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Return Of Martin Guerre Film Analysis

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The Return of Martin Guerre Film: Microhistory? History is a broad field and therefore it is no secret as to why historians tend to study within a select few of numerous sub-fields. Even with this specificity, one may find that there are still some events that warrant more attention than others; to achieve a deeper understanding of such instances, they may seek to analyze a microhistory. A microhistory is an “intensive study of small-scale event or places, or individuals,” (Lecture 11/3) which presents an opportunity to learn about the greater society by examination of a particular instance. Typically, these studies attempt to reconstruct people’s worlds, in both a mental and physical sense, while focusing on rather unusual tales (Lecture …show more content…
The audience is given little insight into her mental state, which is largely a criterion for whether a work can be considered a microhistory. In the film, she is presented as somewhat of a passive bystander, naïve and unaware that she has welcomed an imposter into her life. Despite pressure from the judge and protests from townspeople, she adamantly proclaims that the imposter, Arnaud, is indeed her husband because he knows intimate details that he otherwise would not. In the book, however, Davis characterizes Bertrande as a co-conspirator in Arnaud’s scheme, and most importantly, reveals her motivations for taking on this role, which is an element that is largely absent from the film. She knew that if she slyly informed Arnaud of Martin’s past and helped him memorize stories that only her husband would know, they could resume living in peace, and Bertrande could then preserve her honor, “live as a mother and family woman at the center of village society,” and ensure that her son would inherit (Davis, p. 60). It is evident that, contrary to what is revealed in the film, Bertrande is a strong female figure who has ulterior

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