WORKS/REFERENCE LIST ..........................................................................
Words: 23719 - Pages: 95
...file:///I|/LIBRARY/English/IELTS/OTHER/IELTS%20MATERIALS/WordList_IELTS.txt KWordListTitle:IELTS´Ê»ã KWordListIndex:ABCDEFGHIJKLMNOPQRSTUVWXYZ Antarctic Arabic abandon abbreviate abbreviation abet ability abnormal abolish aboriginal abort abortion abound abrasion abridge abrupt absorb abstract absurd abundance abuse academic accelerate accelerator access accessory acclaim accommodation accompany accomplish accomplishment accord accordance account accountant accounting accumulate accuracy accurate accuse file:///I|/LIBRARY/English/IELTS/OTHER/IELTS%20MATERIALS/WordList_IELTS.txt (1 of 106)10-Mar-2006 2:07:23 AM file:///I|/LIBRARY/English/IELTS/OTHER/IELTS%20MATERIALS/WordList_IELTS.txt achieve acid acidity acknowledge acquaint acquaintance acquire acquisition activate acute adapt addict address adept adequate adhere adjacent adjoin adjudicate adjust administer administration administrative admission adolescence adopt adoption adoptive adore adrenalin adult advent adverbial adverse advertise advocate aerial aerodynamics aerosol aesthetic affect affection affiliate file:///I|/LIBRARY/English/IELTS/OTHER/IELTS%20MATERIALS/WordList_IELTS.txt (2 of 106)10-Mar-2006 2:07:23 AM file:///I|/LIBRARY/English/IELTS/OTHER/IELTS%20MATERIALS/WordList_IELTS.txt affirm affirmative affix afflict affluent afford agency agenda aggravate aggregate aggressive agitation agony agreeable agreement agriculture aid air air-conditioning aircraft airing aisle alarm album alchemy alcohol ale...
Words: 7738 - Pages: 31
...RESEARCH and WRITING CUSTOM EDITION Taken from: Writing Research Papers: A Complete Guide, Eleventh Edition by James D. Lester and James D. Lester, Jr. To the Point: Reading and Writing Short Arguments by Gilbert H. Muller and Harvey S. Wiener ISBN 0-558-55519-5 Research and Writing, Custom Edition. Published by Pearson Custom Publishing. Copyright © 2006 by Pearson Custom Publishing. Taken from: Writing Research Papers: A Complete Guide, Eleventh Edition by James D. Lester and James D. Lester, Jr. Copyright © 2005 by Pearson Education, Inc. Published by Pearson Longman, Inc. New York, New York 10036 To the Point: Reading and Writing Short Arguments by Gilbert H. Muller and Harvey S. Wiener Copyright © 2005 by Pearson Education, Inc. Published by Pearson Longman, Inc. Copyright © 2006 by Pearson Custom Publishing All rights reserved. Permission in writing must be obtained from the publisher before any part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system. All trademarks, service marks, registered trademarks, and registered service marks are the property of their respective owners and are used herein for identification purposes only. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 ISBN 0-536-97722-4 2005240359 AP Please visit our web site at www.pearsoncustom.com ISBN 0-558-55519-5 PEARSON CUSTOM PUBLISHING ...
Words: 70562 - Pages: 283
...Preface Let me begin this preface with a confession of a few of my own biases. First, I believe that theory and the models that flow from it should provide the tools to understand, analyze, and solve problems. The test of a model or theory then should not be based on its elegance but on its usefulness in problem solving. Second, there is little in corporate financial theory that is new and revolutionary. The core principles of corporate finance are common sense and have changed little over time. That should not be surprising. Corporate finance is only a few decades old, and people have been running businesses for thousands of years; it would be exceedingly presumptuous of us to believe that they were in the dark until corporate finance theorists came along and told them what to do. To be fair, it is true that corporate financial theory has made advances in taking commonsense principles and providing structure, but these advances have been primarily on the details. The story line in corporate finance has remained remarkably consistent over time. Talking about story lines allows me to set the first theme of this book. This book tells a story, which essentially summarizes the corporate finance view of the world. It classifies all decisions made by any business into three groups—decisions on where to invest the resources or funds that the business has raised, either internally or externally (the investment decision), decisions on where and how to raise funds to finance...
Words: 83043 - Pages: 333
