...Most of the novel is focused on Edna’s growing realization that she feels separated from the ideals of the Victorian era and how she manages to escape them by striking out on her own to live as an artist. Although this is an admirable action, she is completely irresponsible in how she goes about it. Even though she has a husband and children, she leaves them as soon as she discovers her passion and does not give any real thought to them after that point in the novel. Even from the beginning of the text though, it is clear that she is not always the most responsible mother. She lets her children wander off with the nanny and does not always heed the signs when they are ill. As the narrator states in one of the important quotes from “The Awakening” by Kate Chopin,“She was fond of her children in an uneven, impulsive way. She would sometimes gather them passionately to her heart and sometimes forget them” (24). She treats her husband in the same way since as soon as she realizes her dream to live independently, she leaves him without much of a thought. What makes Edna’s character trait of irresponsibility only that (as opposed to purposeful neglect or crassness) is that she sees her quest to discover herself as something of the highest importance. She still wishes to maintain a good relationship, especially with her children, but her trait of irresponsibility does not permit this. In addition to being irresponsible, Edna is also very childish. These two are different traits because...
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...gInstitution för kultur och kommunikation Kristin Kämpenberg Edna’s Failure to Find Her Female Role in Kate Chopin’s The Awakening English C-Uppsats Date/Term: Supervisor: Examiner: Serial Number: Höstterminen 2006 Åke Bergvall Mark Troy X-XX XX XX Karlstads universitet 651 88 Karlstad Tfn 054-700 10 00 Fax 054-700 14 60 Information@kau.se www.kau.se Kate Chopin is known for writing about women and their struggles in patriarchal society. In her three works The Awakening, “A Point at Issue” and “Wiser than a God”, she portrays women who have taken on different types of female roles. Per Seyersted calls these roles the “patriarchal woman”, which I choose too exemplify by Mme. Ratignolle from The Awakening, the “modern woman,” who Seyersted exemplifies by Eleanor from “A Point of Issue,” and the “emancipated woman,” who Seyersted exemplifies by Paula from “Wiser than a God” (Seyersted 102-105). One can say that these women have accepted and internalized a female role in society, by either following the rules of patriarchal society or breaking them. Edna, the protagonist of The Awakening, is a woman in search of her female identity. She is uncomfortable in her role as the “patriarchal woman” and has trouble obtaining either of the other two roles. This essay will focus on Edna’s inability to find her female role. Comparing her to the three other types of women in Chopin’s works, I will show why she cannot conform to any one of these roles, and how the resulting suicide...
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...2011 Gender Roles in The Scarlet Letter and The Awakening During the Victorian era, the life a woman was immensely difficult. They were considered the property of their husband, and treated as such. Women were forbidden from owning their own property, even if they were given the property from their father. In such a case, the land would be transferred in ownership to her husband. A woman’s place was in the home, to dutifully care for her husband and children. Her job was to cook, clean, and bear children. Interestingly, a wife was treated similarly to her children. Obedience toward the man of the home was necessary from both the children and the mother. In contradiction to all of the restriction and repression, the nineteenth century produced two of literatures strongest women. Nathaniel Hawthorne and Kate Chopin gave American society two women who actively defied their husbands and who possessed their own strong moral codes. With The Scarlet Letter published in 1850 and set in the seventeenth century, Nathaniel Hawthorne was taking a large risk in creating a novel detailing a woman’s adultery with the town’s minister and producing an illegitimate child in the process. Despite the treatment she receives, Hester does not waver in her promise to keep her lover secret, proving that she is a strong willful woman. As the century is coming to a close, Kate Chopin produced a work that sent shock waves through American society. The Awakening presents the story of Edna Pontellier, a woman...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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