...November 20, 2009 Coming to America: Oi!! Oi!! Oi!! In the late 1970's in Europe the Punk music scene was expanding and developing. European punk music was an imitation of what musicians had heard while the Ramones (Stim 2006) and Sex Pistols (Morley 2006) played their shows in London. UK rock and roll bands would be seen speeding up their material and shows to emulate American punk music. As the punk scene would become more commercialized in the UK, several bands were breaking off from the punk songwriting standards; instead their sound would fuse ideas from early punk, British rock band, football chants, and pub rock bands. In 1977 a UK punk band named the "Cockney Rejects" (Turner and Bushell 2005) would form in East London, three years later in 1980 Garry Bushell, a rock journalist, would take a title from one of their songs to name this movement. The song "Oi! Oi! Oi!" would lend its name to describe this sub genre's style of music, and thus Oi!! was retroactively born. In the early 1980's Oi! would make its way to America, however changing from its UK roots. (Rollins 1994) Oi! would dovetailed with the punk, hardcore punk scene that was already prevalent in the early 80's in the US. The hardcore punk scene was comprised of punks, Neo-Nazi's, the American Front, Skinheads, and Boneheads, a different composition than found in the UK Oi! fan base. (Bushell n.d.) The Origination of Oi! The UK Oi! originated out of a wide array of people, the sub genre of...
Words: 4390 - Pages: 18
...Global Innovations: #1 Essay basis for Test Though created in the United States by African Americans, hip hop culture and music is now global in scope. Youth culture and opinion is meted out in both Israeli hip hop and Palestinian hip hop, while Canada, France, Germany, the U.K., Poland, Brazil, Japan, Africa, Australia and the Caribbean have long-established hip hop followings. According to the U.S. Department of State, hip hop is "now the center of a mega music and fashion industry around the world," that crosses social barriers and cuts across racial lines. National Geographic recognizes hip hop as "the world's favorite youth culture" in which "just about every country on the planet seems to have developed its own local rap scene." Through its international travels, hip hop is now considered a “global musical epidemic,” and has diverged from its ethnic roots by way of globalization and localization. Although some non-American rappers may still relate with young black Americans, hip hop now transcends its original culture, and is appealing because it is “custommade to combat the anomie that preys on adolescents wherever nobody knows their name.” Hip hop is attractive in its ability to give a voice to disenfranchised youth in any country, and as music with a message it is a form available to all societies worldwide. From its early spread to Europe and Japan to an almost worldwide acceptance through Asia and South American countries such as Brazil, the musical...
Words: 2693 - Pages: 11