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Research Paper On Michelangelo

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The Renaissance was a period in Europe that lasted from the early 1400s to around 1600. It acted as a cultural reawakening of sorts for the people of that time, affecting the arts, literature, philosophy, and all other facets of life. Italian humanists, or people “who emphasized the power and potential of human beings for great individual accomplishment,” looked back through the ages and began to appreciate the many achievements that occurred from Antiquity. Because of this the arts of paint, sculpture, and architecture saw a vast refinement by building upon the many major advances made during ancient times.
The Renaissance is often broken up in to three segments to characterize the achievements of their times. The first segment occurred between …show more content…
He was active during the High and the Late Renaissance, dying in 1564. The family he was born in to claimed nobility, although they had neither the wealth nor documentation to support this claim at the time. Subsequently, throughout the rest of his life, Michelangelo would continue to claim he came from a background of nobility. Michelangelo would end up spending his formative years in Florence, where at the age of 13 he was apprenticed to Domenico di Tommaso Bigordi, better known as Domenico “Ghirlandaio,” for three years, but only staying for one. Under Ghirlandiao Michelangelo studied drawings of classical monuments as well as being taught the technique of frescoe painting. Following this apprenticeship he would later join the house Lorenzo de …show more content…
He created a massive masterpiece. Michelangelos’ David measures 17 feet tall, cut from a block of marble hand selected by the artist. David follows the same style of previous works of Michelangelo, showing a lifelike, but massive, athletic male nude that embodies and conveys human emotion so eloquently. It is very apparent of Michelangelos mastery of anatomy. Davids stance and his gaze give off the feeling of confidence, but also a feeling of determination, as it is he who must fight Goliath even though he is completely unmatched. It is as if the viewer is watching David as he mentally prepares to go to battle. This David is far different from the many other Davids created before. David stands firm, in a very masculine stance with heroic features, whereas Donatellos David is extremely feminine in appearance. It is what this author would call a breakout piece, as it breaks away so vehemently from the conventions of the time with the muscular nudity, but still is so beloved by those who viewed it that instead of being placed atop a buttress of a cathedral in Florence it was placed in the city

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