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Rape of the Lock Literary Analysis

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Submitted By yvettenyodog
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Yvette Nyodog
Ms. Reinhart
AP Literature
Rape of the Lock Literary Analysis
11 March 2015

Commodities have been a part of human culture from the start of the first civilizations. They can be crudely constructed or richly made works of art; they are still objects, however some people treasure their possessions more than anything in the world. These objects can become the driving force behind a person's life and desires. When someone's prized possession is stolen, it may seem as though a disaster has taken place. In The Rape of the Lock, Alexander Pope is commenting on the triviality of a lost possession. Pope blurs the line between people's personalities and their possessions. He creates a world in which people are their commodities and important ideals in society are also transformed into concrete objects that could be stolen from society.

Pope opens the poem by invoking a muse, but rather than invoking one of the mythic Greek muses, he leaves the muse anonymous. In the first verse paragraph of Canto I, he introduces his epic subject matters: a war arising from “amorous causes” (1) and “mighty contests rise from trivial things” (2). In lines 11-12 Pope juxtaposes grand emotions with unheroic character-types, specifically “little men” and women: “In tasks so bold can little men engage, / And in soft bosoms dwells such mighty rage.” The irony of pairing epic characteristics with lowly human characters contributes to Pope’s mock-heroic style. Pope uses the mock-heroic genre to elevate and ridicule his subjects simultaneously, creating a satire that scolds society for its misplaced values and emphasis on trivial matters. Pope explores the role of the “coquette” in Canto I. He demonstrates that womanly priorities are limited to personal pleasures and social aspirations, as humans these women valued their “beauteous mold” and enjoyed frivolous diversions, which they

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